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This Author published in this journals
All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature International Journal of Educational Review, Law And Social Sciences (IJERLAS) Formosa Journal of Multidisciplinary Research (FJMR) Formosa Journal of Science and Technology (FJST)
Nur Sapta Riskiawati
Universitas Handayani Makassar
Religion Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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 1 
Dynamics of Characters Elinor and Marianne in Austen’s Sense and Sensibility Nur Sapta Riskiawati; Muh Fauzi Razak
Formosa Journal of Multidisciplinary Research Vol. 1 No. 4 (2022): August 2022
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/fjmr.v1i4.1317

Abstract

In the author’s works, some of their work are mostly inspired by the environment around them. In this research, the writer focuses to search the dynamic character in the novel Sense and Sensibility and comparing the situation from Austen’s experiences and the characters from the novel. The writer uses dynamic structuralism approach to analyze the intrinsic elements of the novel and biography approach to analyze the background of author’s life. Based on the results of this analysis, Jane Austen created the dynamic of the character become so real and live. In this novel, the characters Elinor and Mariane have important role in the novel and have similarity with the writer4. The writer sums up that Sense and Sensibility is one of the famous novels that has good literary values. The reader can learn much about life, moral, love and loyality from this novel.
Edward Daniels Delusion in the Martin Scorsese’s Movie “Shutter Island” Muh. Fauzi Razak; Nur Sapta Riskiawati
Formosa Journal of Science and Technology Vol. 2 No. 1 (2023): January, 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/fjst.v2i1.3214

Abstract

In the movie “Shutter Island” by Martin Scorsese there is a character Edward Daniels that experience delusion. The aims of this research are to describe the types of delusional disorder on the major character in the Scorsese’s movie “Shutter Island” and the treatments are used to cure major character’s delusion in the movie. The writer used descriptive qualitative method and psychological approach. The writer found that the movie “Shutter Island” by Martin Scorsese showed the types of delusional disorder experienced by major characters, they are grandiose types, jealous types, persecutory types, and somatic types. The disorder needs to be treated before it becomes chronic. Hopefully, this research can contribute to education as an analysis of literary work.
“MADNESS AS RESISTANCE: SUBVERTING PATRIARCHAL CONTROL IN HAN KANG'S THE VEGETARIAN" Muhammad Fauzi Razak; Nur Sapta Riskiawati; Sofyan Sukwara Akfan
International Journal of Educational Review, Law And Social Sciences (IJERLAS) Vol. 5 No. 5 (2025)
Publisher : CV. RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijerlas.v5i5.3802

Abstract

This article examines the concept of madness as a form of resistance in Han Kang's novel The Vegetarian, which deeply depicts a woman's psychological and bodily rebellion against the shackles of a patriarchal and conformist Korean society. The main character, Yeong-hye, exhibits behavior labeled as "madness" after she decides to stop eating meat—a decision that later develops into a rejection of language, social expectations, and even her own body. Drawing on Michel Foucault's theory of madness as a social construction and R.D. Laing's anti-psychiatry perspective, this study argues that Yeong-hye's descent into what is considered madness is not simply a mental disorder, but a conscious form of resistance embodied through the body. Her rejection of familial and societal norms represents an attempt to reclaim agency in a world that often oppresses women's subjectivity. Through a close reading of the narrative, this article reveals how The Vegetarian critiques mechanisms of control, discipline, and normalization within domestic and institutional structures. Ultimately, Yeong-hye's madness emerges as a counter-narrative that shakes the rational order and challenges dominant ideologies about gender, conformity, and sanity.
Indonesia in the Making: Portraits of Customary Women in Perempuan Batih By A. R. Rizal: English Nur Sapta Riskiawati; Nensia; Fauzi Razak; Absri
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 1 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i1.11479

Abstract

This paper examines Perempuan Batih by A. R. Rizal within the framework of Indonesia in the making, positioning customary women as key subjects in the process of contemporary Indonesia’s social and cultural formation. Through representations of batih or nuclear family life, the text reveals that adat or customary norms do not operate as a fixed value system, but rather as a social practice that is continuously shaped, negotiated, and contested amid changing times. Employing approaches from the sociology of literature and feminist literary criticism, this paper analyzes value conflicts, gender relations, domestic labor, and shifts in authority within the domestic sphere as reflections of broader social dynamics. The analysis shows that women in Perempuan Batih are not merely portrayed as guardians of tradition, but also as agents of change who actively participate in the production of meaning surrounding adat. This paper argues that the text offers a critical reading of Indonesia as a process of becoming, in which women’s adat plays a significant role in shaping Indonesia’s present and future.
Co-Authors Absri Fauzi Razak Muh Fauzi Razak Muh. Fauzi Razak Muhammad Fauzi Razak Nensia Sofyan Sukwara Akfan