I Gusti Agung Ngurah Agung Yudha Pramiswara
Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan

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ANALISIS FILM OH MY GOD DENGAN AJARAN ISA UPANISAD I Gusti Agung Ngurah Agung Yudha Pramiswara; Luh Putu Santi Pradnya Yanti; Desak Made Ayu Indri Safira
Vidya Darsan: Jurnal Mahasiswa Filsafat Hindu Vol 1, No 2 (2020)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/vidyadarsan.v1i2.591

Abstract

The film is a work of art that has the completeness of several elements of art to complement the needs of a spiritual nature. The elements of art that exist and support a film include fine arts, photography, architecture, dance, literary poetry, theater, music, poetry and novels. One of the films that attract attention is the film titled Oh My God, directed by Umesh Shukla. The uniqueness of this film coupled with some very exciting debate scenes makes this a learning for the audience and encourages the writer to study the actions of the main character in accordance with the teachings of Hinduism. The most interesting part is when Kanji Lalji Mehta (Paresh Lawal) sue God to court. Are there people in the world who dare to bring God to justice? This is a difficult and crazy thing to imagine, of course, there is no human who doubts the power of God to dare to fight His power with actions that are equal to human actions. But this is what Kanji Lalji Mehta did.
The 'Jari Manis' Strategy: Maintaining Ikat Weaving in the Midst of Weaver Regeneration Crisis in Julah Village, North Bali I Gusti Agung Ngurah Agung Yudha Pramiswara; I Putu Mardika
Jurnal Kajian Bali (Journal of Bali Studies) Vol 13 No 1 (2023): Volume 13 No 1 April 2023
Publisher : Pusat Kajian Bali Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2023.v13.i01.p16

Abstract

The Julah Village in North Bali is known for its traditional ikat cloth crafts. However, the number of weavers is currently declining, which is due in part to the regeneration problem. This research examines factors contributing to the shortage of ikat weaving, and it comes to the conclusion that the absence of regeneration in the inheritance process is the primary cause. Following closely behind is the need for a variety of processes in weaving production, and finally, a prolonged and expensive process for producing ikat. There are a number of initiatives that can be performed to help encourage younger generations to be interested in weaving, such as socialization, enculturation, and collaboration using tradition-based regulations. The lack of Julah Traditional Ikat weaving signifies that it's impracticable to perform religious rituals, which is the implication of scarcity in the religious system. This article offers Jari Manis strategy (Julah Mandiri, Manjemen, Investasi or Julah Independent, Management, and Investment) to stimulate weaving production, including for the local younger generation.