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Danial Hidayatullah
Fakultas Adab dan Ilmu Budaya UIN Sunan Kalijaga
Arts Humanities

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ALIENASI RELIGIUS DALAM FILM PEREMPUAN BERKALUNG SORBAN Danial Hidayatullah
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 10, No 1 (2011)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.375 KB) | DOI: 10.14421/ajbs.2011.10107

Abstract

In Western literary tradition, alienation is a common theme. This theme has been identified since the Shakespearean era. Yet, in Indonesian literary tradition alienation is a novelty. This paper aims at analyzing the emergence as well as the significance of this theme in the Indonesian context. In Western context, alienation occurs within the absence of God or within the materialistic society while in Indonesian context, in this case in Perempuan Berkalung Sorban, it occurs in a strong religious atmosphere. The main character, Anisa experiences alienation caused by the interpretation of religion by patriarchal society. The psychological conflict between religious rules and free will is so intense that the main character is trapped in a deep confusion. Therefore this research is intended to examine how the religious alienation can be explained in Indonesian context. This paper provides the explanation on how this movie—Perempuan Berkalung Sorban—fits into the category of the movie that criticizes religion. The emergence of a new theme in a popular culture mainstream can be seen as a new awareness in Indonesian culture. 
MASKULINITAS, KEKERASAN, DAN NEGARA DALAM THE RAID: REDEMPTION Danial Hidayatullah
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 12, No 2 (2013)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (249.248 KB) | DOI: 10.14421/ajbs.2013.12201

Abstract

Contestation of dominant masculinity in Indonesian Popular Culture influenced by the New Order can still be seen in its cinematic production. The legacy of The New Order echoes through themes of state’s violence and masculinity. The Raid: Redemption, as a huge international success, depicting vulgar violence done both by the state and the gangsters is very important to be analyzed. As the form of collective dreams, the contestation of masculinity and violence of the state and the gangster in the movie reflects the real social condition. Through historical perspective the state and the gangster are more like binary opposition; inseparable but opposing each other. The Gangsters became the state’s Frankenstein monster. On one side the state cannot allow the crime the gangsters do, but on the other the state keeps in creating the gangsters to the dirty jobs that state cannot do. Psychoanalytically speaking, their relationship resembles a father and a bad son. Those gangsters are “the son” and the state is “the father”. The effect of the state’s treatment to the gangsters can still be identified long after the down fall of the era that created it.
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