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All Journal Greget Jurnal Seni Tari ARTISTIC : International Journal of Creation and Innovation Panggung
Soemaryatmi Soemaryatmi
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media

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CREATIVE PROCESS OF HALANG DANCE Ninik Putri Yulianti; Soemaryatmi Soemaryatmi
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i1.4431

Abstract

Halang dance is a choreographic work that departs from a folk tale, namely the love story of Raden Inu Kertapati with Galuh Candra Kirana who faces many obstacles. The formulation of the research problem, namely: How is the creative process of creating Halang dance? This study uses a practice-based research methodology. The creative process in creating this dance uses the 3R theory. The result shows that the artistic process gives freedom of interpretation and creativity to anyone to realize ideas in the form of works. Halang dance is a work of art that is done through a creative process by going through the steps of Re-Visiting, Re-Questioning, and Re-Interpreting. Then through the steps of the creation process, namely exploration, improvisation, composition, evaluation, rehearsal, and performing. Halang dance is performed by four scenes as a literal dramatic choreography. The elements in Halang dance are able to convey the atmosphere and message to the audience that in truth life will never be separated from all problems and love will continue to grow and develop in souls who have sincerity.
Devanka Diaz’s Creative Process of the Pas Ma Responsabilité Dance Work Devanka Diaz Ayu Pitaloka; Soemaryatmi Soemaryatmi
Jurnal Seni Tari Vol 12 No 1 (2023): Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jst.v12i1.66212

Abstract

This research reveals the creative process of creating Pas Ma Responsabilité dance work, starting from the discovery of ideas and concepts to the forms of presentation with a creative background in contemporary works. The research method used is qualitative with descriptive analysis using the practice-led approach where the practice of writing goes concurrently with data collection techniques through field studies and literature studies. This research produces a description of the creative process of creating the Pas Ma Responsabilité dance work which is revealed based on the existing theory and the processes that occur directly in the field. The creative process consists of preparation, in the form of data collection and an exploratory process with creative and divergent thinking; incubation, the process of settling and understanding data until appearing inspiration; illumination, the exploration stage of movement, expression, potential, technique, and character; verification, the stage when the idea or new creation must be tested against reality. This research can be used as a critical reference for discussing novelty in today's contemporary dance. The main framework in this paper used as a reference is the creative processes and the results of the field practice process.
GARAP TARI SANG KARTINI KARYA RAJENDRO SUMARJONO DI KABUPATEN REMBANG Anita Anita; Soemaryatmi Soemaryatmi
Greget Vol. 21 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i1.4438

Abstract

Tari Kartini Kabupaten Rembang merupakan karya Rajendro Sumarjono untuk mengikuti Festival dan Lomba Seni Siswa Nasional (FLS2N) tingkat SMP Kabupaten Rembang tahun 2011. Kemudian pada tahun 2014 Tari Sang Kartin diminta oleh Dinas Kebudayaan Kabupaten Rembang dan Dinas Pariwisata yang akan dilaksanakan secara rutin pada tanggal 20 April dalam rangka memperingati HUT RA Kartini di Pendopo Kabupaten Rembang. Permasalahan dalam penelitian ini adalah (1) bagaimana bentuk tari Sang Kartini, (2) bagaimana cara kerja tari Sang Kartini. Penelitian ini menggunakan metode penelitian kualitatif, melalui tahapan observasi, studi pustaka dan wawancara. Mengungkap bentuk karya tari Sang Kartini, menggunakan teori Slamet MD yang membahas tentang unsur-unsur pembentuk tari yang meliputi gerak, ritme, ekspresi atau perasaan, kostum, panggung, dan penari. Sedangkan untuk mengungkap karya tari menggunakan teori Rahayu Supanggah meliputi unsur-unsur kerja seperti bahan kerja atau wilayah kerja, penggarap, sarana kerja, perlengkapan atau alat kerja, penentu kerja, dan pertimbangan kerja. Hasil penelitian ini menunjukkan bahwa Tari Kartini merupakan tarian berkelompok yang dibawakan oleh 5 orang penari wanita. Struktur karya terdiri dari 3 bagian yang menggambarkan suasana kesedihan dan semangat juang. Musik pengiringnya merupakan jenis musik pentatonik sebagai pembangun suasana dan sebagai penguat gerak. Karya gerak yang digunakan mengacu pada tari Putri Gaya Surakarta yang dikembangkan dari segi volume, ritme dan tekanan. Sedangkan harta berupa kain merah yang dieksplorasi melambangkan semangat RA yang membara. Kartini. Karya tari ini dibawakan oleh penari wanita dengan postur tubuh yang sama dan dominan dibawakan dengan teknik gerakan kompak yang bertujuan menghadirkan semangat perjuangan. Unsur-unsur dalam karya tari ini dirajut dalam satu alur yang saling terkait yang menggambarkan perjuangan emansipasi perempuan.
Karya Kolosal Tari Bandungrejo dalam Rangka Hari Tari Dunia di Surakarta Soemaryatmi Soemaryatmi
PANGGUNG Vol 28 No 1 (2018): Kontestasi Tradisi: Seni dalam Visualisasi Estetik, Naskah, dan Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v28i1.441

