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Mahasiswa KUKERTA UNRI 2022 Melaksanakan Gebyar Muharram di Desa Marsawa Kuantan Singingi Ashaluddin Jalil; Akbar Muhammad Fadli; Atika Anggraini; Aulia Fatmawati; Harsilaningsih Harsilaningsih; Oktagina Feronica; Muhammad Arifin; Muhammad Fandi; Rati Rahayu; Sigit Muamar Yusuf; Wulan Cahyati
MASPUL JOURNAL OF COMMUNITY EMPOWERMENT Vol 4 No 2 (2022): MASPUL JOURNAL OF COMMUNITY EMPOWERMENT
Publisher : LP2M Universitas Muhammadiyah Enrekang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The turn of the Hijri New Year on 1 Muharram is an important moment for Muslims. Children have a very important role in ensuring the existence of the nation and state in the future. The purpose of this study is to find out how effective Gebyar Muharram's activities are to understand deeply in increasing religious knowledge. This research uses a community empowerment-based method of what?only the problems, advantages, and needs of the community. The approach used is to use a scientific point of view education, especially religious knowledge. Results This study shows that the activities of Gebyar Muharram have an effect on significantly with the competition, children become more enthusiasm and interest in learning Islam.
Analisis Model Grover, Altman, Springate dan Zmijewski Dalam Memprediksi Financial Distress Pada Perusahaan Sektor Transportasi, Logistik, Real Estate, dan Property Aulia Fatmawati; Ferdawati; Lisa Amelia Herman; Reni Endang Sulastri
Jurnal Akuntansi Keuangan dan Bisnis Vol 16 No 2 (2023): Jurnal AKuntansi Keuangan dan Bisnis
Publisher : Politeknik Caltex Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35143/jakb.v16i2.6197

Abstract

This final assignment aims to determine the financial condition of companies in the logistics transportation, real estate and property sectors listed on the Indonesia Stock Exchange for the 2018-2022 period, using a purposive sampling method with a total sample of 36 companies (180 data per company year). The type of data used is secondary data obtained from the company's financial reports. This research uses 4 financial distress analysis models, namely the Grover, Altman, Springate, and Zmijewski models. The results of this research show that the Grover and Altman model produces the same pattern, where the transportation and logistics sector is predicted to be in a distressed condition, while the real estate and property sector is predicted to be in a non-distressed condition. The Springate model produces a different pattern where the transportation logistics, real estate and property sectors are more dominantly predicted to be in distress. Meanwhile, the Zmijewski model for companies in the transportation logistics, real estate and property sectors is predicted to be in a non-distress condition. Overall, the transportation and logistics sector experienced distress of 67% and 34% for the real estate and property sectors.
Kabupaten Pesisir Pengembangan Diri Seni Tari Di SMAN 1 Ranah Pesisir Selatan Aulia Fatmawati; Susmiarti Susmiarti
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 1 No. 1 (2024): Februari : Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v1i1.52

Abstract

The aim of this research is to describe and reveal the presentation form of Rampak Sapinggan dance by Sanggar Sarunai Tonic in Payakumbuh Barat sub-district, Payakumbuh City This type of research is qualitative research with descriptive method The main instrument used is the researcher himself and supported by supporting instruments such as writing tools, cameras, and smartphones Data collection techniques are carried out by means of literature study, observation, and interviews Data analysis techniques are by means of data collection, data reduction, data presentation, and conclusion drawing. The research results show that Tari Rampak Sapinggan is one of the Creative Dances developed based on the basic movements of dance and Minang silek movements Tari Rampak Sapinggan is a non-representational dance, which means it does not depict anything Tari Rampak Sapinggan has a sequence of movements that starts from: sambah movement, tapuak galembong, ayun babuai, maarak or manjapuik, sanduak mancukam, lenggok baayun, baganjua maju, bajombo-jombo, basiang tagak, kibeh, baganjua suruik batanam, salingkuang korong, mambori sambah The number of dancers is 5 or odd, the floor pattern uses straight and curved lines The accompanying music uses traditional Minangkabau music such as Gandang, Talempong, and Sarunai Makeup uses beautiful makeup for women and handsome makeup for men Men's costumes wear rang mudo shirts, destar, galembong, and sasampiang, while women wear kurung clothes, songket skirts.
Bentuk Penyajian Tari Rampak Sapinggan Sanggar Sarunai Tonic Kecamatan Payakumbuh Barat Kota Payakumbuh Aulia Fatmawati; Susmiarti Susmiarti
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 1 (2024): Maret : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i1.64

Abstract

The aim of this research is to describe and reveal the presentation form of Rampak Sapinggan dance by Sanggar Sarunai Tonic in Payakumbuh Barat sub-district, Payakumbuh City This type of research is qualitative research with descriptive method The main instrument used is the researcher himself and supported by supporting instruments such as writing tools, cameras, and smartphones Data collection techniques are carried out by means of literature study, observation, and interviews Data analysis techniques are by means of data collection, data reduction, data presentation, and conclusion drawing. The research results show that Tari Rampak Sapinggan is one of the Creative Dances developed based on the basic movements of dance and Minang silek movements Tari Rampak Sapinggan is a non-representational dance, which means it does not depict anything Tari Rampak Sapinggan has a sequence of movements that starts from: sambah movement, tapuak galembong, ayun babuai, maarak or manjapuik, sanduak mancukam, lenggok baayun, baganjua maju, bajombo-jombo, basiang tagak, kibeh, baganjua suruik batanam, salingkuang korong, mambori sambah The number of dancers is 5 or odd, the floor pattern uses straight and curved lines The accompanying music uses traditional Minangkabau music such as Gandang, Talempong, and Sarunai Makeup uses beautiful makeup for women and handsome makeup for men Men's costumes wear rang mudo shirts, destar, galembong, and sasampiang, while women wear kurung clothes, songket skirts.