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All Journal SASDAYA: Gadjah Mada Journal of Humanities Amerta
Kirana, Ayu Dipta
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Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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REPRODUKSI NARASI TENTANG KEPAHLAWAN SOEHARTO: STUDI REPRESENTASI DI MUSEUM H.M. SOEHARTO Ayu Dipta Kirana
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 2 (2019): Agustus
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (767.647 KB) | DOI: 10.22146/sasdayajournal.50347

Abstract

The museum have the vision to become a media with the message and knowledge to share with a visitor. The vision of museum could be knowledge of museums representing national identity, culture, history, or biography of a public figures. The representation from one of a famous figure in Indonesia could we see in museum called Museum H.M. Soeharto. These articles aim to discover how the museum will work on Sang Bapak’s representation in the museum’s narration which are shown not only by a very lengthy text display but also on the attribute or object that scattered around in the museum’s yard. A whole object collection in museum will work based from the vision and aim of the museum. In the museum context, it called musealisation. It means that all the object collections are separated from their social context in real life then it enters the context of the museum so it will work based from the story or vision that made by what curator want and re-create the hero’s narration of Soeharto.
INTERPRETASI PEMAKNAAN RELIEF TOKOH GAJA-LAKȘMĪ KOLEKSI MUSEUM SONOBUDOYO, YOGYAKARTA Ashar Murdihastomo; Yoses Tanzaq; Ayu Dipta Kirana; Fitra Nur Fadhilah
AMERTA Vol. 37 No. 2 (2019)
Publisher : Badan Riset dan Inovasi Nasional

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Abstract

Abstract, Interpretation of the Meaning Gaja-Lakșmī Sculpture Figure of Sonobudoyo Museum Collection’s, Yogyakarta. The existence of Gaja-Lakșmī sculpture at Sonobudoyo Museum is interesting because it is rarely found in Indonesia. The figure of Gaja-Lakșmī is depicted in a sitting position. There are two elephants that carved on the right and left side of goddess. The elephants lift their trunks and showed that they are pouring water on the goddess. Certainly, the sculpture has a specific purpose, especially, because it was carved on media that indicated as the upper (dorpal) entrance of a temple building. The aim of disclosure of the sculpture is to find out the purpose and function of the depiction of the Gaja-Lakșmī  character in the past. Through the process of identifying iconography and literature studies, the purpose and function of the depiction of the Gaja-Lakșmī  figure is as a protector of people's welfare. Keywords: Gaja-Lakșmī, Relief, Iconography   Abstrak, Keberadaan relief tokoh Gaja-Lakșmī di Museum Sonobudoyo merupakan salah satu hal menarik mengingat gambaran ini sangat jarang ditemukan di Indonesia. Tokoh Gaja-Lakșmī tersebut digambarkan dalam posisi duduk yang pada sisi kanan dan kirinya terdapat dua ekor gajah yang mengangkat belalai seolah-olah menuangkan air kepada sang dewi. Tentunya penggambaran tokoh dewi ini memiliki maksud tertentu, terlebih, karena tokoh ini diletakkan di tempat yang diindikasikan sebagai bagian atas (dorpal) pintu masuk suatu bangunan candi. Pengungkapan makna penggambaran ini adalah untuk mengetahui tujuan dan fungsi tokoh Gaja-Lakșmī pada masa Matarām Kuno. Melalui proses identifikasi ikonografi dan kajian pustaka, diperoleh informasi bahwa tujuan dan fungsi penggambaran tokoh Gaja-Lakșmī adalah sebagai pelindung kesejahteraan masyarakat. Kata Kunci: Gaja-Lakșmī, Relief, Ikonografi
INTERPRETASI PEMAKNAAN RELIEF TOKOH GAJA-LAKȘMĪ KOLEKSI MUSEUM SONOBUDOYO, YOGYAKARTA Murdihastomo, Ashar; Tanzaq, Yoses; Kirana, Ayu Dipta; Fadhilah, Fitra Nur
AMERTA Vol. 37 No. 2 (2019)
Publisher : Penerbit BRIN (BRIN Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract, Interpretation of the Meaning Gaja-Lakșmī Sculpture Figure of Sonobudoyo Museum Collection’s, Yogyakarta. The existence of Gaja-Lakșmī sculpture at Sonobudoyo Museum is interesting because it is rarely found in Indonesia. The figure of Gaja-Lakșmī is depicted in a sitting position. There are two elephants that carved on the right and left side of goddess. The elephants lift their trunks and showed that they are pouring water on the goddess. Certainly, the sculpture has a specific purpose, especially, because it was carved on media that indicated as the upper (dorpal) entrance of a temple building. The aim of disclosure of the sculpture is to find out the purpose and function of the depiction of the Gaja-Lakșmī  character in the past. Through the process of identifying iconography and literature studies, the purpose and function of the depiction of the Gaja-Lakșmī  figure is as a protector of people's welfare. Keywords: Gaja-Lakșmī, Relief, Iconography   Abstrak, Keberadaan relief tokoh Gaja-Lakșmī di Museum Sonobudoyo merupakan salah satu hal menarik mengingat gambaran ini sangat jarang ditemukan di Indonesia. Tokoh Gaja-Lakșmī tersebut digambarkan dalam posisi duduk yang pada sisi kanan dan kirinya terdapat dua ekor gajah yang mengangkat belalai seolah-olah menuangkan air kepada sang dewi. Tentunya penggambaran tokoh dewi ini memiliki maksud tertentu, terlebih, karena tokoh ini diletakkan di tempat yang diindikasikan sebagai bagian atas (dorpal) pintu masuk suatu bangunan candi. Pengungkapan makna penggambaran ini adalah untuk mengetahui tujuan dan fungsi tokoh Gaja-Lakșmī pada masa Matarām Kuno. Melalui proses identifikasi ikonografi dan kajian pustaka, diperoleh informasi bahwa tujuan dan fungsi penggambaran tokoh Gaja-Lakșmī adalah sebagai pelindung kesejahteraan masyarakat. Kata Kunci: Gaja-Lakșmī, Relief, Ikonografi
Co-Authors Ashar Murdihastomo Fadhilah, Fitra Nur Fitra Nur Fadhilah Murdihastomo, Ashar Tanzaq, Yoses Yoses Tanzaq