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All Journal Jurnal Pendidikan Bahasa dan Sastra Indonesia Metalingua Metafora: Jurnal Pembelajaran Bahasa Dan Sastra JBSI: Jurnal Bahasa dan Sastra Indonesia
Haerussaleh Haerussaleh
Universitas Dr. Soetomo Surabaya
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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KAJIAN SEMIOTIK PADA TRADISI LEMPAR NASI SAAT HUJAN DI DESA GUCI KECAMATAN KARANGGENENG KABUPATEN LAMONGAN Haerussaleh Haerussaleh; Kiki Ananda Dewi; Almas Shafira; Melin Nur Z. T.; Nuril Huda
Jurnal Pendidikan Bahasa dan Sastra Indonesia Metalingua Vol 7, No 2 (2022): Metalingua, Edisi Oktober 2022
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/metalingua.v7i2.16283

Abstract

Semiotik adalah cara transfer bahasa. Berbagai macam kekayaan bahasa yang ada di negara Indonesia. Lebih jauh semiotik ini dipergunakan dengan cara melestarikan adat isytiadat yang ada di daerah tertentu, termasuk yang ada di desa Guci Kecamatan Karanggeneng kabupaten Lamongan. Merupakan kekayaan intelektual masyarakat pada masa dahulu dan sekarang masih menjadi tradisi (kebudayaan). Kegiatan lempar nasi pada saat hujan adalah sebuah tradisi yang dilestarikan oleh masyarakat Guci. Sebuah ketetapan budaya dengan menggunakan tradisi lempar nasi pada saat hujan, akan tetapi hal ini dilakukan apabila hujan yang disertai dengan angin. Tidak ada keterangan yang jelas dari sesepuh desa Guci mengapa menggunakan nasi sebagai media. Peneliti tidak mengungkap secara jauh, karena peneliti terfokus pada kajian semiotik bahasa yang dipergunakan dalam tradisi lempar nasi tersebut. Menarik untuk dilakukan penelitian sebagai bentuk dari pengembangan intelektual dari sisi kebahasaan, tanda, indeks dalam penerapan tradisi tersebut.
Analisis Wacana Kritis pada Lirik Lagu “Hati-Hati di Jalan” Karya Tulus (Teori Teun A. Van Dijk) Azkiyatun Nisa'; Haerussaleh Haerussaleh; Nuril Huda
Metafora: Jurnal Pembelajaran Bahasa Dan Sastra Vol 10, No 2 (2023): Oktober
Publisher : Lembaga Publikasi Ilmiah dan Penerbitan (LPIP)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/mtf.v10i2.18566

Abstract

Tujuan penelitian ini adalah untuk mendeskripsikan aspek teks dan aspek konteks sosial pada lirik lagu “hati-hati di jalan” karya Tulus. Penelitian ini merupakan penelitian yang menggunakan analisis wacana kritis (AWK) dengan model Teun A Van Dijk. Penelitian ini mendeskripsikan aspek teks yang terdiri atas struktur makro (tematik), superstruktur (skematik), dan struktur mikro (semantik, sintaksis, stilistik, dan retoris) serta konteks sosial yang terdiri atas elemen akses dan elemen kekuasaan. Hasil penelitian ini menunjukkan bahwa struktur makro memiliki elemen topik berupa ragam dinamika perasaan manusia, superstruktur memiliki elemen skema berupa introduction, verse, pre-chorus, chorus, reffrein, bridge, modulasi, ending, dan coda, dan struktur mikro memuat makna yang tersirat, kalimat yang berkesinambungan, kosa kata yang tersurat, dan penekanan yang berulang. Penelitian dengan jenis kualitatif deskriptif ini juga memperoleh elemen akses berbentuk penerimaan pendengar terhadap lirik lagu “hati-hati di jalan” karya Tulus dan elemen kekuasaan berbentuk efek ekstrem yang diberikan lirik lagu “hati-hati di jalan”  karya Tulus kepada pedengar.
Sinkretisme dan Nilai dalam Tradisi Nyadran di Desa Mojodadi : Syncretism and Values in the Nyadran Tradition in Mojodadi Village Fernanda Maulana; Haerussaleh Haerussaleh; Afan Faizin
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 02 (2025): Artikel Riset Periode November 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i02.7463