Abstract

AbstractThe aim of the research of the colossal Bandungrejo dance, which was held on the 9th World Dance Day in ISI Surakarta, is to describe the development of artistic creativity developed in the community. The method used in this research is a qualitative which involves the collection of data by using observation, interview, and documentation. The data processing is employed by triangulation techniques. This study uses a sociological approach that considers art as an expression of community groups. The research results show that the colossal Bandungrejo dance is a culmination of different artworks living in the community, and they are compiled into a form of masterpiece dance. The idea of this colossal folk dance is adopted from the legend of Ki Joko Bandung. The structure of dance presentation consisted of introduction, a middle part, climax and closing. It has wide range of motions which consists of symbolic motions, realistic movements (daily-life motions) and motions of some customized characters. The musical compositions accompanied in this colossal dance are popular folk songs, such as Ilir-ilir, Elo-elo narration, Gandrung Kemakmuran, Guyub Rukun Makaryo, and Langgam Rahina.Keywords: colossal dance, folk dance, and creativity AbstrakTujuan penelitian karya kolosal tari Bandungrejo dalam Hari Tari Dunia ke-9 di ISI Surakarta adalah untuk mendeskripsikan perkembangan kreativitas seni yang ada di masyarakat. Metode penelitian yang digunakan bersifat kualitatif, meliputi pengumpulan data dengan teknik observasi, wawancara dan dokumentasi. Pengolahan data dilakukan dengan teknik trianggulasi. Penelitian menggunakan pendekatan sosiologi seni yang beranggapan bahwa karya seni merupakan ekspresi kelompok masyarakat tertentu. Hasil penelitian menunjukkan karya kolosal tari Bandungrejo merupakan kulminasi dari beberapa karya yang ada menjadi sebuah karya yang besar. Ide garap tari kolosal kerakyatan diangkat dari legenda Ki Joko Bandung. Struktur sajian terdiri dari bagian awal, tengah, klimaks, dan penutup. Ragam gerak tari  yang digunakan sangat bervariasi terdiri dari gerak simbolis, gerak realis (sehari-hari), dan beberapa gerak yang menyesuaikan dengan karakter tokoh yang ada. Komposisi musikal dan lagu kerakyatan, yakni Ilir-ilir, Elo-elo Gandrung Kemakmuran dan Guyub Rukun Makaryo hingga langgam Rahina menjadi musik pengiringnya.Kata kunci:  karya kolosal, tari rakyat, dan kreativitas
Co-Authors Anita Anita Devanka Diaz Ayu Pitaloka Ninik Putri Yulianti