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KONSTRUKSI MAKNA MINORITAS DALAM INTERAKSI SOSIAL MAHASISWA ETNIS TIONGHOA DI UNIVERSITAS BUDI LUHUR DAN UNIVERSITAS BINA NUSANTARA Ni Gusti Ayu Ketut Kurniasari
Avant Garde Vol 6, No 1 (2018): Avant Garde
Publisher : Fakultas Komunikasi & Desain Kreatif - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/avg.v6i1.747

Abstract

In its development, the existence of ethnic Indonesians Chinese descent is inseparable from the development of governmental system in the Country. Since the New Order era, the eth-nic members have been playing pivotal role in economic realm. However a significant de-velopment occurred during the era of Abdurrahman Wahid administration that allowed access for Indonesians Chinese to attend school or study in public universities. Since then, educational institutions in Indonesia have been accommodated multiculturalism by recog-nising the existence of various ethnics in Indonesia, although the term of minority for cer-tain ethnics still become problem and inherent identity. Therefore, this research raised the title; Construction meaning of minority in social interaction of Chinese Indonesian students at Universitas Budi Luhur and Universitas Bina Nusantara. The problem formulation in this research is: How purport identity ethnic minority Chinese students in social interaction at the Universitas Budi Luhur and Universitas Bina Nusantara? How does social interac-tion performed by students of Chinese ethnicity at Universitas Budi Luhur and Universitas Bina Nusantara? This study also uses the theory of identity and theory phenomenology by George Herbert Mead. But as a result of this research was the meaning/significance of Indonesian Chinese minority identity is strongly linked with social interaction occurred. The awareness to boldly preserve and display Ethnic's culture and traditions begins in families. This serves as guidelines to determine how to behave and interact within the community of Indonesians Chinese and within university life. Social interaction within the ethnic group is varied depending on religious beliefs, languages, and cultural stereotypes have become distinguishing factors of social interaction process.
Filosofi Hindu Narasi Banalisme Filosofi Hindu Dalam Konten Wonderland Indonesia 2 Karya Alffy Rev Ni Gusti Ayu Ketut Kurniasari; Ahmad Toni
Dharma Duta Vol 20 No 2 (2022): Dharma Duta : Jurnal Penerangan agama Hindu
Publisher : Fakultas Dharma Duta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33363/dd.v20i2.874

Abstract

This study raises the topic of Hindu pghilosophy contained in the Wonderland Indonesia 2 video by Alffy Rev. The method is narrative analysis with secondary text data in the form of videos on the youtube channel. The results show the: the prologue narration describes the historical symbol constructs the were excavated in the garuda mythology, the Majapahit symbol and depict the under or dark culture of the dragon and the light culture of the garuda. The content narration describes the relationship between the historicity of the mythological wolrd of garuda, Majapahit and national values combined with traditionl art of folk songs and supporting costume elements between various dimensions of banality. The element of banality constructed by the text produser describes a narrative about the integration and unification of the dimensions of nature, creation manajement and idependence after destruction in the trisula philosophy wich is integrated in Hindu culture and teachings. In the final naarative, it is described how the relationship between history and the younger generation of Indonesia is as a form of reconstruction of the values struggle and multiculturalism as a reading of the history of mythology, the history of Majapahit, the history of the independence of the Indonesian nation.