Abstract

The Nyadran tradition is one of the Javanese cultural rituals that is still maintained as part of social and religious life. In Mojodadi Village, Kedungpring District, Lamongan Regency, the Nyadran tradition is unique for blending Hindu-Javanese elements with Islamic teachings. This phenomenon indicates the practice of cultural syncretism that not only survives but also adapts to the belief system of modern society. This study aims to describe the form of syncretism and reveal the values ??contained in the implementation of the Nyadran Tradition in Mojodadi Village. This study uses a qualitative, descriptive method. Data collection techniques include direct observation during the implementation of the Nyadran ritual, in-depth interviews with caretakers, religious leaders, village officials, and community supporters of the tradition, and documentation in the form of photos, videos, and recordings of ritual speech. Data analysis is carried out through the stages of data reduction, data presentation, and systematic conclusion drawing. The results of the study indicate that syncretism in the Nyadran Tradition is apparent in three main dimensions, namely the verbal dimension characterized by the combination of Javanese ujub and mantras with the recitation of Yasin, tahlil, and Islamic prayers; the material dimension seen in the use of ambeng, flowers, and offerings that are reinterpreted as a form of charity; and the spatial-temporal dimension reflected in the choice of the lake as the location of the ritual and the month of Maulud as the time of implementation. In addition, the Nyadran Tradition contains religious-spiritual, social-collective, and moral-ethical values ??that strengthen the community's cultural identity. Thus, the Nyadran Tradition serves as a bridge between ancestral cultural heritage and Islamic teachings, and it plays a social, spiritual, and educational role for the people of Mojodadi Village.
Hermeneutika Teks Lirik Lagu “Tapi Diterima” Karya Nadin Amizah (Tinjauan Hans-Georg Gadamer) Ramaya Octavia Dewi Anjania; Haerussaleh Haerussaleh; Afan Faizin
Jurnal Pendidikan Bahasa dan Sastra Indonesia Metalingua Vol 11, No 1: Metalingua, Edisi April 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/metalingua.v11i1.33491

Abstract

This study is motivated by the understanding that song lyrics can be treated as literary texts that contain symbols and open up space for interpretation. Nadin Amizah's album Untuk Dunia, Cinta, dan Kotornya (For the World, Love, and Filth) presents reflective lyrics that represent human experiences in various symbolic fields. This study aims to examine the construction of symbolic fields in the song “Tapi Diterima” as part of the album's horizon of meaning through Hans-Georg Gadamer's hermeneutic approach. This study uses a descriptive qualitative method with library research techniques. The object of research is the lyrics of the song “Tapi Diterima,” which are treated as symbolic texts and analyzed in relation to the overall meaning of the album. The analysis process is carried out through hermeneutic reading by limiting the interpretation to the horizon of the text, without explicitly involving the empirical reader's horizon or the author's intention. In this position, the researcher is positioned as an explicit reader who enables the understanding of the meaning offered by the text. The results of the study show that the song “Tapi Diterima” constructs a symbolic field composed of dominant symbols and supporting symbols that are internally related. This symbolic field represents existential and relational experiences that are understood as part of a coherent meaning structure in the album Untuk Dunia, Cinta, dan Kotornya. Thus, symbolic meaning is understood as the result of a dialogue between the meaning structure in the text and the process of understanding enabled by the text itself.
Co-Authors Afan Faizin Almas Shafira Azkiyatun Nisa' Fernanda Maulana Kiki Ananda Dewi Melin Nur Z. T. Nuril Huda Ramaya Octavia Dewi Anjania