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Muhamad Ramdhani Khoerudin
Universitas Pendidikan Indonesia
Arts Humanities

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Perubahan Fungsi Seni Lebon pada Masyarakat Desa Pepedan Kecamatan Parigi Kabupaten Pangandaran Muhamad Ramdhani Khoerudin; Uus Karwati
Gondang: Jurnal Seni dan Budaya Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (117.082 KB) | DOI: 10.24114/gondang.v3i2.14222

Abstract

This study aims to obtain data on changes in function and initial forms of performing Lebon in the community, Pepedan Village, Parigi District, Pangandaran Regency. This study uses a qualitative descriptive approach. With the development of the current era through various factors, the Lebon art has turned into a means of entertainment that is arranged in such a way that the aim of the Lebon art remains sustainable and is accepted by the Papedan community. Lebon art in the language of the local community lebon has a meaning that is grave or buried. Lebon art performance can occur because there are two groups fighting over plantation land ownership or fighting over women to be wives, Lebon art is art that contains violence in earlier times, because in this art required as winners are surviving champions and losers must reach die and be buried in the place of the Lebon art performance. Lebon art in general Pangandaran community has become an art that was born originally from Pangandaran Regency.
Co-Authors uus karwati