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All Journal Jurnal The Messenger MetaCommunication; Journal Of Communication Studies
Cendera Rizky Anugrah Bangun
Multimedia Nusantara University
Social Sciences

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REPRESENTASI KONSEP DIRI SEORANG TRANSSEKSUAL DALAM FILM THE DANISH GIRL Chealsie Alicia Tjhen; Cendera Rizky Anugrah Bangun
Metacommunication: Journal of Communication Studies Vol 7, No 1 (2022): MARET
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (912.166 KB) | DOI: 10.20527/mc.v7i1.11409

Abstract

Film has a role as a representation to reflect and reality in society. One of these realities is the transsexual phenomenon and the self concept that transsexual people themselves go through. Self concept can be defined as people’s image of themselves. In this study, the researcher wanted to see the self concept of being transsexual in the film The Danish Girl. The approach used is qualitative, Media Text Analysis (MTA), with the John Fiske semiotic method and the constructivist paradigm, also the Queer ideology. In analyzing the representation of self concept in being a transsexual person, the researcher applied three certain levels, namely the level of reality, the level of representation, and the level of ideology. The results showed that there was a self concept representation of being a transsexual person who featured the main character in the film The Danish Girl. These findings refer to a number of signs, both verbally and nonverbally, including the concept of self concept ideology itself. Kata kunci: Konsep diri, representasi, transseksual, semiotika, John Fiske
Social Network Analysis of Fan Activism in #BintangEmonBestBoy Cendera Rizky Anugrah Bangun; Angga Ariestya
Jurnal The Messenger Vol. 16 No. 1 (2024): January-April
Publisher : Universitas Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26623/themessenger.v16i1.6940

Abstract

Introduction: Fandom movement in socio-political issues has received attention recently. In Indonesia, this fan movement can be seen when Bintang Emon was reported to be involved in drugs, K-Popers immediately worked hand in hand to help by raising the hashtag #BintangEmonBestBoy to become trending topic on Twitter. Fans can mobilize many people through small groups on each fan base. Methods: This research employs social network analysis to get an overview of the structure and pattern of relationships between actors in a network of K-Pop fandom accounts. By mapping out relationships between individual users, the study identifies key nodes and the flow of information within the community. Findings: Response from K-pop fans in the hashtag #BintangEmonBestBoy can be interpreted as a fan activism. There is no tight connection or cohesiveness between fan activism and political participation realistically, rather it is only sporadic activism in the online realm that is inclined to be clicktivism. Originality: The novelty of this research lies in the mobilization of K-pop fandoms, specifically on how these fan groups participate in online movements and influence social issues, with or without communities. By applying SNA to K-pop fandoms, one can better understand the underlying structure of fan participation and identify key actors who drive fan-based social movements within the network. The chamber-echo effect from the hashtag shows how digital communities leverage their collective power for advocacy, suggest a new type of democracy built on social media disrupting conventional type of popular culture and activism.
Co-Authors Angga Ariestya Chealsie Alicia Tjhen