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Pemilihan Alternatif Metode Kerja dengan Menentukan Urutan Prioritas Kriteria Fungsi pada Pekerjaan Struktur Yuni, Ni Kadek Sri Ebtha; Suardika, Nyoman
Jurnal Teknik: Media Pengembangan Ilmu dan Aplikasi Teknik Vol 18 No 2 (2019): Jurnal Teknik - Media Pengembangan Ilmu dan Aplikasi Teknik
Publisher : Fakultas Teknik - Universitas Jenderal Achmad Yani

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (94.023 KB) | DOI: 10.26874/jt.vol18no2.118

Abstract

Permasalahan proyek konstruksi yang sering terjadi adalah pembengkakan biaya (cost overrun), waktu pelaksanaan terlambat, dan mutu pekerjaan tidak sesuai dengan spesifikasi teknis yang berujung terjadinya pekerjaan ulang (rework). Hal tersebut disebabkan oleh beberapa faktor seperti : human error, jumlah tenaga kerja kurang, perubahan disain, keterbatasan material dan alat, metode kerja konstruksi yang tidak tepat. Kinerja proyek dipengaruhi oleh penggunaan Sumber Daya dalam proyek, yang lebih dikenal dengan lima sarana manajemen konstuksi (5M) yaitu biaya (money), tenaga kerja (man power), material (material), metode kerja (method), dan alat (machine). Penggunaaan metode kerja alternatif bisa diterapkan di berbagai proyek, seperti proyek gedung yang memiliki skala kecil, menengah hingga skala yang besar. Penelitian ini dilakukan dengan observasi langsung pada bangunan Hotel Blok A,B. Dari empat alternatif yang dibuat, berdasarkan hasil analisis dengan metode zero-one dipilih alternatif 2 sebagai alternatif terbaik berdasarkan kriteria penghematan biaya, mutu, waktu pelaksanaan, dan kemudahan pelaksanaan.
Aktualisasi Ketubuhan Perempuan dan Representasi Estetika Hindu Dalam Tari Rejang Pedawa Suardika, Nyoman
Jurnal Penelitian Agama Hindu Vol 10 No 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i1.5139

Abstract

The Rejang Pedawa dance is performed by young women who have reached adolescence but have not yet experienced their first menstrual cycle. This dance movement represents a sense of boundary (the concept of limits or barriers), the dimensions of the female body, Hindu esthetics, body-based worship schemes, and the esthetic aspects of liturgical behavior. The purpose of this research is to analyze philosophically and esthetically the medium of worship that is actualized thru the female body. This research applies a qualitative method within a case study framework. Data was collected thru interviews, observations, and literature reviews. The female body, used as a medium for dance movements and the ideology of worshiping a transcendent entity, represents the actualization of natural or supernatural elements. The body movements of the Rejang Pedawa dance create women's ability to channel cosmic energy, incorporate the world, and reflect the interdependence between humans and God (Dewa Indra). The Hindu esthetics in this dance are perceived as a manifestation of artistic experiences that have been internalized into both the personal and communal aspects of the local community, the people of Pedawa Village. The actualization of the village’s characteristic rejang dance demonstrates a way of seeing, thinking, and total surrender to the Almighty entity. The movements of each dancer are used as a bridge between the human world and the divine world, a process of total surrender within an integral scope, becoming a visualization of a sacred arena realized thru the beauty of movement.
Co-Authors Ni Kadek Sri Ebtha Yuni