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All Journal PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Karyono
Institut Seni Indonesia Surakarta
Arts Humanities

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Karyono POLA-POLA GERAK PADA TOPENG BARONGAN KERTAS SEBAGAI INOVASI PENGEMBANGAN TRADISI KERAKYATAN Karyono; Tubagus Mulyadi
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.126

Abstract

Barongan Blora is one of the communal arts that developed in the Blora, Rembang and Grobogan areas.Barongan dish was originally a spiritual form of its presence, not paying attention to the aesthetic elementsmore focused on its function. Barongan movement patterns cannot be separated from the Barong mask whichhas been made from wood which is the shape of a large mask. This greatly affects the patterns of movementin the Barong dance.The innovation of the Barongan mask as a form of developing a populist tradition has analternative in making masks made from paper. This is done to get the possibility of movement patterns relatedto the development of innovation in the Barong populist arts tradition. The creative engineering effort of theBarongan mask by utilizing waste paper becomes an alternative to enrich the work of dance moves related tothe lighter mask properties as a large mask performance. Replacing wood media with paper in mask making.With the hope of facilitating the game techniques in accordance with the character of Barong and silat movementsas if kanuragan.The purpose of this study is to look for basic concepts about Barongan movementpatterns that are technically related to paper mask media. The research method used is rise up by practice,the artistic method, the creation of art based on research.The results of the study showed that the movementpatterns were worked on as the basis for developing the Barongan Kertas mask dance. Research outputstargeted at this study are; Intellectual Property Rights and National Journal.
GARAP EKSPRESI TEMBANG DAN ANTAWECANA WAYANG BOCAH SAMPARAN SAMPIRANKU Chikal Safa Nandhita; Nandhang Wisnu Pamenang; Budi Setyastuti; Karyono
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5828

Abstract

Tembang and antawecana are one of the components of dance which is called the verbal component. These components can be enjoyed through language, speech and the intonation of a sentence. Cultivating the verbal component can influence the results of the expression produced based on the delivery of the verbal component through the intonation of the song and the emphasis of the words in the antawecana. Strengthening the expressions of wayang orang or wayang anak players can be accompanied by tembang and antawecana. It depends on the accuracy of tembang and antawecana used and placed in the right position. The existence and choice of place is also an asset in finding the desired expression for a wayang orang artist. Wayang orang Samparan Sampiranku is one of the children's wayang works that uses songs and antawecana as a form of expression in communicating and conveying emotions. This research emphasizes descriptive analysis carried out to find an analysis of the expressions obtained based on the description of the songs and antawecana contained in the Wayang Bocah work entitled Samparan Sampiranku presented by Sanggar Sarwi Retno Budoyo in 2022 at the Wayang Bocah Festival. Keywords: Tembang, Antawecana, Garap, Expression
Co-Authors Budi Setyastuti Chikal Safa Nandhita Nandhang Wisnu Pamenang Tubagus Mulyadi