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All Journal PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Ardyan Vektorika Kresnawati
Pengkajian Pascasarjana Institut Seni Indonesia Surakarta
Arts Humanities

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BENTUK SAJIAN TARI BEDHAYA SAMPARAN MATAH ATI KARYA ATILAH SOERYAJAYA TAHUN 2015 Ardyan Vektorika Kresnawati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 3 (2020): Seni, Tenologi, dan Masyarakat #5
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v3i0.139

Abstract

This paper reveals the form of the presentation in Atilah Soeryajaya's Bedhaya Samparan Dance Matah Ati. The idea of creation in this dance is derived from the story of Matah Ati and Mangkunegara I. Qualitative methods with a phenomenological approach were chosen to explore the phenomenon of art in this writing. The visual form of bedhaya, which is a little different from bedhaya in general, makes this dance need to be studied further. The difference lies in the use of more than one property, the structure of the presentation, the number of dancers, costumes, and floor patterns. Keywords: bedhaya, phenomenon, form
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