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All Journal Krinok:Jurnal Linguistik Budaya
Dodi Oktariza
English Literature Program, Faculty of Language, Muara Bungo University
Arts Education Languange, Linguistic, Communication & Media Social Sciences Other

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MORAL VALUES ANALYSIS AS SEEN ON NINE FILM Asmila Asmila; Dodi Oktariza; Rini Afrilesa J
Krinok:Jurnal Linguistik Budaya Vol 6, No 1: Juni 2022
Publisher : Universitas Muara Bungo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36355/krinok.v6i1.818

Abstract

This study analyzes the moral values contained in the film Nine 2009. The purpose of this study is to describe the types of moral values and describe the impact of moral values contained in the film Nine in 2009.In this study, the writer uses a qualitative descriptive method proposed by Creswell (1994:45) which uses descriptive techniques to describe and analyze the data. The data were analyzed in several ways, namely identification, classification, analysis and conclusion. In this study, the writer uses the theory of moral values from Guerin (2005) and the theory of Webster (1981) as the basis for the types of moral values of the researcher's theory.From the results of the study obtained types of moral values such as courage, enthusiasm, kind, honesty, love and compassion, loyalty, love of peace, perseverance, sacrifice for others, self-confidence, and based on strong beliefs. on Webster's (1981) theory. In Nine, the writer finds six (7) courage, two (2) loyalty, two (2) love and compassion, three (3) sacrifices for others and two self-confidence. The writer also explains the impact of moral values on the film Nine. The writer finds two kinds of impacts, namely the good impact and the bad impact on the film Nine. One of the good effects is cohesiveness in friendship and the bad effect is selfishness that causes death. From the data obtained, the key that the most dominant type of moral value found in the 2009 film Nine is Courage. And the writer finds two kinds of good impacts and bad impacts.
LANGUAGE AND GENDER FOUND IN “RAYA AND THE LAST DRAGON MOVIE” (SOCIOLINGUISTICS ANALYSIS) Ravika Yulita; Vera Magria; Dodi Oktariza
Krinok:Jurnal Linguistik Budaya Vol 6, No 2 (2022): Desember 2022
Publisher : Universitas Muara Bungo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36355/krinok.v6i2.958

Abstract

This research analyzes about Linguistics Feature and kind of Genderlect Style, particularly focusing on language and gender different between men and women in Raya and The Last Dragon Movie. The purpose of this research is to analyze the form of linguistics feature and find out the kind of Genderlect Style used between men and women in language and gender based on Raya and The Last Dragon Movie. In this research, the writer uses a descriptive qualitative method, meanwhile for collecting the data used the non participant observational (SBLC). the data is formed in Pictures and conversation were also used to help the writer draw conclusions. In analyzing the data, the writer use data reduction and data display. The data codes in the form of word, phrase, and sentences spoken by the men and women characters.                        The result of the study reveals some finding: first, the writer analyzed nine forms of linguistic feature based on Robin Lakoff (1975) but through the analysis, the writer only found six of them out of linguistic form that existed in conversation between men and women are contained in 69 data. There are 33 data of Lexical Hedges and Fillers, 5 data of Tag Questions, 14 data of Super Polite Forms, 4 data of Adjectives, 2 data of Avoidance of strong swear words, 10 data of emphatic stress. The most dominant linguistics features is lexical hedges and fillers with total number 33 data. Second, the writer found five kinds of Genderlect Style based on Tannen (2012) theory. Those are private vs. public, telling story, listening, asking question, and conflict. Finally from five kinds of differences language use between men and women based on Tannen theory, all of the kind can be clearly proven. In this movie, dialogue/codes are dominated by women than man. In addition, the codes between men and women in one scene are limited.
Co-Authors Asmila Asmila Ravika Yulita Rini Afrilesa J Vera Magria