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All Journal MAHADAYA Jurnal Bahasa, Sastra, dan Budaya
Tatan Tawami
Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia
Humanities Languange, Linguistic, Communication & Media

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SYNTACTICAL ASPECT OF ELLIPTICAL DIRECT DIRECTIVE ILLOCUTIONARY ACT Nira Sifaul Hayat Ridwanullah; Tatan Tawami
MAHADAYA: Jurnal Bahasa, Sastra, dan Budaya Vol 1 No 1 (2021): April 2021
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (303.775 KB) | DOI: 10.34010/mhd.v1i1.4837

Abstract

One of the ways to utter the directive illocutionary act is by directly saying the intention explicitly using specific imperative structure. In other words, the directive illocutionary act has the linked structure and the function to the imperative structure that is to cause the hearer does the action speaker wants. However, In order to emphasize the direct directive illocutionary act, the speaker utters only the prior clause to convey the message. This notion is specified as the elliptical imperative. However, the structure uttered by the speaker does not always in full sentence, it could only consist of prior clause; verb phrase, object, adverb of time, etc. From that notion, this paper aims to discover the deep structure of the elliptical direct directive and the choice of prior clause as Searle (1976: 17) elaborated the structure of the directive illocutionary act as: I Verb You + You Fut.Verb (NP) (Adv). In order to analyze the data, the Qualitative descriptive is used in this paper. In conclusion, the direct directive illocutionary can be uttered in a short way by only uttering the prior clause of the locutionary such as: the verb, adverb of time, adverb of manner, and subject. Furthermore, the speakers should; utter previous locutionary as the reference for the short directive, utter the short directive when the action is performed by the hearer.
GENDER INEQUALITY AND FEMINISM IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS Rima Mardiyani; Tatan Tawami
MAHADAYA: Jurnal Bahasa, Sastra, dan Budaya Vol 2 No 2 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/mhd.v2i2.7598

Abstract

This research aimed to analyses feminism and gender inequality in the novel The God of small things by Arundhati Roy. The writer aims to reveal the types of feminism, gender inequalities are reflected in the novel. In this research, gender inequality theory is used to determine the types of gender inequality experienced by the characters in the novel God of Small Things, beside of that, feminism theory is used to show how women can overcome gender inequality. Furthermore, this paper uses a qualitative descriptive method. The data is gathered through quotations from the book, and the analysis is backed up by the book and the journal. The base theory is based from what types of feminism type and what kind of gender inequality, the type of gender inequality that experienced by woman including stereotypes, violence, marginalization, double burden and subordination and there are four feminism movements ideology, which are liberal feminism, radical feminism, Marxist feminism, and socialist feminism. Besides that, in this research the author discovered three kinds of gender inequality experienced by women: violence as the part of radical feminism, marginalization as the part of liberal feminism, and subordination as the part of socialist feminism. As the result of this research is to show and identifying what kind of gender inequality and feminism according to the theory. Keywords: Feminism, Gender inequalities, Patriarchy
Co-Authors Nira Sifaul Hayat Ridwanullah Rima Mardiyani