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All Journal LiNGUA: Jurnal Ilmu Bahasa dan Sastra ATAVISME JURNAL ILMIAH KAJIAN SASTRA Aksara Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Paradigma: Jurnal Kajian Budaya Majalah Ilmiah Bahasa dan Sastra
Dessy Wahyuni, Dessy
Balai Bahasa Provinsi Riau, Jalan Binawidya, Kompleks Universitas Riau, Panam, Pekanbaru
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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 1 
ARUS KESADARAN DALAM AGAMA KETUJUH Wahyuni, Dessy
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (482.316 KB) | DOI: 10.29255/aksara.v30i1.85.43-57

Abstract

Agama Ketujuh: Sebuah Prosa merupakan sebuah prosa pendek karangan Romi Zarman. Dalam prosa pendek ini, pengarang ingin mengungkap budaya matrilineal yang terdapat dalam masyarakat Minangkabau. Dalam menyajikan cerita, pengarang tidak menyampaikan informasi secara lugas, tetapi ia melakukannya dengan menghidupkan kembali para tokoh dalam roman legendaris, seperti Midun, Kacak, dan Tuanku Laras dalam Sengsara Membawa Nikmat (Tulis Sutan Sati); Ramah, Musa, dan Mamak dalam Dijemput Mamaknya (Hamka); Samsul Bahri, Siti Nurbaya, dan ayahnya dalam Sitti Nurbaya (Marah Rusli); Poniem, Leman, serta keluarga matrilinealnya dalam Merantau ke Deli (Hamka); dan Hanafi dalam Salah Asuhan (Abdul Muis). Agama Ketujuh ini memperlihatkan kegelisahan Romi Zarman terhadap budaya matrilineal yang berkembang dalam kehidupan masyarakat Minangkabau. Melalui kajian dengan teknik arus kesadaran, terlihat tokoh dan karakterisasinya yang disajikan pengarang. Dengan penelusuran karakterisasi tokoh yang menggunakan teknik kolase melalui pendekatan psikologi sastra, peran mamak dalam budaya matrilineal dapat terkuak. Kajian yang menggunakan metode deskriptif kualitatif melalui studi pustaka ini memperlihatkan bahwa pengarang menggunakan dua cara atau metode untuk menyajikan karakter (watak) para tokoh dalam karyanya. Metode pertama adalah metode langsung (telling) dan metode kedua adalah metode tidak langsung (showing). Simpulan dari kajian ini menunjukkan bahwa kedudukan adat dan budaya dalam masyarakat Minangkabau sangat kuat dan tidak bisa ditentang. 
Resistensi Masyarakat Petalangan Mempertahankan Kearifan Lokal dalam “Kemantan Muda Roh Belian" Wahyuni, Dessy
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 1 No 1 (2019): Januari 2019
Publisher : Perkumpulan Pengelola Jurnal Bahasa dan Sastra Indonesia serta Pengajarannya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1408.435 KB) | DOI: 10.26499/bahasa.v1i1.21

Abstract

Dalam dinamika kehidupan, khususnya di Indonesia, arus globalisasi telah mengubah cara pandang masyarakat terhadap dunia, baik identitas, citra diri, maupun nilai hidup. Bagi masyarakat tertentu, tekanan arus globalisasi melalui pencintraan yang dilakukan secara masif oleh negara-negara maju pengusung globalisasi tersebut justru meminggirkan nilai-nilai lokal yang dijunjung tinggi selama ini. Nilai-nilai lokal yang dipandang arif dalam berbagai persoalan kehidupan tergerus oleh lajunya arus globalisasi ini, terutama bagi masyarakat Petalangan di Provinsi Riau. Kehidupan masyarakat Petalangan semakin terpinggirkan oleh proses pembangungan yang gegap gempita. Masyarakat hidup berbalut kesengsaraan dan kemiskinan. Sebagai seorang sastrawan, B.M. Syamsuddin mencoba merepresentasikan kehidupan sosial budaya masyarakat Petalangan ini dalam karyasastra. Melalui cerpennya yang berjudul “Kemantan Muda Roh Belian”, ia mengkritik kondisi sosial budaya dan menguak ketidakberesan yang terjadi, khususnya dalam kehidupan masyarakat Petalangan. Melalui pendekatan hermeneutik yang diusung Richard E. Palmer, penulis menafsirkankritik sosial budaya yang disampaikan B.M. Syamsuddin dalam cerpen “Kemantan Muda Roh Belian”. Kritik tersebut ditunjukkan melalui bentuk resistensi masyarakat setempat dalam mempertahankan kearifan lokal yang mereka miliki secara turun-temurun. Dengan menggunakan metode deskriptifinterpretatif, dapat ditemukan bahwa pengarang memunculkan tokoh seorang kemantan (dukun) sebagai bentuk resistensi masyarakat Petalangan dalam mempertahankan kearifan lokal. Dengan demikian, kehadiran kemantan ini dapat dikatakan sebagai sebuah perlawanan masyarakat Petalangan untuk mengukuhkan eksistensi mereka yang membebaskan masyarakat dari ketertindasan.
PEREMPUAN DENGAN SEGALA LUKA DALAM KUMPULAN CERPEN SUATU HARI BUKAN DI HARI MINGGU Wahyuni, Dessy
ATAVISME Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (230.725 KB) | DOI: 10.24257/atavisme.v16i2.97.247-257

