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Rio Heykhal Belvage
Universitas Gadjah Mada
Arts Humanities Education Social Sciences

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Pada Suatu Drama: Studi Seni Pagelaran dalam Wacana Pergerakan Rio Heykhal Belvage
Jurnal Kajian Seni Vol 1, No 2 (2015): Jurnal Kajian Seni Vol 1 No 2 April 2015
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.062 KB) | DOI: 10.22146/art.11640

Abstract

A stage performance is not only a play, it has also become a medium to state somethingelse. It is possible that through the performance presented, the dynamics of life could bean inspiration for the creator to produce certain stories; constructing new reality. Everysingle scene seems unrelated at fi rst, but then combined to a story containing values.It can be social critique, politic strategy, entertainment, or money machine. Regardingthe context, this article is meant to be a critical refl ection to a particular play in TamanBudaya Yogyakarta (TBY). Here the writer is willing to share about spectator’s worldand a play performance carrying women movement issue; a stage imagined to be arefl ection of daily life, yet live so close to appreciations and full of paradoxes.
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