Fionna Christabella
Islamic Communication And Broadcasting Studies, State Islamic Institute Of Tulungagung (IAIN Tulungagung), Indonesia

Published : 5 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search

Mediasi Batik sebagai Budaya Populer: dari Habitus ke Gaya Hidup Fionna Christabella
Jurnal Komunikasi Vol. 2 No. 2 (2008): Volume 2, Nomor 2, April 2008
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article explores the mediations of batik commodifications and its implications in popular culture. In some media, batik that commodified forming the assumptions that influence the consumption patterns, life styles, and strategies of social stratification. The media prepares the change and different meaning of batik in contemporary society. Now, batik as fashion can't be understood and identification as material identity of local culture, like batik from Solo or from Pekalongan. Furthermore, some media influence new and popular definitions of batik in contemporary Indonesian society. The definitions are all meanings of batik that relate from commodification in media and modes of consumption in society.
Tank-top, Indonesian Music Video, and Mythologizing Modern Women: Some Theoretical Notes Fionna Christabella
Asian Journal of Media and Communication Vol. 4 No. 2 (2020): Volume 4, Number 2, October 2020
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol4.iss2.art4

Abstract

Tank-top has recently become a popular costume in the Indonesian music video. As a theoretical note, this paper shows that music video has been analyzed with two different but interrelated approaches, i.e. contextual and textual analysis. The contextual analysis emphasizes the broader political economy surrounding the production, distribution and consumption of the music video. The textual analysis, which could be conducted in three types of analysis, i.e. narrative, content, and semiotics, focuses on the representation practices in the music video. This study also shows that tank-top, an underwear moved out into outerwear, is a kind of femininity technique, characterized by the appearance and projection of the female body. The use of tank-top in music video shows the ‘new order for intimacy’ through the ‘ritualization of nudity and sexuality’. This phenomenon also examples the way of mythologizing modern women, through which the representation of modern women have become a myth. However, this very construction of modern women is inseparable from the ideological discourses and power relations that naturalize these representational practices. Keywords: Indonesian music video, tank-top, representation, modern women, myth, ideology.
Tank-top, Indonesian Music Video, and Mythologizing Modern Women: Some Theoretical Notes Fionna Christabella
Asian Journal of Media and Communication Vol. 4 No. 2 (2020): Volume 4, Number 2, October 2020
Publisher : Department of Communications, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/asjmc.vol4.iss2.art4

Abstract

Tank-top has recently become a popular costume in the Indonesian music video. As a theoretical note, this paper shows that music video has been analyzed with two different but interrelated approaches, i.e. contextual and textual analysis. The contextual analysis emphasizes the broader political economy surrounding the production, distribution and consumption of the music video. The textual analysis, which could be conducted in three types of analysis, i.e. narrative, content, and semiotics, focuses on the representation practices in the music video. This study also shows that tank-top, an underwear moved out into outerwear, is a kind of femininity technique, characterized by the appearance and projection of the female body. The use of tank-top in music video shows the ‘new order for intimacy’ through the ‘ritualization of nudity and sexuality’. This phenomenon also examples the way of mythologizing modern women, through which the representation of modern women have become a myth. However, this very construction of modern women is inseparable from the ideological discourses and power relations that naturalize these representational practices. Keywords: Indonesian music video, tank-top, representation, modern women, myth, ideology.
ISLAMIC PARENTING, ANALISIS WACANA MULTIMODAL PADA AKUN INSTAGRAM @ELLY.RISMAN DAN @AJOBENRI Ulin Nadhifah, Neneng Beryl; Christabella, Fionna
Jurnal Riset Mahasiswa Dakwah dan Komunikasi Vol 4, No 3 (2022): November 2022
Publisher : Universitas Islam Negeri Sultan Syarif Kasim Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24014/jrmdk.v4i3.24709

Abstract

Penelitian ini merupakan hasil analisis wacana dari postingan Islamic parenting akun Instagram @elly.risman dan @ajobendri menggunakan jenis pendekatan kualitatif, dengan paradigma kritis dan model teori analisis wacana multimodel Theo van Leeuwen dan Gunther Kress (2001).  Sejak perilisannya tahun 2010, pengguna instagram terus mengalami peningkatan setiap tahunnya yakni Maret 2019 sebanyak 54.52% dan Maret 2020 naik menjadi 64,02%. Seiring dengan perkembangannya muncul akun pengasuhan, baik secara umum ataupun pengasuhan secara Islam. Tujuan penelitian ini adalah untuk melihat, memahami dan menganalisis kontruksi dari akun @elly.risman dan @ajobendri sebagai agen yang mewacanakan Islamic parenting di Instagram. Sumber data penelitian berupa observasi postingan dan literatur terdahulu. Hasil penelitian menunjukkan bahwa pusat dari pola pengasuhan selalu dilimpahkan kepada orang tua, sedangakan anak tidak dilibatkan baik dalam parentimg konvensional maupun Islamic parenting. Demikian makna Islamic hanya sebuah label yang digunakan agen wacana untuk menarik minat pembaca, padahal isi postingan tidak jauh berbeda dengan pengasuhan secara konvensional. 
Pembingkaian Berita Penghapusan Presidential Threshold pada Media Online Kompas.Com dan CNNIndonesia Nabila Safira Azizah; Christabella, Fionna
Academic Journal of Da'wa and Communication Vol. 6 No. 1 (2025)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ajdc.v6i1.12794

Abstract

This study investigates how Kompas.com and CNN Indonesia frame news coverage of the abolition of the Presidential Threshold by applying Robert N. Entman’s bingkai analysis model. Employing a qualitative descriptive design with textual analysis as the core method, the research examines six news articles—three from each outlet—selected to represent the respective editorial and reporting styles. The analysis operates at the message level, focusing on media texts as sites of ideological construction in the context of constitutional discourse. Findings reveal that Kompas.com predominantly emphasizes legal-formal dimensions and institutional stability, whereas CNNIndonesia foregrounds critical responses from academics and civil society concerning the broader implications of the policy.