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IDENTIFIKASI ASPEK SENSE OF PLACE KAWASAN BERSEJARAH BERDASARKAN PREFERENSI PENGUNJUNG (Studi Kasus: Kawasan Sagan, Yogyakarta) Sidhi Pramudito; Yanuarius Benny Kristiawan; Yustina Banon Wismarani; Fabiola Chrisma Kirana Analisa
Jurnal Arsitektur ARCADE Vol 4, No 3 (2020): Jurnal Arsitektur ARCADE November 2020
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v4i3.526

Abstract

Sagan area is one of the historical regions in Yogyakarta. This area has a characteristic of the Dutch colonial heritage that visitors can still feel when they are there. These characteristics then become the region's identity that can give a particular feeling or impression to visitors, or can be called a sense of place. A sense of place is an essential aspect of architecture so that a design is maintained. A sense of place is defined as the bond between place and humans, which can be obtained from a combination of physical settings, activities, and meaning. This study aims to identify aspects of the sense of place, as seen from visitor preferences. The thing observed is related to the activity, physical settings, and what is felt by visitors. By knowing the preferences of visitors, it is hoped that it can be used to create a sense of place that suits the demands of today's needs. This research was conducted qualitatively and exploratively using a grounded theory approach. Data is collected through open-ended questionnaires about what respondents experienced. The data is then processed qualitatively by the method of open coding, axial coding, and selective coding. The results showed that aspects of the Sagan region's physical setting, which are still preserved in the form of simple indische architectural features and tropical architecture, are the dominant factors that can create a sense of place. But based on an analysis of visitor preferences, changes in building functions are also needed to strengthen the sense of place of the Sagan region. Building functions that fit the character of today's visitors help visitors to feel the physical setting typical of the Sagan region. Thus it can be concluded that the sense of place can not only be formed by preserving its physical settings but also needs to be conducted a review of human preferences as actors who play a role in it.
IDENTIFIKASI LOGIKA-LOGIKA ARSITEKTUR BERKELANJUTAN DALAM PENELITIAN DAN PRAKTEK BERARSITEKTUR Yanuarius Benny Kristiawan; Sidhi Pramudito
Jurnal Arsitektur ARCADE Vol 6, No 1 (2022): Jurnal Arsitektur ARCADE Maret 2022
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v6i1.749

Abstract

Abstract: Architecture is part of the overall process of the building and construction industry. The latest report by the World Green Building Council (WGBC) in 2019 states that buildings and construction are responsible for 39% of carbon emissions in the world. Therefore, the vision for 2050 needs to be supported by various research actions and their application in sustainability-related architecture. Simon Guy's writings about the practice of sustainable architecture that cannot be seen as a mere technological solution become the basis for inspiration on what types of research have been carried out. Architectural works analysis needs a more pluralistic view. Based on Simon Guy's research, a literature study using a rationalistic research paradigm with a quantitative deductive method was carried out. It is hoped that opportunities for design theme activities, research, and other activities with the theme of sustainable architecture can be identified. Based on the analysis of the six logics of sustainable architecture themes, there are still opportunities for studies in the eco-centric and eco-aesthetic fields. There is a finding that critical regional dimensions in sustainable architectural practice need to be clearly stated. At a more strategic level, the procurement of locally available materials and local development practices would be more profitable when considering the workforce's skills to reduce the negative impact of the ecological footprint on construction projects. The Socio-Cultural theme approach in solving energy problems and sustainable architecture is an essential issue in managing the future.Abstrak: Laporan terbaru World Green Building Council (WGBC) tahun 2019 menyebutkan bahwa bangunan dan konstruksi bertanggungjawab terhadap 39% emisi karbon di dunia. Visi untuk tahun 2050 perlu didukung dengan berbagai tindakan penelitian dan penerapannya dalam bidang arsitektur yang terkait dengan keberlanjutan. Tulisan Simon Guy tentang praktek arsitektur berkelanjutan yang tidak bisa dipandang sebagai pemecahan teknologi semata menjadi pijakan untuk menjadi inspirasi tentang jenis riset apa saja yang telah dilakukan. Pandangan yang lebih pluralistik dibutuhkan dalam menganalisis karya arsitektur. Penelitian studi pustaka ini berdasarkan tulisan Simon Guy yang menggunakan paradigma penelitian rasionalistik dengan metode deduktif kuantitatif. Diharapkan teridentifikasi peluang kegiatan bertema desain, penelitian dan kegiatan lain yang bertemakan arsitektur berkelanjutan. Berdasar analisis enam logika-logika tema arsitektur berkelanjutan, terbuka peluang yang lebih luas pada kajian-kajian bidang eco-centric dan eco aesthetic. Terdapat temuan bahwa dimensi regional yang penting dalam praktek arsitektur berkelanjutan harus dinyatakan dengan jelas. Pada tingkat yang lebih strategis pengadaaan bahan lokal yang tersedia dan praktek pembangunan daerah akan lebih menguntungkan apabila mempertimbangkan keterampilan tenaga kerja untuk mengurangi dampak negatif dari sisi jejak ekologis pada proyek konstruksi. Pendekatan tema Sosio-Kultural dalam menyelesaikan permasalahan energi dan arsitektur berkelanjutan menjadi isu penting dalam menata masa depan.
IDENTIFIKASI LOGIKA-LOGIKA ARSITEKTUR BERKELANJUTAN DALAM PENELITIAN DAN PRAKTEK BERARSITEKTUR Yanuarius Benny Kristiawan; Sidhi Pramudito
Jurnal Arsitektur ARCADE Vol 6, No 1 (2022): Jurnal Arsitektur ARCADE Maret 2022
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v6i1.749

