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Between Piety And Lifestyle: Hijab Shar’i on the Commodification Practices of the Islamic Culture Industry Abdul Rahim
Ulumuna Vol 26 No 1 (2022): June
Publisher : Universitas Islam Negeri Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/ujis.v26i1.448

Abstract

The shar’i hijab has become a global fashion product targeting Muslim women. Nowadays, it is part of the cultural industry captured by capitalism in pursuit of profit. The shar’i hijab that displays a visualization of the discourse of piety and beauty makes consumption practices an effort to articulate the identity of Muslim women for religious observance. Massive distribution through the media or fashion show events is part of the visualization of the lifestyle of fashion fans which is echoed by the perpetuation of capitalism in the circulation of production, distribution, and consumption of hijab products which is reflected through the discourse of covering the genitals according to shar’i. Consumption of hijab product brands shows social class to differentiate themselves. This often leads to aesthetic violence in an effort to match the tastes of the lower class to force them to buy hijab products with the same brand as the figure they idolize. Consumption practices that show the articulation of Muslim women's identities in religious discourse are increasingly being captured by capitalism to create changes in hijab modes. The concept of obsolescence planning is part of production management for hijab product offerings that continue to grow, and capitalism is increasingly hidden behind the discourse of piety.
THE GENEALOGY OF SANTREN AS IDEOLOGICAL BASIS OF RESISTENCE MOVEMENT OF SASAK SOCIETY AGAINST COLONIALISM IN LOMBOK Abdul Rahim; Muhammad Yazid Zaynassyakur; Halimatuzzahro
Kontemplasi: Jurnal Ilmu-Ilmu Ushuluddin Vol. 13 No. 02 (2025): Jurnal Kontemplasi
Publisher : UIN Sayyid Ali Rahmatullah Tulungagung

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Abstract

Santren is the name of a place that has been used as a center for religious teaching in Sasak society for a long time. This article tries to present a critique of the lack of attention today's society towards Santren as the earliest place to educate Sasak’s Muslim in religious matters. Furthermore, this article also explore the genealogy of Santren as a space for coaching mental and spiritual of Sasak people since Islam become the official religion of the  Selaparang kingdom. Based on the theoretical basis of genealogy from Michel Foucault, this research was conducted by exploring historical data, criticizing phenomena and reality, with a new ethnographic approach in the form of self-reflexifity and truthfulness. The results of the author's findings revealed that the genealogy of Santren as a place of religious teaching was practiced from the early Islamic era in the Kingdom of Selaparang that receive Islam as the religion of Sasak community. Then, when the troops of Karangasem Kingdom, Bali reached the Kingdom of Selaparang, Santren turned in the basis of resistence, and also against Dutch, and Japan in colonialism era which centered in guru ngaji as the actor. Then, after the Independence of Indonesia, form of resistence transform against ignorance, backwardness, and poverty.