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All Journal Texture : Art and Culture Journal
Cito Yasuki Rahmad
Program Studi S-1 Televisi dan Film Fakultas Seni Rupa dan Desain, ISI Surakarta
Arts Humanities Education Social Sciences

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PENGAMBILAN GAMBAR HANDHELD SEBAGAI PEMBENTUK KETEGANGAN PADA FILM MODUS ANOMALI Zain Arifin Rochmat; Cito Yasuki Rahmad
TEXTURE : Art and Culture Journal Vol 1, No 2 (2018)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2510.055 KB) | DOI: 10.33153/texture.v1i2.2435

Abstract

ABSTRACT Shooting techniques in films are needed so that the storyline can be continuous between actors and audiences. The action in the Modus Anomali film is visualized through shots, scenes, and sequences in the structure of the film in harmony with causation. Through shooting techniques can create a tension that affects the anxiety of the audience awaiting the risk that befalls the protagonist. The shooting technique in this film is dominant by using handheld techniques in realizing an action. The emergence of interesting and important handheld movements is assessed to form tension. The analysis technique used is descriptive qualitative. While the sampling technique uses purposive sampling in several sequences that focus on the protagonist. The results showed that the appearance of the handheld was able to form tension with the support of camera angle technique, type shot, camera movement, long take and canted angle, which created a conflict that peaked as a form of tension.Keywords: Film Mode Anomaly, Handheld, TensionABSTRAK Teknik pengambilan gambar dalam film diperlukan agar alur cerita dapat berkesinambungan antar pemain dan penonton. Aksi dalam film Modus Anomali divisualisasikan melalui shot, scene, maupun sequence dalam struktur film selaras dengan sebab-akibat. Melalui teknik pengambilan gambar dapat mewujudkan suatu ketegangan yang berpengaruh terhadap rasa cemas penonton menanti risiko yang menimpa pada tokoh protagonis. Teknik pengambilan gambar dalam film ini dominan dengan menggunakan teknik handheld dalam mewujudkan suatu aksi. Kemunculan pergerakan yang dihasilkan handheld menarik dan penting dikaji untuk membentuk ketegangan. Teknik analisis yang digunakan berbentuk deskriptif kualitatif. Sedangkan teknik pengambilan sampel menggunakan purposive sampling pada beberapa sequence yang fokus pada tokoh protagonis. Hasil Penelitian menunjukkan bahwa kemunculan handheld mampu membentuk ketegangan dengan dukungan teknik camera angle, tipe shot, pergerakan kamera, long take maupun canted angle, yang menciptakan suatu konflik memuncak sebagai wujud ketegangan.Kata kunci: Film Modus Anomali, Handheld, Ketegangan
Kostum Tjokroaminoto dalam Mendukung Setting Ruang dan Waktu pada Film Guru Bangsa: Tjokroaminoto Syaifatul Ais Salam; Cito Yasuki Rahmad
Texture:Art and Culture Journal Vol 6, No 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v6i1.5079

Abstract

Costume design is an important part of artistic direction and plays a crucial role in supporting a film's setting and time period. This study focuses on the costumes worn by the main character, Tjokroaminoto. The film's setting ranges from Tjokroaminoto's teenage years to his adulthood, and the costumes used create an authentic atmosphere during that time period. The research method used is qualitative research, using primary and secondary data sources obtained from interviews, observations, and literature studies. After the data is collected, data analysis is carried out through the process of reduction, presentation, conclusion drawing, and verification. The results show that the film's historical setting, "Guru Bangsa: Tjokroaminoto," is effectively conveyed through the costumes worn by the characters, which help to express space, time, social status, and three-dimensional character. Tjokroaminoto's costume consists of several parts such as basic clothing, headwear, bodywear, footwear, and accessories. The costume worn by Tjokroaminoto portrays a priyayi who comes from the Javanese region with a division of the time period when the story takes place. 
Co-Authors Syaifatul Ais Salam Zain Arifin Rochmat