Abstract

Abstract: Architecture is part of the overall process of the building and construction industry. The latest report by the World Green Building Council (WGBC) in 2019 states that buildings and construction are responsible for 39% of carbon emissions in the world. Therefore, the vision for 2050 needs to be supported by various research actions and their application in sustainability-related architecture. Simon Guy's writings about the practice of sustainable architecture that cannot be seen as a mere technological solution become the basis for inspiration on what types of research have been carried out. Architectural works analysis needs a more pluralistic view. Based on Simon Guy's research, a literature study using a rationalistic research paradigm with a quantitative deductive method was carried out. It is hoped that opportunities for design theme activities, research, and other activities with the theme of sustainable architecture can be identified. Based on the analysis of the six logics of sustainable architecture themes, there are still opportunities for studies in the eco-centric and eco-aesthetic fields. There is a finding that critical regional dimensions in sustainable architectural practice need to be clearly stated. At a more strategic level, the procurement of locally available materials and local development practices would be more profitable when considering the workforce's skills to reduce the negative impact of the ecological footprint on construction projects. The Socio-Cultural theme approach in solving energy problems and sustainable architecture is an essential issue in managing the future.Abstrak: Laporan terbaru World Green Building Council (WGBC) tahun 2019 menyebutkan bahwa bangunan dan konstruksi bertanggungjawab terhadap 39% emisi karbon di dunia. Visi untuk tahun 2050 perlu didukung dengan berbagai tindakan penelitian dan penerapannya dalam bidang arsitektur yang terkait dengan keberlanjutan. Tulisan Simon Guy tentang praktek arsitektur berkelanjutan yang tidak bisa dipandang sebagai pemecahan teknologi semata menjadi pijakan untuk menjadi inspirasi tentang jenis riset apa saja yang telah dilakukan. Pandangan yang lebih pluralistik dibutuhkan dalam menganalisis karya arsitektur. Penelitian studi pustaka ini berdasarkan tulisan Simon Guy yang menggunakan paradigma penelitian rasionalistik dengan metode deduktif kuantitatif. Diharapkan teridentifikasi peluang kegiatan bertema desain, penelitian dan kegiatan lain yang bertemakan arsitektur berkelanjutan. Berdasar analisis enam logika-logika tema arsitektur berkelanjutan, terbuka peluang yang lebih luas pada kajian-kajian bidang eco-centric dan eco aesthetic. Terdapat temuan bahwa dimensi regional yang penting dalam praktek arsitektur berkelanjutan harus dinyatakan dengan jelas. Pada tingkat yang lebih strategis pengadaaan bahan lokal yang tersedia dan praktek pembangunan daerah akan lebih menguntungkan apabila mempertimbangkan keterampilan tenaga kerja untuk mengurangi dampak negatif dari sisi jejak ekologis pada proyek konstruksi. Pendekatan tema Sosio-Kultural dalam menyelesaikan permasalahan energi dan arsitektur berkelanjutan menjadi isu penting dalam menata masa depan.
IDENTIFIKASI ASPEK SENSE OF PLACE KAWASAN BERSEJARAH BERDASARKAN PREFERENSI PENGUNJUNG (Studi Kasus: Kawasan Sagan, Yogyakarta) Sidhi Pramudito; Yanuarius Benny Kristiawan; Yustina Banon Wismarani; Fabiola Chrisma Kirana Analisa
Jurnal Arsitektur ARCADE Vol 4, No 3 (2020): Jurnal Arsitektur ARCADE November 2020
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v4i3.526

