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All Journal Jurnal Arsitektur ARCADE
Agus S. Ekomadyo
Bandung Institute of Technology
Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture

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RELASI JEJARING AKTOR MASYARAKAT SUKU BUGIS SOPPENG DALAM TRADISI MENDIRIKAN RUMAH (MAPPATETTONG BOLA) Asta Juliarman Hatta; Agus S. Ekomadyo
Jurnal Arsitektur ARCADE Vol 4, No 3 (2020): Jurnal Arsitektur ARCADE November 2020
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v4i3.426

Abstract

Every process and stage in phase of constructing of Indonesia’s vernacular architecture is required the role and contribution of individual or several actors so that procession of house construction can be built due to purposes. According to traditions and beliefs of the Bugis community, there are several actors who have different roles and responsibilities during the process of establishing a Buginese-house. This research aims to explore the influence of the actors’ role who are involved in the process of constructing a traditional Bugis house. Correlation and impact of one actor's involvement with other actors will be reviewed based on the perspective of the Actor Network Theory (ANT) by using descriptive qualitative method.  The results revealed that there are 4 stages in the process of building Buginese-house namely the process of constructing a house frame (Mattibang Bola), the process of marking the center of the house (possi bola), the ritual of reading thanksgiving prayer (barzanji), and the process of establishing a house frame (Mappatettong Bola). Founded, Sanro Bola and Panre Bola, namely traditional leaders who have a mandate in the tradition of building houses, are actors who act as controlling actors and are very influential in maintaining the stability of a network in the process of building Buginese-house. Learning from the tradition of building a Buginese-house, the existence of traditional leaders is important, because it has a tradition-based on knowledge base, and this has become a mandate in regulating other actors in working.
HIERARKI DAN INFORMALITAS SOSIAL PADA PRODUKSI RUANG DI NAGARI PARIANGAN, SUMATERA BARAT Juli Yanda Putra; Agus S. Ekomadyo
Jurnal Arsitektur ARCADE Vol 6, No 2 (2022): Jurnal Arsitektur ARCADE Juli 2022
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v6i2.931

Abstract

Abstract: Nagari Pariangan is an old village in Minangkabau, West Sumatra. Nagari is a customary law community unit consisting of a collection of several tribes and has its own territorial boundaries. The phenomenon of the nagari shows the production of social space based on Minangkabau villages culture. The purpose of this paper is to determine the relationship between the architectural elements of Nagari Pariangan and their relationship with their environment associated with the spatial production, uses Spatializing Culture approach (Low, 2017). Research is conducted by ethnographic approach data is collected by observation and in-depth interview. It is resulted, that the spaces of Nagari are formed mostly based on the social hierarchy of community, but also provided spaces for informal relationship.  Political culture of the Nagari is important factor in governing spatial production by the traditonal community, but the other side, the community also produces their own communal spaces.Abstrak: Nagari Pariangan adalah nagari tuo yang ada di Minangkabau, Sumatra Barat. Nagari merupakan satu kesatuan masyarakat hukum adat yang terdiri dari kumpulan beberapa suku dan mempunyai batas wilayahnya sendiri.  Fenomena Nagari menunjukkan adanya produksi ruang sosial berdasarkan budaya pada Nagari di Minangkabau. Tujuan dari penulisan ini adalah untuk mengetahui hubungan antara elemen arsitektur pembentuk Nagari Pariangan dan relasi sosial yang memproduksi ruang yang ditelaah melalui pendekatan Spatializing Culture (Low, 2017). Penelitian ini dilakukan dengan pendekatan etnografi, data dikumpulkan lewat observasi dan wawancara mendalam. Ditemukan, ruang-ruang Nagari terbentuk berdasarkan hierarki sosial, namun tetap tersedia ruang-ruang informal. Budaya politik dari Nagari menjadi faktor terpenting dalam tata kelola produksi ruang oleh komunitas adat, namun di sisi lain, komunitas Adat juga memproduksi ruang-ruang komunalnya sendiri.
HIERARKI DAN INFORMALITAS SOSIAL PADA PRODUKSI RUANG DI NAGARI PARIANGAN, SUMATERA BARAT Juli Yanda Putra; Agus S. Ekomadyo
Jurnal Arsitektur ARCADE Vol 6, No 2 (2022): Jurnal Arsitektur ARCADE Juli 2022
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v6i2.931

