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Iwan Pranoto
FKIP, Universitas Palangka Raya
Social Sciences

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Aplikasi Tik Tok: Pengembangan Media Pembelajaran Perkuliahan Desain Dwimatra Prodi Sendratasik Universitas Palangka Raya Iwan Pranoto; Erna Agraini
Journal Pendidikan Ilmu Pengetahuan Sosial Vol. 13 No. 2 (2021): Jurnal Pendidikan Ilmu Pengetahuan Sosial (JPIPS) Vol 13, Nomor 2, Desember, T
Publisher : FKIP, Universitas Palangka Raya

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Abstract

Learning media is an innovation that will continue to develop in the world of education. It is related to art learning, namely the development of learning media using the tiktok application. This application is an innovation created for the sake of expression, but in the context of tik tok learning it can be used as a digital space to take advantage of technological developments and make students in the program study SENDRATASIK, Universitas Palangka Raya, able to access freely. The method used in this study, in the form of a qualitative description. Learning activities using the tiktok application are applied to dual-dimensional design courses, in this lecture activity they recognize various kinds of visual elements, so that they are loaded in a video that has a short duration, emphasizing in the form of an explanation that will be understood audio-visually, by utilizing editing skills. On each video content that will be a learning medium. In the development of this media technology, it can help students learn independently by playing tiktok applications and watching videos, and the learning process can be monitored by educators as long as students use tiktok social media.
Transformasi Estetik Keramik Kasongan, Bantul, Yogyakarta Muhamad Romadoni; Iwan Pranoto
Journal Pendidikan Ilmu Pengetahuan Sosial Vol. 15 No. 1 (2023): Jurnal Pendidikan Ilmu Pengetahuan Sosial (JPIPS) Vol 15 Nomor 1 Juni 2023
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jpips.v15i1.9519

Abstract

Kasongan ceramics experience aesthetic transformation over time. Changes in the art of Kasongan ceramics were initially limited to household items with designs limited to circles, rounds, and cylinders, changing into animal shapes with pasting decoration techniques, jars with paint finishing techniques or glass mosaics, and Loroblonyo sculptures with glaze finishing techniques. The manufacturing technique, which was initially limited to traditional techniques, has evolved over time in terms of tool preparation, embodiment, and finishing. This is evident in the work produced, which range from traditional techniques to temple techniques and finishing techniques using paint, glass, and glaze. The ceramic design that was originally intended to fulfill daily needs has undergone a design shift, namely toward a ceramic design that is not only functional (traditional), but also more oriented toward art product design (decoration) or practical art (functional decoration). External and internal factors that exist in the wider community influence the variety of products produced by ceramic artisans in Kasongan.
Co-Authors Erna Agraini