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Aspect of Art And Meaning of Staging The Traditional Dolanan Game In Sanggar Kebo Iwa Badung I nyoman Subagia
Mudra Jurnal Seni Budaya Vol 32 No 3 (2017): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v32i3.147

Abstract

This article is a summary of the results of research to review aspects of the art, the meaning of staging traditional games studio Kebo Iwa dolanan in Badung. To reveal deeply these aspects, used a qualitative approach with the active participation of observation techniques, in-depth interviews and document study. Based on the methodology, the research explained that the first philosophical meaning, both philosophical meaning, the religious meaning of the third, the fourth meaning of aesthetics, the fifth meaning of education, sixth and seventh pelestraian meaning of togetherness. Dolanan performed by a group of children, where there is a beauty in conveying messages of religious teachings to the public through the medium of art. Because art as a symbol of truth (satyam), chastity (sivam) and beauty (sundaram).Artikel ini adalah ringkasan hasil penelitian yang mengulas aspek seni, makna pementasan permainan tradisional dolanan di Sanggar Kebo Iwa Badung. Untuk mengungkap secara mendalam aspek-aspek tersebut, digunakan pendekatan kualitatif dengan teknik observasi partisipasi aktif,wawancara mendalam dan studi dokumen. Berdasarkan metodelogi, hasil penelitian menjelaskan bahwa pertama makna filosofis, kedua makna religius, ketiga makna estetika, keempat makna pelestarian, kelima makna pendidikan, dan keenam kebersamaan. Dolanan yang dibawakan oleh sekelompok anak-anak, di mana terdapat suatu keindahan di dalam penyampaian pesan-pesan ajaran agama kepada masyarakat melalui media seni. Karena seni sebagai simbol kebenaran (satyam), kesucian (sivam) dan keindahan (sundaram).
MITOS PAN BALANG TAMAK DI DESA NONGAN KECAMATAN RENDANG KABUPATEN KARANGASEM: SASTRA LISAN Ni Komang Ari Pebriyani; I Nengah Duija; I Nyoman Subagia
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 9 No. 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (257.349 KB) | DOI: 10.25078/kalangwan.v9i1.1606

Abstract

The gap of Pan Balang Tamak character who was usually known by Balinese people in general happened in Nongan Village, Rendang Distric, Karangasem Regency. Beyond Pan Balang Tamak character precisely was respected by showing himself in the term of Balang Tamak temple in Nongan Village. The connection of Pan Balang Tamak myth with the folklore material in the village including the tradition which use janggi in the meeting, village rules, Pan Balang Tamak temple, Bale Pegat temple, Shrine in Subak Petian, and Karang Suung. There is a widening story then like Pan Balang Tamak myth according to the family of the landlord in Subak Petian area which connected with the family tree of Pasek Prateka and Pan Balang Tamak myth which connected with Rejang Buah dance and Baris Kumbang they arise as the result of the behavior of Pan Balang Tamak’ s daughters.
Co-Authors I NENGAH DUIJA Ni Komang Ari Pebriyani