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All Journal Journal of Indonesian Social Sciences and Humanities Journal of Indonesian Social Sciences and Humanities
Emma Baulch
Australian National University
Humanities Environmental Science Law, Crime, Criminology & Criminal Justice Social Sciences

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Music for the Pria Dewasa: Changes and Continuities in Class and Pop Music Genres Emma Baulch
Journal of Indonesian Social Sciences and Humanities Vol 3 (2010): General Issue: Indonesian Social Sciences and Humanities
Publisher : Deputy of Social Sciences and Humanities, the Indonesia Institute of Sciences (LIPI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (980.25 KB) | DOI: 10.14203/jissh.v3i1.48

Abstract

This paper presents Rolling Stone Indonesia1 (RSI) and places it in an historical context to tease out some changes and continuities in Indonesian middle-class politics since the beginning of the New Order. Some political scientists have claimed that class interests were at the core of the transition from Guided Democracy to the New Order, and popular music scholars generally assert that class underlies pop genre distinctions. But few have paid attention to how class and genre were written into Indonesian pop in the New Order period; Indonesian pop has a fascinating political history that has so far been overlooked. Placing RSI in historical perspective can reveal much about the print medias classing of pop under New Order era political constraints, and about the ways these modes of classing may or may not have endured in the post-authoritarian, globalised and liberalised media environment
Music for the Pria Dewasa: Changes and Continuities in Class and Pop Music Genres Emma Baulch
Journal of Indonesian Social Sciences and Humanities Vol. 3 (2010): Journal of Indonesian Social Sciences and Humanities
Publisher : RMPI-BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper presents Rolling Stone Indonesia1 (RSI) and places it in an historical context to tease out some changes and continuities in Indonesian middle-class politics since the beginning of the New Order. Some political scientists have claimed that class interests were at the core of the transition from Guided Democracy to the New Order, and popular music scholars generally assert that class underlies pop genre distinctions. But few have paid attention to how class and genre were written into Indonesian pop in the New Order period; Indonesian pop has a fascinating political history that has so far been overlooked. Placing RSI in historical perspective can reveal much about the print media’s classing of pop under New Order era political constraints, and about the ways these modes of classing may or may not have endured in the post-authoritarian, globalised and liberalised media environment.
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