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All Journal Ilomata International Journal of Social Science Aptekmas : Jurnal Pengabdian Kepada Masyarakat Menulis: Jurnal Penelitian Nusantara
Putut Handoko
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Ambivalence in Wieteke Van Dort’s Geef Mij Maar Nasi Goreng Putut Handoko; Hariyono; Cahyaningsih Pujimahanani
Ilomata International Journal of Social Science Vol 2 No 2 (2021): April 2021
Publisher : Yayasan Ilomata

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (163.955 KB) | DOI: 10.52728/ijss.v2i2.232

Abstract

This research focuses on how ambivalence works within the case of a Surabaya born singer, Wieteke Van Dort through her song Geef Mij Maar Nasi Goreng. The colonial power that lasted the longest time in today Indonesia was the Dutch administration. The Dutch people living in this area, experienced ambivalence, as the result of the challenging condition and the process of adaption where it was completely enigma to the condition of the motherland. Therefore, this study is conducted as a challenge to dichotomy of western vs eastern division in which extremely opposes each other. This research was descriptive qualitative in nature. The theory of ambivalence proposed by Homi Bhabha was used as an underlying theory. Postcolonial approach was also applied in analyzing Wieteke Van Dort’s ambivalence. The data were in the form of lyrics of a song entitled Geef Mij Maar Nasi Goreng. The research findings prove that through the lyrics of Geef Mij Maar Nasi Goreng, Wieteke Van Dort experiences ambivalence through her complex feeling in being attracted to her “native” Surabaya and her repulsion on the inferior Javanese culture. The research also shows that the western people, through the life of Wieteke Van Dort through her song Geef Mij Maar Nasi Goreng, experience ambivalence. It challenges the notion of nativeness in a sense that Wieteke Van Dort, as a native of Surabaya by birth, is ironically rejected by the other natives because of the judgment by blood. Western people, represented by Wieteke Van Dort, truly experience ambivalence.
PENGAYAAN KOSA KATA BAHASA INGGRIS MELALUI MULTIMEDIA VIDIO DI PESANTREN BISMAR AL-MUSTAQIN SURABAYA Cahyanigsih Pujimahanani; Putut Handoko; Kusuma Wijaya; Ahmad Choiron; Windi Setiawan
Aptekmas Jurnal Pengabdian pada Masyarakat Vol 5 No 4 (2022): APTEKMAS Volume 5 Nomor 4 2022
Publisher : Politeknik Negeri Sriwijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36257/apts.v5i4.6280

Abstract

This Community Partnership Program deals with community service activity on English Vocabulary Training for students at  Bismar Al-Mustaqin Islamic Boarding school held in August-October 202*2. The partner's problem is Santri orphans have not received English Language Training through digital media  learning. The solution given is training using  digital media The material of training covers singing a song about fruits and animals, Game on animals. At Evaluation step, students are given a test of mastering vocabulary/: fruits and animals with a very good result.
Cultural Resistance Through Bri’s Rap In Angie Thomas On The Come Up Yohanes Donbosco Wogo Lusi; Putut Handoko; Kusuma Wijaya
Menulis: Jurnal Penelitian Nusantara Vol. 1 No. 3 (2025): Menulis - Maret
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v1i3.108

Abstract

This study examines cultural resistance through Bri’s rap in On the Come Up by Angie Thomas. Using Stephen Duncombe’s framework, this qualitative research explores how Bri’s rap serves as a free space for self-expression, a tool for challenging oppression, and a catalyst for political awareness. The findings indicate that Bri’s rap creates free spaces where marginalized voices can reclaim agency, reject stereotypes, and resist systemic control, and a stepping stone to political action. Additionally, her lyrics highlight racial profiling, media misrepresentation, and the exploitation of Black artists, reinforcing rap’s role as a medium of activism. Ultimately, this study concludes that Bri’s rap is not just a form of entertainment but a means of identity negotiation, empowerment, and collective resistance.
Leslie Stewart's S Revenge In Sidney Sheldon’s The Best Laid Plans Skarmelia Goresti Getsemani Dala; Putut Handoko; Haryono
Menulis: Jurnal Penelitian Nusantara Vol. 1 No. 8 (2025): Menulis - Agustus
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v1i8.624

Abstract

This study investigates the portrayal of revenge through Leslie Stewart’s character in Sidney Sheldon’s The Best Laid Plans, with particular focus on the dimension of being driven by pride. Drawing on Böhm and Kaplan’s theoretical framework of revenge, this qualitative research employs textual analysis to examine how Leslie’s wounded pride becomes the central motivation behind her acts of retaliation. The findings reveal that Leslie’s pride, rooted in her identity as a supportive partner and professional woman, is deeply injured by Oliver Russell’s betrayal. Her sense of dignity and public image is further attacked through humiliation, slander, and rejection, which transforms her personal pain into a calculated quest for revenge. Leslie’s actions illustrate that pride-driven revenge is not limited to emotional satisfaction but functions as a symbolic restoration of honor, particularly when enacted in the public sphere. Ultimately, the study concludes that Leslie Stewart’s revenge exemplifies how betrayal and humiliation intertwine with pride to shape a complex narrative of vengeance, where reclaiming dignity becomes as important as punishing the offender.
Co-Authors Ahmad Choiron Cahyanigsih Pujimahanani Cahyaningsih Pujimahanani Hariyono HARYONO Kusuma Wijaya Skarmelia Goresti Getsemani Dala WINDI SETIAWAN Yohanes Donbosco Wogo Lusi