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Souleymane Diallo
Arts Cultures and Civilization Doctoral School, Postcolonial and African Studies Laboratory, Anglophone Department, Cheikh Anta Diop University, Dakar, Senegal
Social Sciences

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The Virtuosity of Traditional Africa and the Plasticity of Its Affects: The Cross-Cultural Fertilization of “Yela” in the Western Sahel and Savanah Souleymane Diallo
Journal La Sociale Vol. 3 No. 4 (2022): Journal La Sociale
Publisher : Borong Newinera Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37899/journal-la-sociale.v3i4.657

Abstract

Throughout the poetic image and imaginative construction of the self, the Yela embodies a protrusive source of vindication within the intellective and creative process of understanding become an object of perception. From an ingenuous beget to a more compound whole of a convention of representation and the association of experience, the Yela inside the Puular language becomes a structural material. Thus, the constituent of conservative imagery and the colonialist dynamic influences frame an innovative eccentric variety that appraises the formation of reality, memory, and symbol. Therefore, the domain of Yela through its cultural and artistic body, and within its existing essentiality of Gaandal and Demngal overtakes the principles of basic linguistics and the colonialist conventional perception of productivity. In effect, the Yela art through the all-encompassing relation of the Puular language with the whole performance of time and space, emphasizes on a cosmopolitan wholesome recombination, settlement and re-appropriation of material imagination and objective reality of intellection. The foundation of intellectual and artistic image, and imaginative expression, the corresponding inventiveness of the Yela art, and the musical nationalism arrange move beyond comatose understanding. Therefore, the commitment of this article underlines the question of the effective temperature of the Yela indigenous value of imagination, and its transformative experience as regard language, sociolinguistic and ecological reflectivity, and then its emphasis on its contemporary stylistic compass of performance.
Unveiling the Dynamics of African Post-Colonial Administration: A Holistic Analysis of Devil on the Cross Souleymane Diallo
Journal La Sociale Vol. 4 No. 1 (2023): Journal La Sociale
Publisher : Borong Newinera Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37899/journal-la-sociale.v4i1.785

Abstract

Through the frame frequency of the imported state and the westernization of the African political order, the social construction of the African bureaucracy appears as a structural device of abstraction, exploitation, and brutality. Then, through the frame of reference with the importation of conceptual juridical coordination and perceptual representative consensus, the African public administration enhances a frameshift transformation and a succession of causality. Therefore, in combinatorial and transactional analysis, the framework of Devil On The Cross progresses in a method of empirical processing decomposition. Within this respect, the elemental and pure imaginary of the African administration proceeds as a functional derivative governmentality and a colonial functional inception power. Subsequently, with its interaction design, processing system, and volume technique, the realm of Devil on The Cross inserts a paradigmatic analysis and a value engineering within which this African administration happens as an characteristic structural formula and an inefficient relational frame theory. Moreover, within the space-time continuum, the configuration management and the linear configuration programming of the African management apparatus, Devil On The Cross becomes a holomorphic function and an analytic continuation that reveal the anachronism nature and the asynchronous system of the African post-colonial administration.
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