Articles
MOTIF HIAS PADA PELIPIT CANDI
Rita Istari
Berkala Arkeologi Vol 33 No 1 (2013)
Publisher : Balai Arkeologi Yogyakarta
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DOI: 10.30883/jba.v33i1.6
Decorative motifs found in Hindu and Buddhist temples, usually are depicted on almost all parts of buildings. Decorative motif in the form of reliefs consisted of geometric ornaments, nature, plants, animals, and humans. Relief there is a series of panels connected to one another with stories taken shadow-play epic. Fables are also often depicted. Stories with animals as the main character containing morale for human’s life. Temple has 3 main parts, namely the base, body, and roof of the temple. In addition there is also a section called cornice and plinth. This serves as a separator between the three parts of the temple. To add beauty and give the impression of a slender building, then on cornice and plinth was carved decorative motif that surrounds the temple. The various decorative motifs will be discussed at length in this paper.
PRASASTI PENDEK DARI CANDI SANGGAR DAN KEMUNGKINAN PENGHORMATAN TERHADAP DEWA BRAHMA
Rita Istari
Berkala Arkeologi Vol 35 No 1 (2015)
Publisher : Balai Arkeologi Yogyakarta
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DOI: 10.30883/jba.v35i1.38
Sanggar temple is located on Penanjakan slope.. The hill is part of Wonogriyo of Pusungmalang village, Puspo regency, Pasuruan district. Sanggar temple suspected as place of worship to the God Brahma who dwells in Mount Bromo. On a series of research carried out in 2005-2008 by Yogyakarta Centre of Archaeology were found several short inscriptions around the temple to be praises used in religious rituals it is allegedly the people in the region. The tradition to sing praises by until the spread of Islam in Java. The adoption of Islam influence changes lasted praises. The contents of such literatur review espeally ancient writings are used to prove the assumptin.
PENEMUAN SEBUAH CANDI BATA DI DAERAH PANTURA JAWA TENGAH
Rita Istari
Berkala Arkeologi Vol 32 No 1 (2012)
Publisher : Balai Arkeologi Yogyakarta
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DOI: 10.30883/jba.v32i1.45
The discovery of Kayen Temple in Pati Regency adds the numbers of brick-made temples in Central Java. Balai Arkeologi Yogyakarta conducted previously, a research in areas near Borobudur on assumption that these areas were the cultural and political center of ancient civilization and a fact that most temples are located near Borobudur Temple within 15 kilometers radius. Those temples were either made from andesites or bricks. Temples made from bricks are often discovered in small size, they show that bricks were one of popular building materials that used for temples other than andesites. Kayen Temple is considered as a rare discovery of brick-made temple in the Northern Coast of Central Java. Pati Regency profoundly known as destination for pilgrimage because of its Islamic Heritage also has many destination for Classic Hinduism Heritage
RITUS KEMATIAN MASYARAKAT JAWA KUNA, BALI KUNA, DAN BALI SEKARANG
Rita Istari
Berkala Arkeologi Vol 28 No 2 (2008)
Publisher : Balai Arkeologi Yogyakarta
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DOI: 10.30883/jba.v28i2.364
Indonesia has various tribes that spread over a large number of islands, and each has their own custom or tradition which is unique and different from each other. One of the customs or traditions is the funeral ceremony which can be found among Javanese and Balinese people, that is a ceremony held when someone is passed away. Based from the old inscriptions and manuscript funeral ceremony has already rooted in the past. They have their own terminology about the ceremony, although the ceremony itself principally has the same purposes. Compared to similar ceremony still undergoes until the present time, it is assumed that the custom or tradition is inherited for generations.
TRADISI BERSIH DESA DI LERENG GUNUNG BROMO
Rita Istari
Berkala Arkeologi Vol 29 No 2 (2009)
Publisher : Balai Arkeologi Yogyakarta
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DOI: 10.30883/jba.v29i2.381
Bersih Desa tradition in Pusungmalang, Puspo, Pasuruan is one among various ritual worships. The purpose is to ask for a savety over the danyang in the village. The existence of this tradition cannot be separated from its environment because they are interconnected to each other. The tradition occurs in Javanese people where animism elements are still influenced their mindset, ideology as well as their daety routinity. The Javanese people believed in mystic world or supranatural where every objects regarded as having its own spirit. Pusungmalang which consists of five villages, still keeps the harmonious relationship between humans and their nature. They believed if a violation occurs then disaster would come.
