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TENUN IKAT KEDIRI DALAM FOTOGRAFI DOKUMENTER Wahyu Adji Febrianto; Pitri Ermawati; Surisman Marah
Specta: Journal of Photography, Arts, and Media Vol 5, No 2 (2021): Specta: Journal of Photography, Arts, and Media
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/specta.v5i2.3745

Abstract

Tenun Ikat Kediri in Documentary Photography. Kediri has one of the handicrafts, namely tenun ikat Kediri. Tenun ikat Kediri has been around since the 1900’s. The presence of tenun ikat Kediri is not widely known and is not yet popular by some of the general public. The craft center of tenun ikat Kediri is located in an area called Kampung Industri Tenun Ikat Bandar Kidul Kediri. At the beginning of its presence, there were approximately 20 tenun ikat craftsmen, but currently there are only eight active craftsmen. Craftsmen in Bandar Kidul Kediri Weaving Industry Village in the form of home industry. The creation of documentary photography is one of the efforts to popu- larize and preserve Kediri ikat. Tenun ikat Kediri visualized into documentary photographic works using story formula photo technique that was conceived by Eugene William Smith. The result of the photographic creation depicts the representation of the production process along with the workers.ABSTRAKKediri memiliki salah satu kerajinan yang sudah lama ada, yaitu tenun ikat Kediri yang sudah ada sejak tahun 1900-an. Kehadiran tenun ikat Kediri belum banyak dikenal dan belum populer oleh sebagian masyarakat umum. Pusat kerajinan tenun ikat Kediri terletak di kawasan yang dinamakan Kampung Industri Tenun Ikat Bandar Kidul Kediri. Pada awal kehadirannya, terdapat kurang lebih 20 pengrajin tenun ikat Kediri, namun saat ini hanya tersisa delapan pengrajin yang masih aktif. Pengrajin yang ada di Kampung Industri Tenun Ikat Bandar Kidul Kediri berbentuk home industry. Artikel ini bertujuan untuk mewujudkan ide imaji visual foto dengan objek tenun ikat Kediri melalui media fotografi dokumenter. Metode yang digunakan yaitu observasi, eksplorasi, dan eksperimentasi. Karya foto yang dihasilkan disusun dan disajikan menggunakan metode foto cerita dari Eugene William Smith yang memungkinkan adanya pilihan variasi foto sebagai elemen dari cerita visual foto. Hasil penciptaan adalah karya fotografi yang menceritakan representasi dari proses produksi serta para pekerja.
Pecinan Tambak Bayan Surabaya Dalam Fotografi Dokumenter Alfian Rizal Andre Ciputra; Pitri Ermawati; Syaifudin Syaifudin
Specta: Journal of Photography, Arts, and Media Vol 3, No 1 (2019)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1736.749 KB) | DOI: 10.24821/specta.v3i1.2837

Abstract

Documentary Photography of Chinatown in Tambak Bayan Surabaya. Chinese etchnic of Surabaya has been living in the settlement, called Tambak Bayan Surabaya, around Kalimas River. Most of the families living there are the third and fourth generation of the Chinese ethnic whom  migrated to Surabaya several years ago. Those families occupied the buildings formerly were horse stables during colonial period. Their economic condition was classified as middle to lower class. Hence,  they did not have other choices but those settlements. Documentary photography is a way to describe their everyday conditions in a 4x4 quadrangle house that is high. Chinese identities that surround their homes are each the size of each family inhabiting the house. The families residing in Chinatown Tambak Bayan Surabaya can be visualized into several documentary photographic works showing their condition and their dwelling places.  Keywords: documentary photography, Chinatown’s Tambak Bayan Surabaya, Chinese New year