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Perlawanan Masyarakat Dusun Air Abik Dalam Menentang Perluasan Lahan Perkebunan Kelapa Sawit Dilihat Dari Teori Contentious Politics M. Adha Al Kodri
Society Vol 4 No 2 (2016): Society
Publisher : Laboratorium Rekayasa Sosial, Jurusan Sosiologi, FISIP Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/society.v4i2.30

Abstract

In the middle of district head’s euphoria to float and move forward province of Bangka Belitung’s island by brought in the palm oil investors conduce the new conflict of society, i.e agrarian conflicts. The presence of palm oil investors in the middle that in the beginning has been designed to give a profit for society, especially the societies around the oil palm plantation, but precisely harm the soci- ety a lot. For local society, indigenous forest is symbol of nature conservation and the place of animal Seizure and claims over land often happens between the palm oil investors with local society. One of them is the conflict between Air Abik society with PT. Gunung Pelawan Lestari. The main factor of this conflict is there a logging, indigenous forest clearance, destruction of 11 ancestral graves belong to society conducted by PT. Gunung Pelawan Lestari in their efforts to oil palm expansions. This thing then triggered public protest action. survival. Whereas, ancestral grave is symbol of local wisdom and cultural heritage that must be preserved and maintained. Besides, if we see the conflict between both sides, it can be analyzed with contentious politics theory. The use of contentious politics theory because this conflict involves the collective interaction between the claimant, i.e PT. Gunung Pelawan Lestari and claim object, i.e customary land and the land where the 11 ancestral graves stand. In contentious politics theory, there is also depletion of resources. This depletion of resources in the end will influencing people to get involved in the political tensions, like the high level of public complaints, legacy of previous protest, political opportunity structure, and the mechanism relation to help society resistance.
REPRESENTASI MASKULINITAS BOYBAND SHINEE DALAM VIDEO KLIP RING DING DONG MELALUI ANALISIS SEMIOTIKA M. Adha Al Kodri
Society Vol 4 No 1 (2016): Society
Publisher : Laboratorium Rekayasa Sosial, Jurusan Sosiologi, FISIP Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/society.v4i1.35

Abstract

In the ranks of K-pop industry, boyband group Shinee certainly not unfamiliar anymore. Since it was formed in 2008, they have received many awards in music’s field. One of their single is championed tittled Ring Ding Dong was released digitally on October 14 th 2009.In the video clip of Ring Ding Dong, described a collection of masculine men who dance vigorously. As well as body shape, accessories, and costume that they wear are very supports the actions of their masculine appearance. In other words, In other words, it can be said that the description of the man in the video clip leads to a masculine man with all the attributes of masculinity, but does not leave a gentle attitude, charisma and their prestige.Therefore, if you see this, the important point in this research is to analyze the representations of masculinity in the video clip boyband Shinee Ring Ding Dong through analysis Semiotics. Semiotic models are models that researchers use semiotics of Roland Barthes. Barthes developed two levels of sign (staggered systems) which allows to generates also meanings stratified, namely the level of denotation and connotation.Meanwhile, the results of this study indicate that masculinity is represented by the personnel of Shinee in the video clip Ring Ding Dong is manifold. Some of the scene showed a new concept of masculinity (the concept of “new man”), but some are still a traditional masculinity. When speaking of new concepts of masculinity, it can do a redefinition of the concept of masculinity, namely the concept of masculine brought by the image of the idol appeared in the mass media.