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All Journal KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) Jurnal Setia Pancasila TADIB: Jurnal Pendidikan Agama Islam
KHAIRUL UMAM
Institut Sains dan Teknologi Annuqayah
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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MANTENAN DI MADURA DALAM STRUKTURALISME LEVI-STRAUSS Khairul Umam
JURNAL SETIA PANCASILA Vol 2 No 1 (2021): Jurnal Setia Pancasila, September 2021
Publisher : PRODI PENDIDIKAN PANCASILA DAN KEWARGANEGARAAN STKIP PGRI SUMENEP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36379/jsp.v2i1.179

Abstract

Madura is one of the fourth largest tribes after the Malays, Javanese and Balinese who are an important wealth in Indonesia as a country with the largest number of ethnic in the world. Around 714 tribes with 742 regional languages ​​with various cultures that live in them become their own colors that need to be maintained and continuously explored. Even though the mantenan in Madura. In Strauss' view of structuralism, to explore these treasures, it is necessary to understand the local language as a way of verbal or symbolic communication. Because in the mantenan tradition there is meaning to be revealed, both related to the way of life, outlook on life or behavior of the local community in the form of symbols. The method used in this research is descriptive qualitative approach, namely literature study, interviews, and data analysis and interpretation. From the results of the study, it is known that the mantenan tradition reveals two important things in the life of the Madurese community, namely balance and harmony. These two things are like two currencies that complement and fill each other so that a safe, peaceful, and prosperous society will be achieved.
Model Pendidikan Pembuatan Keris Dari Masa Ke Masa Di Sumenep Madura Khairul Umam
TA'DIB: Jurnal Pendidikan Agama Islam Vol 2 No 2 (2024): Volume 2 Nomor 2 September 2024
Publisher : STAI Al-Mas'udiyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69768/jt.v2i2.57

Abstract

Keris is one of the world's recognized intangible cultural heritages. This is clearly stated in Unesco's Representative List of Humanity in 2008. From data found by Unggul, the largest number of keris craftsmen in Southeast Asia are in Sumenep. In fact, from the data he obtained, from 2012 to 2014, the number of keris craftsmen increased until it reached around 600 craftsmen. This is certainly something that is both encouraging and a challenge to continue to maintain. Referring to the data above, of course, the regeneration of keris craftsmen in Sumenep continues to be carried out massively amidst the onslaught of pragmatism, materialism, and pop culture which continues to pressure the younger generation, especially in Indonesia. This requires certain strategies and methods in the regeneration process with learning methods that are able to attract the younger generation. This research intends to explore the learning models carried out by masters from time to time so that they can survive and the number of craftsmen tends to increase to this day. The method used is ethnography with a qualitative approach.
Tandha’ Dance in Sumenep: Dynamics and Shifting Islamic Values in Local Cultural Representation Yusro, Lailatul; Khairul Umam
KARSA Journal of Social and Islamic Culture Vol. 31 No. 2 (2023)
Publisher : Universitas Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v31i2.11817

Abstract

Tandha’ is a local art in Madura, not least in the Sumenep district, which was once used as a medium for da'wah, so there are many Islamic values in it. However, over time, the Islamic value is replaced by the materialistic value in the practice of tandha' itself, so much so that its existence even causes controversy in the community. This shift has also changed the characteristics of tandha' as a local art in Sumenep. This study aims to look at tandha’ in its original form, which is full of Islamic values and is very distinctive, and how the shift occurred and what aspects have changed in tandha.' Looking at all of this, we may find a middle ground for the controversy over tandha' itself in the community. As a local art form, it must be preserved and kept pure. This research attempts to answer this question using a descriptive qualitative method with data from field studies and previous research literature studies. The results of this research find a shift in tandha’ occurred since the space for tandha’ began to expand from the palace to the lives of the general public and also cannot be separated from the dark history of tandha’, which later became an economic support so that the underlying Islamic value changed to materialistic values and it also slowly changed the composition in tandha’ itself to threaten Islamic values and threaten Madurese art in it. Therefore, instead of arguing pros and cons, the government, artists, and religionists should start working together to restore tandha’ to its authenticity.
Co-Authors Yusro, Lailatul