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All Journal Celt: A Journal of Culture, English Language Teaching & Literature LINGUAMEDIA Journal
Gerardus Majella Adhyanggono Adhyanggono, Gerardus Majella Adhyanggono
Digital Performing Arts - English Department Faculty Of Language And Arts Soegijapranata Catholic University
Arts Humanities Education Languange, Linguistic, Communication & Media Other

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A BOOK REVIEW ARTICLE: THE GOLDEN NOTEBOOK Gerardus Majella Adhyanggono
Celt: A Journal of Culture, English Language Teaching & Literature Vol 4, No 1: July 2004
Publisher : Soegijapranata Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (189.23 KB) | DOI: 10.24167/celt.v4i1.133

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DORIS LESSING Great Britain: Flamingo HarperCollins Publisher Ltd., 2002, 576pp ISBN: 0-586-08923-3
THE GOTHIC ELEMENTS IN TIM BURTONS (1999) SLEEPY HOLLOW THE HEADLESS HORSEMAN: A LITERARY AND CINEMATIC ASPECT ANALYSIS Gerardus Majella Adhyanggono Adhyanggono; Fransiska Linda Marcelina
Celt: A Journal of Culture, English Language Teaching & Literature Vol 13, No 2: Desember 2013
Publisher : Soegijapranata Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (440.038 KB) | DOI: 10.24167/celt.v13i2.27

Abstract

Sleepy Hollow is a film directed by Tim Burton. The story tells about a young policeman Ichabod Crane, who is sent to a village called Sleepy Hollow to investigate a murder case there. At first, he was a person who never believed in supernatural things especially ghost, but after facing the reality of the ghost itself, he becomes very scared, but all he has to do is to find the villain behind the ghost of Headless Horseman. This thesis analyzes the gothic elements that are shown in this film. The theories that are used in this thesis are from film studies, literary and cinematic aspect. In this paper, the pictures from the scenes are also shown to show the evidence of the gothic elements. The theories that are used will also show how they can advocate the gothicness of this film.
REPRESENTATION AND SYMBOLISM OF POWER AND SEXUALITY IN JAMU (UTAMI, 2002) Gerardus Majella Adhyanggono
LINGUAMEDIA Journal Vol 1, No 2 (2020): September : Linguamedia Journal
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (298.462 KB) | DOI: 10.56444/lime.v1i2.1870

Abstract

In the first decade following reformasi, three main factors fostered the revival and re-signification of documentary film in Indonesia. First, there was resistance to the New Order’s repressive paradigm of censorship which was still imposed, particularly on issues such as sexuality, religion, and ethnicity. Second, there arose wider freedom for individuals to express their creativity due to the zeitgeist. Third, there was a coherence between the spirit of ‘make-your-own-film’ and the increasing popularity of the digital camera to produce independent films. Ayu Utami’s Jamu (2002) provides a subtle and yet excellent example of a documentary film from this period. It is a documentary that might have never had the opportunity to be made in the New Order regime. The film, set in Jakarta, represents the power of jamu - traditional herbal medicine - which pertains to sexuality and its myth. Using an unconventional expository mode, this film explores jamu as a socio-cultural artifact that forces issues relating to power and sexuality to be brought out into the open. I contend that the representation and symbolism of power and sexuality in the film is predicated on challenging the prevailing view that Indonesia is a moralized society as once constructed by the New Order regime. Therefore, the effect of Jamu can be perceived as twofold: a celebration of freedom of expression and the creative resistance to a hegemonic view of sexuality. My analysis is designed from a semiotic and cultural approach, concerning Roland Barthes’ photographic paradox, Michel Foucault’s power/knowledge, Jeffrey Weeks’s inclusive sexuality, as well as Robert Segal’s and Laurie Honko’s concepts of myth. Keywords: jamu, power, sexuality, and myth
Co-Authors Fransiska Linda Marcelina