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All Journal Jurnal Komunitas Bahasa Piktorial : Journal of Humanities
Iffah Fauziah Rahardy
Universitas Pamulang
Religion Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Nur Muhammad Concept in Hikayat Nur Muhammad Iffah Fauziah Rahardy
PIKTORIAL : Journal of Humanities Vol 4, No 2 (2022): Piktorial l Journal of Humanities
Publisher : Prodi Sastra Indonesia Universitas Pamulang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32493/piktorial.v4i2.25037

Abstract

The aim of this research is to produce an edit text litography of Hikayat Nur Muhammad in the framework of philology. Litography text is still rarely use in the philology research. Therefore, the researcher choose this text to be the object of this research. The researcher compare two litography text which is located in British Library and Kebangsaan Malaysia University. There are many litography text, so the method used is method of foundation (legger). The chosen text becomes the most powerful text for the present edition, which is located in Kebangsaan Malaysia University. In the literature reception, the researcher wil reveal the concept of Nur Muhammad  in the simply form. During this time, Hikayat Nur Muhammad always have some general perception, is based on the mysticism concept, so that the general reader can’t understand well. Therefore, in this research, the researcher will reformulate Nur Muhammad easily so that the general reader can understand well. The researcher consider this concept can be understand by three point, that is the creation of human being process, the purpose of creation, and ‘the return’ of human being to the Creator. Allah create the world as macrocosm, which is the human being as microcosm will be lived. In the living of this world, human being have a main duty, is worship to Allah. This worship can be shaped by five aspect, are the confession that there is no God other than Allah and the Prophet Muhammad is his Meddenger, shalat, fasting, obligatory alms, and the pilgrimage to Mecca. After the human being’s duty finished, human being will ‘return’ to Allah and will occupy in ‘last place’, based on his deed.
Syair Perang Mengkasar: Representation of Gowa’s Resistance to Dutch Colonialism Iffah Fauziah Rahardy; Lismalinda; Besse Puspitha Syarif; Wita Dwi Payana
Jurnal Komunitas Bahasa Vol 14 No 2 (2026): October 2026
Publisher : Universitas Asahan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36294/wkzgt584

Abstract

This study examines how Syair Perang Mengkasar represents Gowa’s resistance to Dutch colonialism, based on C. Skinner’s edited and transliterated edition. Data were collected through library research and analyzed using postcolonial textual analysis. The analysis focuses on stanzas that represent opposition to Dutch colonial power and classifies the data into two categories: symbolic and physical resistance. Symbolic resistance is indicated by pejorative and evaluative representations of the Dutch, expressions of rejection, and discursive challenges to Dutch legitimacy, while physical resistance is indicated by fighting, military confrontation, defense, and the willingness to oppose Dutch forces. The findings reveal two interconnected forms of resistance represented through the actions and utterances of Gowa’s rulers, nobles, warriors, and the narrative voice. Symbolic resistance appears in expressions such as Welanda syaitan, Welanda kutuk, and banyak yang bida’ah, while physical resistance appears in explicit expressions of fighting and confronting the Dutch. These findings demonstrate that resistance in the poem operates not only through direct physical confrontation but also through counter-representations that challenge the legitimacy of colonial power.
Co-Authors Besse Puspitha Syarif Wita Dwi Payana