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All Journal DIMENSI: Journal of Architecture and Built Environment
Freddy H. Istanto
Faculty of Civil Engineering and Planning, Petra Christian University
Civil Engineering, Building, Construction & Architecture

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TELAAH GAYA ARSITEKTUR MEDITERANIA DI INDONESIA Freddy H. Istanto
DIMENSI (Journal of Architecture and Built Environment) Vol. 27 No. 1 (1999): JULY 1999
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.27.1.%p

Abstract

During the last decade of 1990' s, the style of architecture takes after the architectural style of Mediterranean. This style has invited a strong polemic against the name it bears. Is Mediterranean spanning the three continents appropriate of representing the name of Mediterranean-style ? This paper will discuss about the historical development of this Architectural style and its physical elements. Abstract in Bahasa Indonesia : Gaya arsitektur yang marak di Indonesia pada dasawarsa akhir tahun 1990-an adalah gaya arsitektur Mediterania. Gaya arsitektur ini mengundang polemik tentang nama yang disandangnya, apakah kawasan Mediterania yang meliputi tiga benua itu layak mewakili nama gaya arsitektur Mediterania ?. Makalah ini membahas perjalanan Gaya Arsitektur ini dan elemen-elemen fisikalnya. Kata kunci : gaya arsitektur Mediterania, elemen-elemen fisikal.
PENGARUH KEBUDAYAAN KONTEMPORER DALAM PERANCANGAN ARSITEKTUR MAL Freddy H. Istanto
DIMENSI (Journal of Architecture and Built Environment) Vol. 28 No. 1 (2000): JULY 2000
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.28.1.%p

Abstract

Market is traditionally known as the place where the seller and the buyers meet. In its development, it grows to be big shopping centers and even malls. Along with it, the concept of market has also changed within this building. It is not only the place where the transaction between the sellers and the buyers happen but also it expands to be the one where each person has turned to be the "player" in the nowadays "cultural-theatre". Being the designers, the architect is challenged to respond the changing pattern in the society by making use of the building. Abstract in Bahasa Indonesia : Pasar dikenal sebagai tempat dimana penjual dan pembeli bertemu. Dalam perkembangan lebih lanjut muncul pusat-pusat pertokoan yang sangat besar sampai hadirnya shopping-mall. Di dalam bangunan inilah konsep pasar secara tradisional telah berkembang, tidak saja tempat transaksi antara penjual dan pembeli, tetapi telah melebar menjadi tempat dimana setiap individu telah menjadi "pemain" di dalam sebuah teater kebudayaan masa kini. Arsitek sebagai perancang bangunan harus menyikapi perubahan-perubahan perilaku yang terjadi di masyarakat dalam menggunakan bangunannya. Kata kunci: kebudayaan kontemporer, arsitek, arsitektur mal, kebudayaan milenium tiga.
SEMANGAT ADMIRAL CHENG HOO DAN EKSPRESI TOLERANSI MASJID MUHAMMAD CHENG HOO INDONESIA Freddy H. Istanto
DIMENSI (Journal of Architecture and Built Environment) Vol. 31 No. 1 (2003): JULY 2003
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.31.1.%p

Abstract

The existence of Cheng Hoo's Indonesian Mosque Architecture in Surabaya is the presentation of Chinese architecture nuance. It is a new revelation for Indonesian mosque architecture. At the same time it is also the resurrection of the treasure of Indonesian architecture which had disappeared for a very long time. It is the architecture which presents itself as a synthesis of various attractive local elements. The building's expression indicates the spirit of tolerance which is the strong character of the Chinese ancestors. Primarily in this case, are the ideal and the cosmopolitan ways of living by Admiral Cheng Hoo who always lived in harmony with the new environment. Abstract in Bahasa Indonesia : Arsitektur Masjid Muhammad Cheng Hoo Indonesia di Surabaya hadir dalam sebuah arsitektur yang bernuansa Tiongkok. Sebuah bentuk arsitektur baru untuk sebuah masjid di Indonesia sekaligus sebuah pemunculan bentuk arsitektur yang telah lama hilang dalam khazanah arsitektur Indonesia. Sebuah wujud yang juga hadir sebagai perpaduan beragam elemen-elemen lokal yang menarik. Ekspresi arsitektur ini merupakan ekspresi semangat toleransi yang selalu mampu beradaptasi dengan lingkungan barunya, seperti sikap hidup nenek moyang etnis Tiongkok. Utamanya teladan dan sikap hidup Admiral Cheng Hoo yang kosmopolitan dan selalu hidup harmoni dengan lingkungan barunya. Kata kunci: arsitektur Tiongkok, arsitektur Muhammad Masjid Cheng Hoo, teladan Admiral Cheng Hoo.
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