YAJNA SRADDHA DAN YAJNA MEMUKUR
Rita Istari
Berkala Arkeologi Vol 30 No 1 (2010)
Publisher : Balai Arkeologi Yogyakarta
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DOI: 10.30883/jba.v30i1.390
The most popular text from Majapahit Era, Nagarakertagama, mentioned a ceremony called Yajna Sraddha. This ceremony is related to the dead. The description on the ceremony recalls to the present day Yajfia Memukur ceremony which is still conducted by Hindu Balinese. The purpose of Yajfia Sraddha and Yajfia Memukur ceremonies are basically similar. It is devoted to the people who have passed away so that they can re-unite with the Gods or with the ancestors. This article compares these two ceremonies to reveal the similar aspects.
PRASASTI PENDEK DARI CANDI SANGGAR DAN KEMUNGKINAN PENGHORMATAN TERHADAP DEWA BRAHMA
Rita Istari
Berkala Arkeologi Vol. 35 No. 1 (2015)
Publisher : BRIN
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DOI: 10.30883/jba.v35i1.38
Sanggar temple is located on Penanjakan slope.. The hill is part of Wonogriyo of Pusungmalang village, Puspo regency, Pasuruan district. Sanggar temple suspected as place of worship to the God Brahma who dwells in Mount Bromo. On a series of research carried out in 2005-2008 by Yogyakarta Centre of Archaeology were found several short inscriptions around the temple to be praises used in religious rituals it is allegedly the people in the region. The tradition to sing praises by  until the spread of Islam in Java. The adoption of Islam influence changes lasted praises. The contents of such literatur review espeally ancient writings are used to prove the assumption.
MOTIF HIAS PADA PELIPIT CANDI
Rita Istari
Berkala Arkeologi Vol. 33 No. 1 (2013)
Publisher : BRIN
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DOI: 10.30883/jba.v33i1.6
Decorative motifs found in Hindu and Buddhist temples, usually are depicted on almost all parts of buildings. Decorative motif in the form of reliefs consisted of geometric ornaments, nature, plants, animals, and humans. Relief there is a series of panels connected to one another with stories taken shadow-play epic. Fables are also often depicted. Stories with animals as the main character containing morale for human’s life. Temple has 3 main parts, namely the base, body, and roof of the temple. In addition there is also a section called cornice and plinth. This serves as a separator between the three parts of the temple. To add beauty and give the impression of a slender building, then on cornice and plinth was carved decorative motif that surrounds the temple. The various decorative motifs will be discussed at length in this paper.
PENEMUAN SEBUAH CANDI BATA DI DAERAH PANTURA JAWA TENGAH
Rita Istari
Berkala Arkeologi Vol. 32 No. 1 (2012)
Publisher : BRIN
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DOI: 10.30883/jba.v32i1.45
The discovery of Kayen Temple in Pati Regency adds the numbers of brick-made temples in Central Java. Balai Arkeologi Yogyakarta conducted previously, a research in areas near Borobudur on assumption that these areas were the cultural and political center of ancient civilization and a fact that most temples are located near Borobudur Temple within 15 kilometers radius. Those temples were either made from andesites or bricks. Temples made from bricks are often discovered in small size, they show that bricks were one of popular building materials that used for temples other than andesites. Kayen Temple is considered as a rare discovery of brick-made temple in the Northern Coast of Central Java. Pati Regency profoundly known as destination for pilgrimage because of its Islamic Heritage also has many destination for Classic Hinduism Heritage
YAJNA SRADDHA DAN YAJNA MEMUKUR
Rita Istari
Berkala Arkeologi Vol. 30 No. 1 (2010)
Publisher : BRIN
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DOI: 10.30883/jba.v30i1.390
The most popular text from Majapahit Era, Nagarakertagama, mentioned a ceremony called Yajna Sraddha. This ceremony is related to the dead. The description on the ceremony recalls to the present day Yajfia Memukur ceremony which is still conducted by Hindu Balinese. The purpose of Yajfia Sraddha and Yajfia Memukur ceremonies are basically similar. It is devoted to the people who have passed away so that they can re-unite with the Gods or with the ancestors. This article compares these two ceremonies to reveal the similar aspects.