Abstract

Abstract: Nagari Pariangan is an old village in Minangkabau, West Sumatra. Nagari is a customary law community unit consisting of a collection of several tribes and has its own territorial boundaries. The phenomenon of the nagari shows the production of social space based on Minangkabau villages culture. The purpose of this paper is to determine the relationship between the architectural elements of Nagari Pariangan and their relationship with their environment associated with the spatial production, uses Spatializing Culture approach (Low, 2017). Research is conducted by ethnographic approach data is collected by observation and in-depth interview. It is resulted, that the spaces of Nagari are formed mostly based on the social hierarchy of community, but also provided spaces for informal relationship.  Political culture of the Nagari is important factor in governing spatial production by the traditonal community, but the other side, the community also produces their own communal spaces.Abstrak: Nagari Pariangan adalah nagari tuo yang ada di Minangkabau, Sumatra Barat. Nagari merupakan satu kesatuan masyarakat hukum adat yang terdiri dari kumpulan beberapa suku dan mempunyai batas wilayahnya sendiri.  Fenomena Nagari menunjukkan adanya produksi ruang sosial berdasarkan budaya pada Nagari di Minangkabau. Tujuan dari penulisan ini adalah untuk mengetahui hubungan antara elemen arsitektur pembentuk Nagari Pariangan dan relasi sosial yang memproduksi ruang yang ditelaah melalui pendekatan Spatializing Culture (Low, 2017). Penelitian ini dilakukan dengan pendekatan etnografi, data dikumpulkan lewat observasi dan wawancara mendalam. Ditemukan, ruang-ruang Nagari terbentuk berdasarkan hierarki sosial, namun tetap tersedia ruang-ruang informal. Budaya politik dari Nagari menjadi faktor terpenting dalam tata kelola produksi ruang oleh komunitas adat, namun di sisi lain, komunitas Adat juga memproduksi ruang-ruang komunalnya sendiri.
RELASI JEJARING AKTOR MASYARAKAT SUKU BUGIS SOPPENG DALAM TRADISI MENDIRIKAN RUMAH (MAPPATETTONG BOLA) Asta Juliarman Hatta; Agus S. Ekomadyo
Jurnal Arsitektur ARCADE Vol 4, No 3 (2020): Jurnal Arsitektur ARCADE November 2020
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v4i3.426

Abstract

Every process and stage in phase of constructing of Indonesia’s vernacular architecture is required the role and contribution of individual or several actors so that procession of house construction can be built due to purposes. According to traditions and beliefs of the Bugis community, there are several actors who have different roles and responsibilities during the process of establishing a Buginese-house. This research aims to explore the influence of the actors’ role who are involved in the process of constructing a traditional Bugis house. Correlation and impact of one actor's involvement with other actors will be reviewed based on the perspective of the Actor Network Theory (ANT) by using descriptive qualitative method.  The results revealed that there are 4 stages in the process of building Buginese-house namely the process of constructing a house frame (Mattibang Bola), the process of marking the center of the house (possi bola), the ritual of reading thanksgiving prayer (barzanji), and the process of establishing a house frame (Mappatettong Bola). Founded, Sanro Bola and Panre Bola, namely traditional leaders who have a mandate in the tradition of building houses, are actors who act as controlling actors and are very influential in maintaining the stability of a network in the process of building Buginese-house. Learning from the tradition of building a Buginese-house, the existence of traditional leaders is important, because it has a tradition-based on knowledge base, and this has become a mandate in regulating other actors in working.
Co-Authors Hatta, Asta Juliarman Juli Yanda Putra