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Latar as the Central Point of Houses Group Unit: Identifiability for Spatial Structure in Kasongan, Yogyakarta, Indonesia Subroto, T. Yoyok Wahyu
IPTEK The Journal for Technology and Science Vol 23, No 2 (2012)
Publisher : IPTEK, LPPM, Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j20882033.v23i2.7

Abstract

The massive spatial expansion of the city into the rural area in recent decades has caused such problems as related to the spatial exploitation in villages surrounding. This raises a question of whether the open space change into land coverage building may have a spatial structure implication on settlement growth and evolution process in the villages surrounding. This paper reports a case study of Kasongan village in Bantul regency, Yogyakarta, Indonesia in between 1973-2010 in which the problem refers to the discussion of spatial structure is rarely addressed especially in village’s settlement growth and evolution analysis. The bound axis which consists of 4 (four) quadrants and one intersection refers to the reference axes in a Cartesian Coordinate System (CCS) is used to analyze the setting of the houses group unit around 4 areas/ quadrants. Through such spatial process analysis by means spatial structure approach, the continuity of latar (yard), in the central of houses group unit is detected. There is finding from this research that the latar which exists in ‘the central point’ of houses group unit in Kasongan during 4 decades significantly becomes the prominent factor of the basic spatial structure. It composes the houses group unit in Kasongan.
Ruang Budaya Dalam Tradisi Sebaran Apem Ya Qowiyyu Desa Jatinom, Klaten Agus Suhendro; T. Yoyok Wahyu Subroto
Arsitekta : Jurnal Arsitektur dan Kota Berkelanjutan Vol. 5 No. 01 (2023): Arsitekta : Jurnal Arsitektur Kota dan Berkelanjutan
Publisher : Program Studi Arsitektur Universitas Tanri Abeng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47970/arsitekta.v5i01.392

Abstract

Desa Jatinom memiliki nilai-nilai kesejarahan yang tinggi di dalam penyebaran agama Islam. Jatinom akan terkait dengan sosok Ki Ageng Gribig sebagai tokoh penyebaran agama Islam. Dalam menyebarkan agama Islam di daerah yang sekarang menjadi Jatinom tersebut salah satunya adalah dengan aspek tradisi kemasyarakatan. Sebaran Apem Ya Qowiyyu merupakan salah satu warisan budaya dari Ki Ageng Gribig yang diturunkan kepada masyarakat yang kemudian dilestarikan hingga saat ini. Sebaran Apem Ya Qowiyyu sendiri dilakukan di bulan Safar atau masyarakat menyebutnya dengan bulan Sapar sehingga acara tersebut juga dijuluki dengan Saparan dikarenakan dilakukan di bulan Sapar yang diadakan setiap satu kali dalam satu tahun berdasarkan penanggalan Aboge. Di dalam perilaku saparan dengan kegiatan tersebut. Metode penelitian yang digunakan adalah kualitatif didukung dengan pengamatan lapangan, wawancara, dan kajian-kajian sebelumnya. Hasil penelitian yang dilakukan adalah terdapat tahapa-tahapan yang dilakukan di dalam perayaan Sebaran Apem Ya Qowiyyu yang dilakukan. Di dalam tahapan-tahapan tersebut terdapat ruang-ruang yang terjadi dan menjadi ruang budaya yang terjadi.
Laica as a Cultural Identity of the Moronene People in Kampo Laea Hukaea, Bombana Regency, Southeast Sulawesi, Indonesia Hamasi, Adriyawan Jarsul; Subroto, T. Yoyok Wahyu
INERSIA lnformasi dan Ekspose Hasil Riset Teknik Sipil dan Arsitektur Vol. 21 No. 2 (2025): December
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/inersia.v21i2.77046

Abstract

The rapid advancement of technology, particularly in the field of building materials, has significantly influenced contemporary residential construction practices. Many people today prefer using manufactured materials over traditional local ones due to their practicality, availability, and perceived modernity. This trend is also evident among the Moronene tribe, one of the indigenous communities in Southeast Sulawesi. Over time, the Moronene people have gradually abandoned the use of local materials that once formed an integral part of their cultural heritage. This shift has led to a growing detachment among younger generations, who are becoming less familiar with traditional architectural knowledge—posing a threat to the authenticity and identity of the Moronene tribe. This study aims to explore the spatial characteristics of traditional Moronene houses in Kampo Laea Hukaea. Utilizing a qualitative method with an inductive approach, data were collected through direct field observations, with guidance from a gatekeeper to ensure culturally appropriate case selection. Findings from the study reveal that Moronene houses exhibit a linear spatial arrangement from front to back. The layout typically consists of three main sections: the patande or laica irai (front house), the botono (main house), and the dapura or laica ibungku (back house). The patande serves not only as a space for daily household activities but also as a venue for cultural events, such as meparamesi, a ceremonial stage in the traditional Moronene wedding. This dual function highlights the room’s cultural significance. The botono, located at the center of the house, is considered the core space for cultural life. It hosts various traditional ceremonies, including mosere wuu (traditional hair-cutting ritual), kawi’a (traditional wedding ritual), mate’a (mourning ritual), and mobasa-basa (traditional thanksgiving ritual), making it the cultural and communal heart of the home. At the rear lies the dapura, which supports both domestic functions and ritual preparations. Activities in this space include ceremonial bathing and organizing essential items for traditional events, reinforcing its role in preserving cultural practices. These three spatial divisions are consistently found across multiple homes in Kampo Laea Hukaea, indicating their significance as defining features of Moronene residential architecture. Despite the increasing adoption of modern construction materials, these traditional spatial patterns continue to reflect and preserve the cultural values of the Moronene community.