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All Journal Poetika: Jurnal Ilmu Sastra QIJIS (Qudus International Journal Of Islamic Studies) AN-NISA : Journal of Gender Studies
Moh. Fathoni
UIN Kiai Haji Achmad Siddiq Jember
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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THE ISLAMIC SENSE ON LITERARY CRITICISM: A BRIEF HISTORICAL PERSPECTIVE Fathoni, Moh.
QIJIS Vol 3, No 1 (2015)
Publisher : IAIN Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/qijis.v3i1.1603

Abstract

New Historicism and cultural history have opened up the new approaches to writing histories. However, the last decade national and transnational literary histories have continued to take different approaches, by typical new national literary histories have distinguished the teleology of grand narratives by revised the linear ways into specific subjects and certain conception. In the following discussion, I shall describe how ‘new’ perspective of moral and ideological on history of literary criticism reacted to the crisis of history writing, by appearing the writing of the history of Islamic literary criticism—especially to perceiving the historical writing proposed by M.A.R. Habib, A History of Literary Criticism (2005).
THE ISLAMIC SENSE ON LITERARY CRITICISM: A BRIEF HISTORICAL PERSPECTIVE Moh. Fathoni
QIJIS Vol 3, No 1 (2015)
Publisher : IAIN Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/qijis.v3i1.1603

Abstract

New Historicism and cultural history have opened up the new approaches to writing histories. However, the last decade national and transnational literary histories have continued to take different approaches, by typical new national literary histories have distinguished the teleology of grand narratives by revised the linear ways into specific subjects and certain conception. In the following discussion, I shall describe how ‘new’ perspective of moral and ideological on history of literary criticism reacted to the crisis of history writing, by appearing the writing of the history of Islamic literary criticism—especially to perceiving the historical writing proposed by M.A.R. Habib, A History of Literary Criticism (2005).
KRITIK SASTRA PUITIKA KULTURAL STEPHEN GREENBLATT: METODE DAN PRAKTIK ANALISIS Moh. Fathoni
POETIKA Vol 1, No 2 (2013): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i2.10411

Abstract

As an exponent of  new historicism, Greenblatt initiated cultural poetic in literary criticism . The broad and eclectic of Greenblatt‘s thought in various disciplines and also what he had adopted from other thinkers‘ theory strengthen in practising literary texts analysis, while Greenblatt ‘s writings about literary texts analysis were not formulated in the form of  theories and praxis methods. In the other hand, it makes possible for anyone to formulate theories and methods for analysis according to literary criticism does. This paper describes a poetic culture literary critic of  Stephen Greenblatt by trying to explore and understand the world through the analysis of  his works. The formulation of  Greenblatt‘s thought was proccesed by identifying some of  his major books in the practice of literary text analysis, such as Renaissance Self  - Fashioning: From More to Shakespeare (1980), Shakespearean Negotiations: The Circulation of  Social Energy in Renaissance England (1988), and Marvelous possessions: The Wonder of  the New World (1991).Keywords:new historicism, Greenblatt, poetic
The Problematic Representation of Women: An Analysis of Ratna Indraswari Ibrahim's Literary Text Moh. Fathoni
An-Nisa': Journal of Gender Studies Vol. 15 No. 2 (2022): List of Contents
Publisher : LP2M UIN Kiai Haji Achmad Siddiq Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/annisa.v15i2.79

Abstract

Representation of women in literature develops parallelly with the productivity of literary texts. This representation is inevitably intertwined with a discourse that cannot be separated from power relations. Thus, the position and identity of women are vulnerable to domination and subordination. However, women are constructed as subjects and objects, allowing negotiation and contestation to emerge. This article examines the problematic representation of women in Ratna Indraswari Ibrahim's text, "Tina is Just Silent (Tina Diam Saja)," by using Linda Hutcheon's analysis of the female subject in post-modernism discourse. This article reveals that Ibrahim's text produces and reproduces the complicated female subject dealing with power relations. Ibrahim's text provides space for the subject to contest and negotiates her position and identity. "She" offers a silent strategy for the contestation in the text. Therefore, the text allowed female subjects to be problematized by a representation of the consequences of gendered power.
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