Eston Kamelang Mauleti
Universitas Pelita Harapan

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Journal : Jurnal Nawala Visual

REPRESENTASI SOSIAL MELALUI PENDEKATAN ILUSTRASI SIMBOLIK PADA POSTER NO WAR Eston Kamelang Mauleti; Irwan Harnoko
Jurnal Nawala Visual Vol 4 No 1 (2022): Jurnal Nawala Visual Mei 2022
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/nawalavisual.v4i1.350

Abstract

Social events are part of human life, peace, conflicts occur one after another. At the end of February 2022 the world was shocked by the Russian military attack on Ukrainian territory. The world community hopes Russia can stop the attack but it still happens. In March 2022 Japan's Ogaki Poster Museum summoned poster artists (poster call) around the world to participate in voicing their opinions through art posters with the NO WAR theme, in response to the events above. The author of the article responded to this call by sending 2 posters that represented this social problem through a symbolic illustration approach on the poster. The selection through a symbolic illustration approach is considered appropriate because it can have a complex context so that the message conveyed easily and quickly reaches the audience. To underlie the design of symbolic illustrations, research and design methods are used, namely, Components of Illustration Media consist of 4 stages, namely Context, Encoders, Code, and Decoder. Key words : Social events are part of human life, peace, conflicts occur one after another. At the end of February 2022 the world was shocked by the Russian military attack on Ukrainian territory. The world community hopes Russia can stop the attack but it still happens. In March 2022 Japan's Ogaki Poster Museum summoned poster artists (poster call) around the world to participate in voicing their opinions through art posters with the NO WAR theme, in response to the events above. The author of the article responded to this call by sending 2 posters that represented this social problem through a symbolic illustration approach on the poster. The selection through a symbolic illustration approach is considered appropriate because it can have a complex context so that the message conveyed easily and quickly reaches the audience. To underlie the design of symbolic illustrations, research and design methods are used, namely, Components of Illustration Media consist of 4 stages, namely Context, Encoders, Code, and Decoder. Key words : Social, symbolic illustrations, posters
NARASI ILUSTRASI KONTEMPORER : SEBUAH PENDEKATAN EKSPERIMEN Eston Kamelang Mauleti
Jurnal Nawala Visual Vol 5 No 1 (2023): Jurnal Nawala Visual Mei 2023
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/nawalavisual.v5i1.430

Abstract

In accordance with one of the elements of the Tri Dharma of Higher Education, Community Service was carried out through Contemporary Illustration Art Education training at PKBM Negeri 26 Bintaro, South Jakarta. The purpose of this training is to provide knowledge and briefing to students about the development of the world of illustration which is currently growing rapidly, especially in Indonesia. The basis of illustration is drawing, in this training students are given teaching and guidance on drawing illustrations through a contemporary illustration approach. The meaning of the word contemporary means "modern" or "current", then translated by a spontaneous experiment through character drawings and narration. Students experiment without being burdened with guilt (proportion or not) to produce narrated contemporary illustrations. The use of marker/felt tip pen materials supports the spontaneity and courage of students in drawing illustrations because the resulting lines are not easily erased and are as they are, like a child who draws spontaneously and happily