Admiral Indra Supardan
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Gender Performativity in Stieg Larsson’s 'The Girl with The Dragon Tattoo' Supardan, Admiral Indra
Rainbow : Journal of Literature, Linguistics and Culture Studies Vol 9 No 1 (2020): Rainbow: Journal of Literature, Linguistics and Culture Studies
Publisher : English Department, Faculty of Languages and Arts, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (341.339 KB) | DOI: 10.15294/rainbow.v9i1.37993

Abstract

This study investigates the issue of gender performativity in Stieg Larsson’s novel The Girl With The Dragon Tattoo (2008). Judith Butler’s ideas on gender performativity serve as the theoretical framework of this study. A qualitative method is preferred as the study is heavily permeated with textual-analysis. The main objective of this study is to center on Larsson’s presentation of Lisbeth Salander in challenging boundaries in terms of how gender is presented and perceived. The study also provides analysis of other female characters, to see if they challenge or conform to the socially accepted notions of what it means to be a woman. The findings show that Stieg Larsson imbues his novel with the idea of challenging female stereotypes by developing fluidity within Salander’s gender identity. Larsson further ingrains gender performativity in all the female characters – they perform their gender identities differently in order to protect themselves from male-dominated society. However, the novel proves to be paradoxical as it shows an incessant reference to female characters in inferior circumstances. Keywords: Feminism, Gender, Identity, Performativity, Stereotypes
“American idiot”: Examining Readers’ Subject Position in One of Green Day’s Albums Admiral Indra Supardan
Passage Vol 1, No 1 (2013): April 2013
Publisher : Universitas Pendidikan Indonesia (UPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/psg.v1i1.352

Abstract

This research paper entitled “American Idiot”: Examining Readers’ Subject Position in One of Green Day’s Music Albums is aimed at investigating the ways by which the sixth album of Green Day, American Idiot (2004), ideologically positioned the implied readers in opposite to the USA political agenda. A qualitative descriptive study is employed in this present study. In analyzing the album, which consists of 13 songs, three theoretical frameworks are used: ideological analysis by John Lye (1997), context framework by Adrian Beard (2001), and John Stephens’ (1992) narrative transactions—where he locates the implied readers as the ideological function of a text. By having those frameworks within the analysis, the study discovers five socio-cultural issues, recognized as an attempt to position the implied readers in opposite the US political agenda in Bush administration. These assumptions within the issues known as a subject position are ideologically offered to the readers or the implied readers through narrative aspects; point of view and narrator. Keywords: implied author, implied reader, subject position, ideology, narrative.