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AN ANALYSIS OF SMEAGOL’S CHARACTER INFLUENCED BY THE ONE RING IN LORD OF THE RINGS: RETURN OF THE KING FILM USING JUNG ARCHETYPES Eko Hardanto; M. Natsir; Singgih Daru Kuncara
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni dan Budaya Vol 3, No 1 (2019): Januari 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (235.608 KB) | DOI: 10.30872/jbssb.v3i1.1770

Abstract

Lord of the Rings: Return of The King film was adapted from a novel with the same title by J.R.R. Tolkien. This film was directed by Peter Jackson and aired in 2003. This film was a fantasy-adventure genre film. It tells the journey of the Hobbits and their friends to save Middle Earth from dark master Sauron. The purpose of this research is to find out Smeagol archetypes and how the One Ring influences Smeagol’s personality. In this research, the researcher used Carl Gustav Jung analytical psychology theory which contains ego, personal unconscious, and the collective unconscious. In this research, the researcher focused on Jung Archetypes theory, which Archetypes is part of the collective unconscious. The researcher used twelve archetypes in this research: persona, shadow, anima, animus, the great mother, the wise old man, hero, child, hermaphrodite, trickster, and self. The researcher used those twelve archetypes to find Smeagol archetypes and used that to analyze how the One ring influenced Smeagol personality. In this research, the researcher used a qualitative method to collect the data. The data collected from dialogue, narration, and monologue which was related to Smeagol’s. the data presented in quotations and pictures. The result of this research, the researcher found five archetypes in Smeagol and one in the One Ring. Five archetypes that found in Smeagol are the persona, shadow, the hero, hermaphrodite and the trickster, and for the One Ring is the mana. The major archetypes in Smeagol were the trickster, which was the most influenced on changing Smeagol personality. Lord of the Rings: Film Return of The King diadaptasi dari novel dengan judul yang sama dari karya J.R.R. Tolkien. Film ini disutradarai oleh Peter Jackson dan ditayangkan pada tahun 2003. Film ini adalah film bergenre fantasi-petualangan. Di film ini menceritakan perjalanan para Hobbit dan temannya untuk menyelamatkan Middle Earth dari penguasa kegelapan yaitu Sauron. Tujuan penelitian ini adalah untuk mengetahui arketipe yg ada di Smeagol dan bagaimana One Ring mempengaruhi kepribadian Smeagol. Dalam penelitian ini, peneliti menggunakan teori psikologi analitik Carl Gustav Jung yang berisikan ego, personal unconscious, dan collective unconscious. Dalam penelitian ini, peneliti memfokuskan pada salah satu teori Jung, yaitu arketipe, yang mana arketipe adalah bagian dari collective unconscious. Peneliti menggunakan dua belas arketipe dalam penelitian ini: persona, shadow, anima, animus, the great mother, the wise old man, hero, child, hermaphrodite, trickster dan self. Peneliti menggunakan kedua belas arketipe ini untuk menemukan arketipe yang berada pada Smeagol dan juga menggunakan ke dua belas arketipe itu untuk menganalisis bagaimana One Ring mempengaruhi kepribadian Smeagol. Dalam penelitian ini, peneliti menggunakan metode kualitatif untuk mengumpulkan data. Data yang di kumpulkan berasal dari dialog, narasi, dan monolog yang berkaitan dengan Smeagol. data yang disajikan dalam bentuk kutipan dan gambar. Hasil dari penelitian ini, peneliti menemukan lima arketipe di Smeagol dan satu arketipe di One Ring. Lima arketipe yang ditemukan di Smeagol adalah persona, shadow, hero, hermaphrodite dan trickster, dan untuk One Ring adalah mana. Arketipe yang paling menonjol di Smeagol adalah trickster, yang mana arketipe tersebut yang paling mempengaruhi perubahan kepribadian pada Smeagol.
RACIAL DISCRIMINATION THROUGH DIDO AS THE MAIN CHARACTER IN BELLE FILM Ni Zha Zha Sufiana; M. Natsir; Chris Asanti
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6561

Abstract

The purpose of this thesis is to identify the discrimination that happened towards Dido as the main female character in Belle film. The film tells the story about a mulatto woman who receives racial discrimination in society because of her racial background. This thesis uses Gordon Allport’s theory of discrimination in which he explained the types of discrimination are antilocution, avoidance, discrimination, physical attack, and extermination. Qualitative research design was employed in conducting this research. The data are taken from dialogues, conversations, narrations, and screenshots that are related to racial discrimination towards Dido. From the five types of discrimination by Allport, there were only three types of discrimination that were happened towards Dido. They were antilocution, avoidance, and discrimination. Discrimination is the most prominent one in this thesis. Hence, it can be assumed when discrimination escalated, it can lead to an extreme action such as physical attack and extermination that happened towards the slave in the film.