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All Journal Jurnal Sains dan Seni ITS IJCAS (International Journal of Creative and Arts Studies) Jurnal Senirupa Warna (JSRW) International Review of Humanities Studies
Lucky Wijayanti
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Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science

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Pengaruh Ekstrak Daun Bintaro (Cerbera odollam) terhadap Perkembangan Ulat Grayak (Spodoptera litura F.) Nur Alindatus Sa'diyah; Kristanti Indah Purwani; Lucky Wijayanti
Jurnal Sains dan Seni ITS Vol 2, No 2 (2013)
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM), ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.347 KB) | DOI: 10.12962/j23373520.v2i2.3739

Abstract

Salah satu hama utama tanaman cabai rawit (Capsicum frutescens) adalah Spodoptera litura F., S. litura F. merupakan hama yang bersifat polyfag. Ada beberapa cara untuk mengendalikan hama salah satunya dengan menggunakan bioinsektisida. Tujuan dari penelitian ini adalah untuk mengetahui pengaruh ekstrak daun bintaro (Cerbera odollam) terhadap perkembangan ulat grayak (S. litura F.) dan berapa konsentrasi ekstrak daun bintaro (Cerbera odollam) yang efektif dalam mempengaruhi hama Spodoptera litura F. Metode ekstraksi menggunakan maserasi dan pelarut yang digunakan adalah metanol yang merupakan pelarut polar. Untuk pengujian dilakukan dengan metode pencelupan daun. Spodoptera litura F.  diberi pakan daun cabai rawit yang sudah dicelupkan. Kemudian diamati perkembangan S. litura F. selama 20 hari. Hasil penelitian menunjukkan ekstrak daun Cerbera odollam konsentrasi 2% di hari kedelapan pengamatan dapat menurunkan berat tubuh S. litura F.. Konsentrasi 2% dari ekstrak daun Cerbera odollam juga menghambat proses ekdisis pada instar 2 sampai instar 3 dan dapat menghambat pembentukan pupa.
Art as the Energy of Life Creative Process Representation of Sasak Womanhood in Visual Media Lucky Wijayanti
IJCAS (International Journal of Creative and Arts Studies) Vol 1, No 2 (2014): December 2014
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v1i2.1559

Abstract

The idea of creation/formulation of the problem in the dissertation of art creation is the reality of women workers to the nature of femininity in performing arts as interpreted life energy into the problems of women workers. The idea is then formulated into the concept of creation, the role of women as the guardian of the family, gave birth to progeny, and the resilient nature of women as breadwinners for survival, even more importantly women as keepers of tradition. Through the creative process to create works of art by presenting a ‘rasa’ that can be captured and responded to by the brain into something that essence and recorded in the memory, (VS Ramachandran, 2012). The study was conducted using visual aesthetic and creative through the photographic process with the exploration of materials such as: objects generated tradition of Lombok, for example woven fabrics, woven and the other as an aesthetic element as well as elements of art such as: shape, line, color, shape, composition, and texture. As for all stages of the process based on the embodiment of the work of the working stages of the creative process by Csikszentmihalyi (1996), namely: preparation, incubation, insight / arcing ideas, evaluation, development, and presentation in the form of art exhibitions. In general it can be concluded, that in this aspect of the subject matter of the concept of women in the end that guarantees life for themselves women are women themselves. In the form of work, technical realization through the creative process with visualization methods.
Proses Kreatif Konsep Penciptaan Bentuk : (Studi kasus: Kemben, Pakaian Adat Perempuan Jawa, Penari Jawa) Lucky Wijayanti; Setiawan Sabana
JSRW (Jurnal Senirupa Warna) Vol. 5 No. 1 (2017): Eksplorasi Keragaman Media Seni
Publisher : Fakultas Seni Rupa - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/.v5i1.32

Abstract

Abstrak: Proses penciptaan seni terbentuk dari hubungan antara gagasan penciptaan dengan konsep berkarya yang dilakukan oleh setiap seniman dengan cara pandang yang berbeda. Dari penelitian yang dilakukan melalui metode observasi terhadap kegiatan para perempuan yang bekerja sebagai pembuat batik, penari, penganyam, dan penenun di wilayah pulau Jawa, seperti: Cirebon, Pekalongan, Solo, dan Yogyakarta, dapat dirumuskan konsep penciptaan bentuk (karya) yang mencakup tiga aspek pokok, yaitu: 1) Tematik, konsep subject matter, dalam bidang seni visual, baik itu tema yang bersifat religius, sosial, urban dan lain sebagainya materi subyeknya selalu berubah sesuai dengan maksud dari seniman untuk mengkomunikasikan sesuatu pengalaman yang spesifik melalui karya baru atau representasi yang abstrak; 2) Visual, konsep proses kreatif dalam perwujudan karya yang divisualkan melalui figur-figur sebagai representasi seni rupa, misalnya melalui media film dokumenter dan foto; 3) Media, konsep eksplorasi media dan teknik untuk mewujudan karya, dengan menggabungkan material temuan (found object) yang berasal dari lokasi penelitian dengan media lainnya yang dapat memperkaya suatu karya dan dapat mewakili visual setempat. Abstract: The art creation process is constructed by the relation between ideas and the concept of creation of artists based on different point of view. From the research that uses observation method and focuses on the activities of the working women as batik makers, dancers, and weavers in areas in Java such as Cirebon, Pekalongan, Solo and Yogyakarta, it can be formulated one concept of creation that involves three aspects which are: 1) thematic, the concept of subject matter, in visual art, for themes like religious, social, urban matter, the materials of the subjects always change according to the purpose of the artists in communicating a specific experience through a new piece of work or an abstract representation; 2) Visual, the concept of creative process in the manifestation of work which is visualized using figures as representation of fine art, for example by means of documentary film and photos; 3) Media, the concept of exploration of media and the technique to materialize art works, by combining the materials of the objects found in the research locations with other media that can enrich an art work and can represent local visual.
KUASA ATAS RUANG PEMBEBASAN’: THE RESILIENCE OFWOMEN IN SASAK CULTURE Wijayanti, Lucky
International Review of Humanities Studies Vol. 5, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Sasak tribe on Lombok island - West Nusa Tenggara, have traditional values and are applied through the social structure of their communities in daily life. Some existing customary values place women in irreplaceable positions. Even so, the existence of financial needs makes them work abroad as laborers, which indirectly results in the occurrence of divorce and early marriage. This is a problem for Sasak women in terms of survival in the Sasak culture. An ethnographic approach derived from Malinowski, the opinion of Svasek, and the value system framework from Kluckhohn are used in this study. This research concludes that art activities are the livelihoods of Sasak women while at the same time functioning as a 'liberation room' for them to express themselves.
Co-Authors Kristanti Indah Purwani Nur Alindatus Sa'diyah Setiawan Sabana