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All Journal Litera METASASTRA: Jurnal Penelitian Sastra
Ratun Untoro, Ratun
depdikbud
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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PRIYAYI DAN KAWULA DALAM PASAR KARYA KUNTOWIJOYO (Priyayi and Kawula in The Novel Entitled Pasar Written by Kuntowijoyo) Untoro, Ratun
METASASTRA: Jurnal Penelitian Sastra Vol 5, No 1 (2012)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2012.v5i1.83-91

Abstract

Penelitian ini hendak mengungkap priyayi dan kawula dalam Pasar, sebuah novel karya Kuntowijoyo. Konsep bibit (keturunan), bebet (kekayaan), dan bobot (pengetahuan) yang digunakan sebagai kriteria untuk menjadi priyayi, di zaman modern ini harus kembali ditinjau. Selain priyayi terpelajar, ada dua jenis priyayi lain menurut Kuntowijoyo, yaitu priyayi yang bekerja pada raja dan priyayi yang bekerja untuk kerajaan. Penelitian ini menggunakan metode analisis konten dalam membedah novel Pasar dengan tujuan untuk mencari kriteria dan jenis gelar priyayi yang bisa diraih seseorang meski ia tidak mempunyai bibit dan bebet priyayi. Hasil penelitian pada novel ini menegaskan bahwa pendidikan dapat meningkatkan kelas sosial seseorang sebagaimana yang telah Kuntowijoyo definisikan sebagai priyayi terpelajar.Abstract:The research is intended to reveal the priyayi and kawula concept in the novel of Pasar, by Kuntowijoyo. Three modalities of bibit (descendant), bebet (wealth), and bobot (knowledge) used as a criterion to become priyayi, in this modern epoch have tobe evaluated. Besides educated priyayi, Kuncoro also divides  two other kinds of priyayi ,namely, priyayi who works for the king and the other who works for the kingdom (government). This research applies the content analysis method in order to find the criteria and type priyayi title which can be reached by  someone who does not have the priyayi’s bibit and bebet. The result of the  research on this novel asserts that education can improve someone’s standard as Kuntowijoyo defined as educated priyayi.
THE STRUCTURE AND FORMULA OF GERONG LYRICS IN THE PRAMBANANRAMAYANA BALLET Untoro, Ratun; Adi, Ida Rochanib; Ahimsa, Heddy Shri
LITERA Vol 16, No 1: LITERA APRIL 2017
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v16i1.14258

Abstract

AbstractGerong lyrics as the only orality in the Prambanan Ramayana ballet no longer present the story of Rama in its entirety. Although most gerong lyrics contain the scenes, the singersare not always fixated on the lyrics, but prioritize the tones of the chants. This study aimsto reveal the structure and formula of gerong chants in the Prambanan Ramayana ballet. Itused Levi-Strauss’ structuralism theory and Albert Lord’s formula theory and employedthe qualitative descriptive method. The data were gerong lyrics and their chanting andvarious supporting orality elements. The results of the study show that the structure inthe form of geronginter-lyric relation does not show the Ramayana story plot. In addition,a gerong chant formula is found. The chant formula becomes one of the developments of Lord’s formula theory giving priority to the formula of the oral lyrics.Keywords: Ramayana Ballet, structuralism, formula, gerong, chants
Co-Authors Adi, Ida Rochanib Ahimsa, Heddy Shri