Claim Missing Document
Check
Articles

Found 2 Documents
Search

RELASI ETIKA, BISNIS MEDIA, DAN MASYARAKAT TONTONAN YANG DICIPTAKANNYA (Analisis Tayangan Pernikahan Raffi Ahmad-Nagita Slavina) Hanugraheningtias, Arvinda
Interaksi: Jurnal Ilmu Komunikasi Vol 4, No 1 (2015): January 2015
Publisher : Master of Communication Science Program, Faculty of Social and Political Science, Diponego

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (383.014 KB) | DOI: 10.14710/interaksi.4.1.90-100

Abstract

Abstract :Television is one of the most influential medium in today's society. What is considered important by the media (owner), becomes important for the viewers or readers.Television have made people trapped in the imaginations of excessive (hyper-imaginative). Television also creates an instant impression and trying to create a market for his impressions. The mass media play such important role in making the real world as a collection of images that are hypnotic. Television, the major media of popular culture, is perfect for impingement channeling the desire of consumerism and fetishism. Meanwhile, according to Marx and Lukacs there is a conclusion that contemporary society become passive objects that consume anyspectacle. This system does not give priority to use value but the commercial value, so that created goods are fetishes, means that worship 'idols' of the commodity is not departing from the value (use-value) as well as the physical condition of the natural-material objects commodified. Modern society is an infinite accumulation of spectacles. What at first lived has become mere representation. The spectacle is the uniformity and unification of society itself through the images of the display. The reality of life breached its limits by the spectacle, which ones are real and which the spectacle, and the crowd became spectators of their own lives. In fact, when the spectacle become mere representation, then the moment of truth is falsehood.
MENINGKATKAN KREATIVITAS DAN IMAJINASI ANAK USIA DINI MELALUI MUSIC WALL Salsabila Rizqi Ramadhanty Alisa, Salsa; Arvinda Hanugraheningtias, Arvinda; Arnandiza Amirul Khafida, Arnandiza; Yuli Kurniawati Sugiyo Pranoto, Yuli; Deasylina da Ary, Deasylina
Abdimas Aswaja: Jurnal Pengabdian Masyarakat Vol. 1 No. 2 (2025): Abdimas Aswaja: Jurnal Pengabdian Masyarakat
Publisher : LPPM IAI Dar Aswaja Rokan Hilir

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This community service aims to improve early childhood creativity and imagination through the implementation of interactive learning media in the form of Music Wall. The background of this activity is based on the limited play media that can stimulate children's creative expression in PAUD institutions, especially those in areas with limited resources. Music Wall is designed using used items such as pots, cans, paralon, and wooden spoons arranged to resemble a musical wall, so that children can play while exploring sounds and rhythms. The service activities were carried out through a participatory approach with the stages of initial observation, interviews, planning, implementation, and evaluation. The results of the activity showed that children were very enthusiastic in exploring the Music Wall and showed improvement in aspects of creativity, fine motor skills, and cooperation skills. Teachers also felt the positive benefits of using this media as it made learning more fun and meaningful. In addition, this media encourages the involvement of teachers and parents in creating a more participatory and contextualized learning environment. Based on these results, Music Wall is recommended as an alternative learning media that is cheap, child-friendly, and easily replicated in various PAUD institutions. This activity is expected to inspire more creative learning transformation in early childhood education.