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All Journal Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Risman Marah
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Religion Arts Humanities Economics, Econometrics & Finance Social Sciences

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Representation of Damar Kurung by Masmundari in Cyanotype Catur Himawan Repatio Putro; Risman Marah
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.6751

Abstract

Representation of Damar Kurung Masmundari in Cynotype is a two-dimensional work of art based on the work process of creating art in a studio using the medium of photography, cyanotype printing techniques and also painting. The components in this work include research on Damar Kurung Masmundari and the archives of his work in Gresik, East Java. The background that underlies Representation of Damar Kurung Masmundari in Cynotype is as a form of my appreciation and dedication to the city of Gresik, especially the Masmundari family who have dedicated their lives to introducing and preserving Damar Kurung until now. In addition, there is a need for innovation in developing Damar Kurung so that the community can also contribute to the preservation of Damar Kurung. The process of creating this work of art provides awareness of the importance of the work of a photographer or photo artist in viewing the object from various sides of the discipline, collaborating with various other fields of art so as to create works that have value and messages that can be conveyed to the wider community. In this artwork thesis, I will also explain the work steps that I made to create this artwork as a shared learning material.
Ethnophotography of "Kamulyan Country" In Mondosiyo Traditional Ceremony Feri Ari Fianto; Risman Marah
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.6733

Abstract

The creation of this Ethnophotographic work is a form of the importance of photography as an art archive. Ethnophotography is a genre of photography that uses cultural, human and social objects in the process of its creation. This creation process took the object of research of the Mondosiyo traditional ceremony. The Mondosiyo traditional ceremony is a traditional ceremony that is believed and is still carried out by the people of Pancot village. The Mondosiyo traditional ceremony is a traditional ceremony that is thought to and is still carried out by the people of Pancot village. The commemoration of this ceremony was carried out on the Mandasiya Wukuh on Tuesday Kliwon. Some Mondosiyo traditional ceremonies include making Badek water, Cibukan, Gandik, offerings, Tutuk Bende, slaughtering goat jugs, arak-arakan Reog, beating gamelan Tuk Prul, watering gilang stones, and abur-aburan ayam. The series of Mondosiyo traditional ceremonies are passed down from generation to generation oral by the people of Pancot village. This makes some things about the Mondosiyo traditional ceremony begin to disappear. The lack of archives in the form of texts and visuals owned by the people of Pancot village makes one of the backgrounds for creating this work. The Ethnophotographic work of The Land of Kamulyan in the Mondosiyo Traditional Ceremony can be used by the community as an art archive. The thesis of this work of art uses artistic research methods. Artistic research methods place the artist as a scientist. Every creative process that every artist does has different methods. The use of artistic research methods can combine several methods in the process of creation. There are several types of research using artistic research methods. The creation of this work uses research-based study. This method follows the Ethnophotography creation process carried out.
Co-Authors Catur Himawan Repatio Putro Feri Ari Fianto