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José S. Buenconsejo
University of the Philippines College of Music
Education

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AESTHETICS OF MUSICAL EMBODIMENT ON THE CONCEPT OF MUSIC AS PRESENCE (USING PHILIPPINE MUSIC EXAMPLES) José S. Buenconsejo
Proceeding IICACS No 2 (2017)
Publisher : Proceeding IICACS

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Abstract

This paper compares the aesthetics of three songs from two musical traditions (one from the indigenous Manobo community in non-Islamic Mindanao Island and two from urban popular songs). It argues that song is not merely a personal expression but a performance (song-act) that indicates concrete "presence effects" of relationships to a material, social world. This philosophy of music aesthetics departs from the once dominant European concept of absolute music as form but on the not-so-recent studies on music embodiment or incarnation where song makes sense as a substantial act in social worlds
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