Abstract

Sagan area is one of the historical regions in Yogyakarta. This area has a characteristic of the Dutch colonial heritage that visitors can still feel when they are there. These characteristics then become the region's identity that can give a particular feeling or impression to visitors, or can be called a sense of place. A sense of place is an essential aspect of architecture so that a design is maintained. A sense of place is defined as the bond between place and humans, which can be obtained from a combination of physical settings, activities, and meaning. This study aims to identify aspects of the sense of place, as seen from visitor preferences. The thing observed is related to the activity, physical settings, and what is felt by visitors. By knowing the preferences of visitors, it is hoped that it can be used to create a sense of place that suits the demands of today's needs. This research was conducted qualitatively and exploratively using a grounded theory approach. Data is collected through open-ended questionnaires about what respondents experienced. The data is then processed qualitatively by the method of open coding, axial coding, and selective coding. The results showed that aspects of the Sagan region's physical setting, which are still preserved in the form of simple indische architectural features and tropical architecture, are the dominant factors that can create a sense of place. But based on an analysis of visitor preferences, changes in building functions are also needed to strengthen the sense of place of the Sagan region. Building functions that fit the character of today's visitors help visitors to feel the physical setting typical of the Sagan region. Thus it can be concluded that the sense of place can not only be formed by preserving its physical settings but also needs to be conducted a review of human preferences as actors who play a role in it.
PENDEKATAN FENOMENOLOGI PADA PROSES PEMROGRAMAN ARSITEKTURAL Yanuarius Benny Kristiawan
Jurnal Arsitektur ARCADE Vol 7 No 2 (2023): Jurnal Arsitektur ARCADE Juni 2023
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v7i2.1368

Abstract

Abstract: Design activities in architecture are activities to composing elements of architectural design whose design stages consist of two stages, namely programming and designing. Programming activities are analytical, while design is synthesis. The two stages of design cannot be separated to achieve design results in accordance with the goals set. Programming activities  (order of behavior) of a rational nature. Its rational nature means allowing the research approach to find guidelines at the stage of physical design (physical order). Various research methods can be implemented at the stage of architectural programming, both quantitative methods and qualitative methods. One of the qualitative research methods is the phenomenological method. The study in this paper is to find the role of phenomenological methods in the programming process. The phenomelogical method is generally used to reveal the meaning of an object of study. Treating architectural works in order to have soul, spirit, value or meaning for both the user and owner is important.  How and where phenomenology as an approach to the process of architectural programming can play a role. To obtain answers to these problems, library research methods are used. The results of this study show that the research process carried out in the phenomenological qualitative research method can be used to reveal the demands of an essence of architectural design which is part of the design problem.Keyword: Process, Programming, Fenomenology.Abstrak: Kegiatan merancang di dalam arsitektur adalah kegiatan mengatur elemen perancangan arsitektur yang tahapan perancangannya terdiri pemrograman (programming) dan perancangan (desaining). Kegiatan pemrograman bersifat analisis, sedangkan perancangan bersifat sintesis. Dua tahapan perancangan tersebut tidak dapat dipisahkan untuk mencapai hasil perancangan sesuai dengan tujuan yang ditetapkan. Kegiatan pemrograman (tatanan perilaku) yang bersifat rasional. Sifat rasionalnya berarti memungkinkan pendekatan penelitian untuk menemukan panduan-panduan pada tahap perancangan fisik (tatanan fisik). Berbagai metode penelitian dapat diimplementasikan pada tahap pemrograman arsitektur, baik metode kuantitatif maupun metode kualitatif. Salah satu metode penelitian adalah metode kualitatif fenomenologi. Kajian dalam penulisan ini adalah untuk menemukan peran metode fenomenologi di dalam proses programming. Metode fenomenologi dalam arsitektur umumnya digunakan untuk mengungkap makna suatu objek kajian. Memperlakukan karya arsitektur agar memiliki jiwa, roh, nilai atau makna bagi pengguna maupun pemiliknya adalah hal yang penting. Bagaimana dan dimanasajakah fenomenologi sebagai pendekatan pada proses pemrograman arsitektur dapat berperan. Untuk memperoleh jawaban atas permasalahan tersebut digunakan metode kajian pustaka (library research). Hasil dari kajian ini menunjukkan bahwa proses penelitian yang dilakukan dalam metode penelitian kualitatif fenomenologi dapat digunakan untuk mengungkap tuntutan dari suatu esensi perancangan arsitektur yang merupakan bagian dari problem desain.Kata Kunci: Proses, Pemrograman, Fenomenologi.