Ismail Suardi Wekke
STAIN Sorong Papua Barat

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The Corruption in Religious Text and Local Wisdom Perspectives in Bugis Society Ismail Suardi Wekke; Muhammad Yusuf
IBDA` : Jurnal Kajian Islam dan Budaya Vol 16 No 1 (2018): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (230.417 KB) | DOI: 10.24090/ibda.v16i1.1387

Abstract

Corruption is a detrimental and harmful crime that is done individually or collectively. Therefore, corruption must be prevented and overcome. To prevent the corruption, firstly, the factors that lead the corruption should be eradicated; then, the prevention actions are formulated. This article aims to elaborate the guidance from the Qur’an and the local wisdom from Bugis society investigating the causes of corruption and how the Qur’an offers the prevention action of the corruption. To understand the guidance in the Qur’an and to prevent the corruption, this study was conducted through the Arabic linguistic approach. In addition, the researchers integrated the guidance in the Qur’an with the local wisdom values derived from the Bugis culture relevant to the prevention of corruption. This study shows that the Qur’an commences the prevention of corruption in two ways: the first, it is done through total structural reform; and the second, the analysis is started from the ‘inner side’ of humans based on the concept of nafsun stated in the Qur’an. Culturally, preventing the corruption should always refer to the principles of lempu’, amaccang, agettengeng, asitinajang, reso, and siri’ . Those values should be reinforced and embodied (instilled) in life. In short, the values of local wisdom are needed to be reintroduced and taught, especially to the younger generation before they become leaders in the future.
Masjid di Papua Barat: Tinjauan Ekspresi Keberagamaan Minoritas Muslim dalam Arsitektur Ismail Suardi Wekke
el Harakah: Jurnal Budaya Islam Vol 15, No 2 (2013): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (215.411 KB) | DOI: 10.18860/el.v15i2.2762

Abstract

For Muslim, mosque has unique role and its special function in daily life. Five times a day, mosques carry out prayer as compulsory activities. This study explores mosques in West Papua Province where Muslim is as minority. It employs qualitative approach and used in-depth interview and non-participant observation to collect data. The findings show that there are three mosque major components; wudhu area, praying hall, and mimbar. In mosque as a center of activity in the region, the board provided some facilities to be used by either Muslim or others. Mosques embedded with various arts from many traditional roots. Patterns and symmetries were used to enhance art in wall of mosque. On the other hand, the minority condition gives them opportunity to present architecture design to engage with other community. Building styles and type reflect the multicultural characteristics as identity through built environment representing their culture within the local community. Muslim minority tries to extend their mosque not only as praying place but also as a society facility. Bagi muslim, masjid berperan unik dan memiliki fungsi dalam kehidupan keseharian. Lima kali sehari di masjid dilangsungkan shalat sebagai aktivitas wajib. Penelitian ini mengeksplorasi masjid-masjid di Propinsi Papua Barat dimana umat Islam sebagai minoritas. Penelitian ini menggunakan pendekatan kualitatif dengan pengumpulan data melalui wawancara mendalam dan observasi nonpartisipasi. Penelitian ini menunjukkan tiga komponen utama dalam masjid; tempat wudhu, ruang shalat, dan mimbar. Di masjid yang menjadi pusat akitivitas di daerah tertentu, pengurusnya menyediakan beberapa fasilitas yang dapat digunakan umat Islam maupun umat lain. Masjid dihias dengan keragaman seni dari pelbagai akar tradisi. Pola dan simetris digunakan untuk memperkaya seni di dinding masjid. Di sisi lain, kondisi minoritas memberikan kesempatan kepada umat Islam untuk menghadirkan desain arsitektur yang tetap memperhatikan kepentingan komunitas lain. Gaya dan tipe bangunan mencerminkan karakteristik multikultural sebagai identitas melalui lingkungan bangunan yang mencerminkan budaya mereka diantara komunitas lokal. Masyarakat minoritas muslim berupaya menjadikan masjid tidak saja sebagai tempat shalat tetapi juga sebagai pusat kegiatan masyarakat.