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All Journal Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi
Ni Wayan Murniti
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Religion Social Sciences

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UPACARA NGABEN: KONTESTASI MASYARAKAT DAN DAYA TARIK WISATA Ni Wayan Murniti; I Made Bagus Andi Purnomo
Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 1, No 1 (2017)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/duta.v1i1.769

Abstract

Ngaben ceremony is tradition of Balinese people that has art and culture aspect as one tourism destination aspect helps the development of tourism in Bali. Ngaben ceremony which is part of Pitra Yadnya and based on Pitra Rna (owing the ancestor) is commonly defined as a funeral ceremony. Ngaben ceremony as a traditional culture that contains element of art has become a tourisms spectacle object for the tourist, besides as a ritual can be said as a tradition that remains being preserved until now. Custom, art and culture from the implementation of Ngaben ceremony can spur local attraction as a spectacle for both local and foreign tourist. However, Ngaben ceremony always connotes extravagance, because without big cost, often Ngaben cannot be done. Therefore, not few people who do Ngaben ceremony within a long time after the death. Ngaben ceremony is often simplified with the goal of the Ngaben ceremony is still reached. Observing the current development in society, the people preferably use uncomplicated technique that is crematorium as means of contestation. Society contestation through ceremony without preserving tradition, culture, art and customary ritual preservation, precisely provides a convenience for the existence of crematorium. Without we realize the desire and the purpose of society to show our life pattern through certain ceremonies tend to lead to consumptive society even hedonic, where with the existence of crematorium does not reduce the significance of the rituals, traditions, customs, cultures, and arts.Keywords: Contestation, Ngaben, Tourism.
WAYANG KULIT PARWA SEBAGAI MEDIA TRANSFORMASI NILAI AGAMA HINDU BAGI GENERASI MELENIAL (STUDI DESKRIPTIF PERTUNJUKKAN WAYANG KULIT LAKON PANDAWA AGURU DI GRIA PEREAN KEDIRI, TABANAN) Ni Wayan Murniti
Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 4, No 1 (2020)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/duta.v4i1.782

Abstract

Effective strategies in delivering messages Hinduism teachings can be done with various media, one of which is Wayang Kulit media. The role of wayang kulit in conveying messages is quite effective because shadow puppets fulfill all the criteria of traditional media that can be used in communication, namely the form, theme, and flexibility of the media. The presence of Parwa’s shadow puppets art is still very popular with the people. Parwa Leather Puppets contain educational values such as: ethics, morals, and spirituality which are inserted in each chosen play, it makes art always interesting to witness. Of the several plays that are often performed are the Aguru Pandavas. Pandawa aguru is one of the plays that is dense with the contents of these educational values.Keywords: Parwa’s shadows puppets, transformation media, millennial generasi.
Co-Authors I Made Bagus Andi Purnomo