Abstract

Empat belas cerpen Yetti A. Ka yang terangkum dalam Satu Hari Bukan di Hari Minggu menghadirkan realita perempuan yang terluka dan kecewa meskipun mereka hidup secara bebas. Oleh sebab itu, masalah penulisan ini adalah bagaimana bentuk penggambaran Yetti A. Ka mengenai para perempuan dan segala luka yang mereka miliki dalam kumpulan cerpen tersebut? Melalui pendekatan feminisme, dapat disimpulkan bahwa perempuan yang disajikan pengarang ini sesungguhnya merasa terikat oleh budaya patriarki. Akan tetapi, dengan segala kebebasan yang mereka miliki, mereka tetap memilih menjadi perempuan dalam lingkaran patriarki tersebut meskipun dengan membawa luka yang tidak pernah usai. Abstract: Yetti A. Ka?s fourteen short stories compiled in Suatu Hari Bukan di Hari Minggu collection represent the reality of women who were hurt and disappointed, although they had a free life. Therefore, the problem of this article is formulated as follows: how is the shape of Yetti A. Ka?s depiction on the women and all the injuries they have in the short story collection? Through the perspective of feminism, it can be concluded that the women presented by the author actually feel bound by a patriarchal culture. However, with all the freedom they have, they still choose to be a woman in a patriarchal circle, although with a wound that never ends. Key Words: short story collection, the perspective of feminism, women's injury
MAINTAINING THE SELF-EXISTENCE THROUGH SHORT STORY “JALAN SUMUR MATI” Wahyuni, Dessy; Maulina, Yeni
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2 (2020): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v15i2.9156

Abstract

Riau is a wealthy region where physical development appears everywhere. However, many people are marginalized and neglected by this development. Due to this fact, most Riau Malay people tend to have negative prejudice and not accept the presence of foreign immigrants, including Indonesian Chinese. However, Olyrinson can blend in with the local community through his work, which often raises topics about humanity and his real-life. Using a three-dimensional framework of Fairclough (1989; 1992a; 1992b; 1995a; and 1995b), this study critically explores the various efforts made by Olyrinson in the short story "Jalan Sumur Mati" to defend his existence by changing prejudices. In this case, the author analyzes relevant texts and explores dialectical relationships between literary works and other social practice elements, which will be presented through textual analysis, discourse practice, and social practice.
Bencana Kabut Asap Sebagai Dampak Budaya Konsumsi dalam Cerpen “Yang Datang dari Negeri Asap” Wahyuni, Dessy
Paradigma: Jurnal Kajian Budaya Vol. 11, No. 1
Publisher : UI Scholars Hub

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Abstract

Literature, as a work containing facts and fiction, can obscure the conventions of realities and create new realities so that there are no visible boundaries between the real thing and the unreal thing. Fact and fiction coincide and simulate to form hyperreality. In the short story “Yang Datang dari Negeri Asap (Who Comes from the Smoky Country)” by Hary B. Kori’un, the existence of facts and fiction overlap each other. The author created the country of smoke as a fictitious world due to his contemplation on the consumption culture, which is a phenomenon in people’s lives and relates it to the haze disaster that keeps going to occur every year. The researcher sorts out facts and fiction that are interconnected in the short story to explore the creation of hyperreality using the perspective of Jean Baudrillard. As a result, the researcher found a consumption culture in the community, especially plantation entrepreneurs. The presence of a new world in a short story is a reproduction of the value of a sign or symbol that simulates as if there was a poverty scenario created by globalization through a variety of industrial distribution media to extract all potentials to benefit an established industry. Finally, consumption culture causes all aspects of life to be a commodity object because the needs that arise will always exceed the production of goods.
Menguak Budaya Matrilineal dalam Cerpen “Gadis Terindah” Wahyuni, Dessy
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
Publisher : UI Scholars Hub

