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Ria Dewi Fajaria
Institut Seni dan Budaya Bandung
Arts Education

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PROSES PENCIPTAAN DAN STRUKTUR TARI UDAR GELUNG Angga Nugraha Saefurridjal; Dindin Rasidin; Ria Dewi Fajaria
TANDIK : Jurnal Seni dan Pendidikan Seni Vol 1 No 2 (2021)
Publisher : STKIP PGRI BANJARMASIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (600.107 KB) | DOI: 10.33654/tdk.v1i2.1445

Abstract

Abstract : This dance work was adopted from the art of Ibing Penca Sobrah in one of the oldest universities in Pasundan, namely Panglipur, which is identified with the professor of the university, namely Rd. Hj. Enny Rukmini Sekarningrat. Famous for the role of sobrah (extra hair) which is used as a weapon against the enemy. The words Udar and Gelung come from the Sundanese language, Udar means to let go, gelung means to tie hair in a circle, Udar Gelung means to untie hair. However, in this work, it means the release of Wanoja's pride by an arrogant Jawara. This dance creation theory uses an objective and subjective approach, focusing on the creations of a choreographer expressed by dancers. All of these processes go beyond exploration, composition and evaluation methods. The type of choreography is group, which is divided into three scenes with the number of dancers being six male dancers and one female dancer. The process of creating works is outlined in the concept of working on traditions with a dramatic structure and originating from the typical traditional movements of pencak silat / Ibing Penca. The moral message raised is that everything will always have a reciprocity and what we do is what we get. Keywords: Udar Gelung, ibing pen sobrah, Wanoja
PROSES GARAPAN DAN PERWUJUDAN KARYA TARI TALEQ Budi Iman Gunawan; Kawi; Ria Dewi Fajaria
TANDIK : Jurnal Seni dan Pendidikan Seni Vol 1 No 2 (2021)
Publisher : STKIP PGRI BANJARMASIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (465.88 KB) | DOI: 10.33654/tdk.v1i2.1449

Abstract

Taleq in the creation of this work has the meaning of Oath. Inspired by the tradition of taking a student's oath to his teacher to follow the rules in Cimande Pencak Silat. The author interprets the event of the violation of one of the oaths made by a student and he bears bad consequences. The working method uses dramatic and traditional elements. Supported by the method of interview, observation, literature study, and documentation. Cultivation process through the stages of exploration, evaluation and composition. Taleq dance is a group dance which is divided into three scenes with four dancers. Based on the movements of pencak silat, Sundanese traditions, and realist movements that have been modified according to the story. Hanjuang leaves as a sacred symbol in the oath is the hallmark of this work. the use of open space as a performance space in the form of a home page that functions as a setting for a pencak silat practice room. Using makeup and clothing that is based on the cultural character of the Sundanese people. Lighting serves as lighting, strengthening the atmosphere and highlighting the dancer's character. Keywords: Taleq, Oath. Pencak Silat, Traditional Martial Arts.
Co-Authors Angga Nugraha Saefurridjal Budi Iman Gunawan Dindin Rasidin Kawi