Ni Putu Dewi Pradnyan
Universitas Hindu Indonesia

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BRATA PENYANGGRA RATU WAYAN DAN RATU KETUT DI DESA ADAT KEDISAN KECAMATAN KINTAMANI KABUPATEN BANGLI I Kadek Satria; Ni Putu Dewi Pradnyan
WIDYANATYA Vol 3 No 1 (2021): Widyanatya: Jurnal Pendidikan Agama dan Seni 
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v3i1.1683

Abstract

This study discusses one of the three Hindu religious frameworks, namely ethics in a tradition The religious tradition of society certainly has different characteristics according to the social conditions of the community. Likewise with the Hindu religious tradition, each region and social group must have its own way of carrying out its religious traditions. In Bali, differences in religious traditions that occur are often mentioned due to factors of differences in villages, kala, patra. Desa kala patra comes from three words, namely village means where we are, kala is the time when we are, and patra is the state or situation and condition in which we are. So the kala patra village can be interpreted as the flexibility of the community's interpretation of an area within a certain period of time adjusted to the situation / situation. The discussion was carried out in a descriptive qualitative manner by targeting the issue of how the process, ethical concepts and implications for the Kedisan village community in general. Among the various Hindu religious traditions that have developed in Bali, in general the Hindu religious tradition is based on three basic frameworks, namely tattwa, morals and events. Tatwa, namely philosophy, teachings, knowledge that comes from the Vedas (Sruti and Smerti). During its development, the teachings of Hinduism in Indonesia by the holy people / maharsi were compiled and adapted to the place where they developed the teachings in the form of a horizontal / lontar. One form of tattwa implementation is morally or ethically. This has become one of the centers of attention in this writing. The ethics that must be done in worshiping Ratu Wayan and Ratu Ketut must also be carried out by Jro Penyanggra Ratu Wayan and Ratu Ketut. In fact, especially for Penyanggra, who is called pengayah Ida Bhatara, they have to do several brata and special ways of worship while they are in the Nyanggra stage. Various brata or self-control and self-restraint carried out by the people of Ratu Wayan and Ratu Ketut include exercising control in speaking and behaving (in Hinduism this is called tri kaya parisudha), trying to withdraw from the social life of society (equal to braya). ), keep the way of dressing up to do some brata on certain foods. Even when worshiping Ratu Wayan and Ratu Ketut, a Penyanggra has its own ways which the local community says is pinging, even when doing one of the processions a Penyanggra is not allowed to speak at all.
PEMBEBASAN TUBUH PEREMPUAN DI RUANG TRADISI Ni Putu Dewi Pradnyan; I Gusti Agung Paramita
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 19 No 1 (2019): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (408.005 KB) | DOI: 10.32795/ds.v10i1.340

Abstract

Artikel ini bermaksud membahas tentang pembebasan tubuh perempuan dalam ruang tradisi di Bali, khususnya di Desa Kedisan Bangli. Ada beberapa tema yang dibahas yakni peran perempuan dalam tradisi memanda, dan momentum pembebasan tubuh perempuan dalam ruang tradisi memanda. Pembebasan etis tubuh perempuan dalam tradisi mamanda di desa Kedisan dapat dilihat dari bagaimana perempuan dalam hal ini wargadesa kahyangan memiliki ruang dalam ranah tradisi untuk mengaktualisasi dirinya dan memiliki kesempatan untuk melakukan pembebasan tubuh. Dalam tradisi mamanda perempuan tidak lagi dianggap sebagai jenis kelamin kedua yang keberadaannya tidak diakui dan menjadi individu yang inferior dibawah bayang–bayang budaya patriarki. Sebaliknya, dalam tradisi mamanda perempuan diberikan kebebasan untuk menjadi subyek atas dirinya. Dalam hal ini tubuhnya bukan lagi sebagai penghalang dan hambatan, melainkan karena ia bertubuh perempuanlah ia memiliki peran dan fungsi strategis dalam masyarakat utamanya dalam pelaksanaan tradisi mamanda.