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Abstract

Matrilineal kinship system is adopted by the Minangkabau society. In fact, the system that follows the maternal lineage turns out to cause inner conflict for the people. Through a short story titled “Gadis Terindah”), Gus tf Sakai as the author tried to express this inner conflict. In this matrilineal culture, there is a necessity for men to leave their hometown, known as migrating. After being successful as migrating people, they have to return to their hometown, take their wealth to accumulate the wealth of people there by marrying a Minang girl. Inner conflict that developed by the author through a fictional character in the short story is expressed by applying a pragmatic approach to the theory of semiotics. Signs given by the author are examined by using text content analysis method. Thus, it is found that in the tradition of matrilineal culture, migrating, inheritance systems and matchmaking have been arranged. However, in fact, the system that has been organized remains conflict for its people.
Pertarungan Jurnalisme dan Sastra dalam Menguak Kebenaran Wahyuni, Dessy
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
Publisher : UI Scholars Hub

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Abstract

The existence of facts in journalism can be manipulated, while the truth settles in literature. Although both types of writing, namely news texts, which contain facts, and literary texts, which contain fiction, depart from the same reality, the estuary of the truth in it can be different because it is seen from different perspectives and interests. For these various interests, silencing in journalism often occurs. Facts are circumcised, overhauled, and arranged in such a way as to produce new facts. Meanwhile, in literature, facts are packaged using imagination to disguise the truth as if it did not happen. For this reason, using a functional systemic linguistic approach, the authors uncover various linguistic considerations built by Seno Gumira Ajidarma (SGA) in reducing news in Jakarta Jakarta to fulfill certain interests. Then, the writers also dismantled the formation of meaning behind each text in SGA’s “Saksi Mata”, which contained elements of resistance in literature, by using Derrida’s deconstruction. The result of the study shows that the same facts can be stated in a variety of different and subjective ways. In this case, literary work is an effective tool to voice the truth.
MENGGALI REALITAS KERUSUHAN MEI 1998 DALAM “SAPU TANGAN FANG YIN” Wahyuni, Dessy
Salingka Vol 12, No 01 (2015): SALINGKA, EDISI JUNI 2015
Publisher : Balai Bahasa Sumatra Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/salingka.v12i01.28

Abstract

An essay poetry is a form of poetry which exploring the long and stage of social reality, using simple language, and doing research before, indicated by using a footnote in its presentation. The Essay Poetry of “Sapu Tangan Fang Yin” by Denny J.A. is one of the essay poetries that explores a riot in May 1998. The problem of this article is how the “Sapu Tangan Fang Yin” describes the reality of the May 1998 riot. By applying  the historical approach, the depiction of the poem about the riot is obtained. Denny J.A. as the initiator of essay poetic offers five platforms about this kind of poetry;
MAINTAINING THE SELF-EXISTENCE THROUGH SHORT STORY “JALAN SUMUR MATI” Wahyuni, Dessy; Maulina, Yeni
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2 (2020): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v15i2.9156

Abstract

Riau is a wealthy region where physical development appears everywhere. However, many people are marginalized and neglected by this development. Due to this fact, most Riau Malay people tend to have negative prejudice and not accept the presence of foreign immigrants, including Indonesian Chinese. However, Olyrinson can blend in with the local community through his work, which often raises topics about humanity and his real-life. Using a three-dimensional framework of Fairclough (1989; 1992a; 1992b; 1995a; and 1995b), this study critically explores the various efforts made by Olyrinson in the short story "Jalan Sumur Mati" to defend his existence by changing prejudices. In this case, the author analyzes relevant texts and explores dialectical relationships between literary works and other social practice elements, which will be presented through textual analysis, discourse practice, and social practice.
Co-Authors Maulina, Yeni