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Nita Trismaya
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Menafsir Ulang Pemakaian Sneakers Berkain-Kebaya Nita Trismaya
JSRW (Jurnal Senirupa Warna) Vol. 8 No. 2 (2020): Urban, Sejarah dan Kebudayaan (di) Indonesia
Publisher : Fakultas Seni Rupa - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/.v8i2.89

Abstract

Sneakers menjadi bagian dari gaya hidup masyarakat urban untuk beragam kegiatan, utamanya yang dilakukan di lapangan. Namun, ketika sneakers dipilih menjadi pelengkap busana bergaya etnik seperti kebaya, maka definisi sneakers bergerak menuju wilayah yang lebih luas. Ada gejala sosial dibalik alas kaki ini yang menyandang simbol modern (baca:Barat) yang mengglobal. Permasalahan ini dianalisa menggunakan teori transformasi budaya untuk menafsir ulang sneakers yang kini menjadi bagian dari identitas ke-Indonesia-an melalui berkain-kebaya.
KEBAYA DAN PEREMPUAN: SEBUAH NARASI TENTANG IDENTITAS Nita Trismaya
JSRW (Jurnal Senirupa Warna) Vol. 6 No. 2 (2018): Seni dan Transformasi
Publisher : Fakultas Seni Rupa - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/.v6i2.95

Abstract

Abstrak: Kebaya merupakan pakaian daerah yang banyak dikenal perempuan di Indonesia, umumnya dikenakan pada momen tertentu seperti wisuda, pernikahan dan acara resmi kenegaraan. Kebaya yang dikenakan perempuan urban menarasikan multi identitas yakni tidak saja sebagai busana nasional dan pakaian daerah tetapi juga merefleksikan identitas personal, identitas gender, identitas kelas dan identitas yang multikultural. Perempuan urban mengartikulasikan diri melalui kebaya yang mereka pilih untuk mereka kenakan sebagai wujud adanya dialektika dan negosiasi dengan nilai-nilai yang berlaku dalam masyarakat. Berdasarkan tema ini, penulis menganalisis menggunakan teori identitas dan pakaian untuk memaparkan relasi antara kebaya dan perempuan. Abstract: Kebaya, an indigenous outfit of Indonesia, is generally worn at certain times such as graduations, weddings and official government events. Kebaya that worn by urban women narrates multi identities that it is not only as national dress and regional dress but also reflects the meaning about personal identity, gender identity, class identity and multicultural identity. Urban women also articulating themself through the kebaya that they choose to wear consisting their dialectic and negotiations with some values in their society. Based on this theme, I briefly analyze it using the theory of identity and women autonomy to their bodies and clothes as I want to explain about the relationship between kebaya and women.
From Glamorous to Everyday Use: Kebaya as the Medium of Women's Self-Expression Nita Trismaya; Yasmine Z. Shahab; Mia Siscawati
Wacana Journal of Social and Humanity Studies Vol. 25 No. 3 (2022)
Publisher : Sekolah Pascasarjana Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.wacana.2022.025.03.01

Abstract

As a national costume of Indonesia, the Kebaya experienced a shift in its form, function, and meaning upon entering the post-reform period. This shift has impacted changing the 'classic' kebaya model, which follows the traditional pakem standard, to a 'modern' kebaya with more freedom in its design. One of the modern Kebaya styles is the 'party kebaya. ' Since the 'classic' Kebaya is considered impractical, outdated, and anti-fashion, the 'party kebaya' is more preferable to be worn for various occasions such as weddings, parties, graduations, and the like. However, unfortunately, the 'party kebaya' design tends to ignore the pakem standard, so sometimes the outfit can no longer be considered the traditional 'kebaya'. In observing this phenomenon, women from kebaya associations concerned about preserving the tradition of wearing the Kebaya have introduced the 'Back to kebaya' movement to express their concern. The model of the Kebaya that they chose is the 'classic' Kebaya that could be worn for daily activities, not the fancy 'party kebaya.' This raises the question: why do these women care about preserving the tradition of wearing the Kebaya, and how do they gain attention and raise awareness from the public? This qualitative research applied the ethnographic method involving women members of various kebaya associations in Jakarta as research subjects and observing them in their activities and social media. This research was analyzed with the concept of self-expression, which is the author's interpretation of the theory of dress identity. This paper is aimed to present the novelty of the tradition of the Kebaya from an anthropology perspective, as well as understanding it from the perspective of the women who wear the Kebaya. Keywords: classic, kebaya, party, self-expression, women
Co-Authors MIA SISCAWATI Yasmine Z. Shahab