Ni Made Ari Dwijayanthi, Ni Made
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WACANA KALEPASAN DALAM KAKAWIN PANCA DHARMA Ari Dwijayanthi, Ni Made
JOURNAL OF LANGUAGE AND TRANSLATION STUDIES Vol 1 No 1 (2015): Maret 2015
Publisher : S2 Ilmu Linguistik Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (256.873 KB)

Abstract

This study analyze Kakawin Panca Dharma manuscript which consists of five kakawins namely Kakawin Dharma Sawita, Dharma Wimala, Dharma Niskala, Dharma Sunya, Dharma Putus. The focus of this research are to reveal the form of kalepasan, its function, and its meaning in Kakawin Panca Dharma. Semiotic theory from Pierce is used to intreprete the text, while theory “Rasa” from Sharma is used to analyze the deep esthetic experience in Kakawin Panca Dharma. Basically Kalepasan is to free ourself by simple way of life. Penelitian ini menganilisis teks Kakawin Panca Dharma yang terdiri dari lima teks kakawin yaitu Kakawin Dharma Sawita, Dharma Wimala, Dharma Niskala, Dharma Sunya, Dharma Putus. Fokus penelitian ini untuk mengungkapkan bentuk, fungsi, dan makna kalepasan dalam Kakawin Panca Dharma. Teori yang digunakan untuk menginterpretasi teks adalah teori semiotika dari Pierce sementara teori rasa dari Sharma digunakan untuk menganalisis kedalaman pengalaman estetik dalam Kakawin Panca Dharma. Kalepasan pada intinya adalah pembebasan jiwa dengan kesederhanaan perilaku.
MARGINALITAS PEREMPUAN DALAM KAKAWIN RAMAYANA: ANALISIS WACANA KRITIS Ari Dwijayanthi, Ni Made
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 14 No. 2 Tahun 2024
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/kalangwan.vi.4087

Abstract

Kakawin Ramayana is one of Old Javanese poetry. Sita is the central female character in the Kakawin Ramayana. Her position as a woman was marginalized when her chastity was doubted by her husband Rama. Masatya (plunging into the fire) was used as a way for Sita to proved to Rama that she was holy. Phenomenon of masatya in the Kakawin Ramayana was researched using qualitative methods and analyzed using Fairclough's Critical Discourse Theory which includes: text dimensions (microstructural), discourse practice (mesostructural), and sociocultural practice (macrostructural).